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[Photo &] “Jang Bu-jang” sequel carries the weight of up to 23%

[Photo &] “Jang Bu-jang” sequel carries the weight of up to 23%

With the momentum of Season 1’s peak 11% popularity, it returns after two years… Jeong Eun-chae joins the cast, Yoo Seung-ho makes a special appearance
Carrying the daunting title as the follow-up to the mega hit 'Jang Bu-jang' that reached a high viewership rating of 23%, actor 'Ahn Bo-hyun' returns to the living room on July 7 with SBS’s new Friday-Saturday drama 'Jae-bol X Detective 2'.
[Interview] “Not releasing this video is a bigger sin.” What should we have done? Director Tomoaki Fujino ②

[Interview] “Not releasing this video is a bigger sin.” What should we have done? Director Tomoaki Fujino ②

When her older sister develops symptoms of schizophrenia, her parents choose to put a lock on the front door instead of taking her to a hospital. Unable to look away, the younger brother picks up a camera and steps into that silence.
Because they could not obtain the family’s consent, ethical questions about the film’s release inevitably follow. ​ You asked a really important question. There are ethical issues, of course. In fact, we released it without getting permission or even understanding from any member of the family.
[Interview] “It’s a bigger sin not to release this video.” How should it have been handled? Director Tomoaki Fujino ①

[Interview] “It’s a bigger sin not to release this video.” How should it have been handled? Director Tomoaki Fujino ①

When it was released in Japan, the film posed pointed questions about families with disabled relatives and issues of caregiving, and interest continues as it opened in South Korea on the 29th of last month.
There’s a film that has sparked buzz on every front, from the source material—an older sister’s schizophrenia and the parents’ confinement of her—to the production of a private documentary recorded by the family, and to the theater release format despite the absence of IPTV, VOD, OTT, and other...
Na Hong-jin’s Hope Breaks Through Mixed Reactions and Passes 4 Million Viewers, Marking Its Third Major Record of the Year

Na Hong-jin’s Hope Breaks Through Mixed Reactions and Passes 4 Million Viewers, Marking Its Third Major Record of the Year

Starring Hwang Jung-min, Jo In-sung, and Michael Fassbender, the film logged a 44.3% seat-sales rate and surged backward into a hit.
A 44.3% miracle that rose after beating early mixed reactions… Na Hong-jin’s genre-mixing blockbuster reshapes the theater market Na Hong-jin’s new film 'Hope' perfectly dispelled the sharply divided critical views in its opening days, then went on to achieve a stunning feat: becoming the third...
Acting Stalking Victim Claims Involving Hwang Jung-min: Film ‘Hope’ Investors and Distributor Share Their Position

Acting Stalking Victim Claims Involving Hwang Jung-min: Film ‘Hope’ Investors and Distributor Share Their Position

In relation to the issue of actor Hwang Jung-min’s alleged stalking victimization, the film ‘Hope’ investors and producer have released their position. Full text follows.
In relation to the issue of actor Hwang Jung-min’s alleged stalking victimization, the film ‘Hope’ investors and distributor and its production company are making their position known. The investment and distribution company Plus M Entertainment and the production company Forged Films express deep...
‘Sang-namja’ Disney+ Release Confirmed! Park Jeong-min Rewinds as a Corporate Rookie CEO

‘Sang-namja’ Disney+ Release Confirmed! Park Jeong-min Rewinds as a Corporate Rookie CEO

He climbed to the CEO chair at a major conglomerate chasing only success—but the next day, he loses everything, and rewinds back 20 years to his days as a new hire.
Popular Naver webtoon 〈Sang-namja〉 is being produced as a series. 〈Sang-namja〉 is an office time-rewind story about a man who rises to the CEO spot at a major conglomerate by pursuing nothing but success—only to lose everything overnight—then rewinds back 20 years to his new-hire days to carve out...
Passion Behind the Camera Beyond the Lens! Behind-the-Scenes Stills Shot by Cinematographer Hong Kyung-pyo Unveiled for “Hope”!

Passion Behind the Camera Beyond the Lens! Behind-the-Scenes Stills Shot by Cinematographer Hong Kyung-pyo Unveiled for “Hope”!

Photos directly captured by cinematographer Hong Kyung-pyo bring the atmosphere on set to life.
The released behind-the-scenes stills capture everything from the sweeping scenery at the filming locations to moments that show the intense drive of the staff and actors as they work to complete the production.
[Kim Ji-yeon’s Jewel Box] 'Off to Work Again!' Star Kang Ki-dong, the Sturdy Pillar of Korean Dramas

[Kim Ji-yeon’s Jewel Box] 'Off to Work Again!' Star Kang Ki-dong, the Sturdy Pillar of Korean Dramas

I’m curious about people. Even actors already getting attention may be at the low point of their public profile. "Kim Ji-yeon's Jewel Box" spotlights performers who keep setting new highs day after day. Buy the breakout stocks at their lows.
Anyone who watches Korean dramas has likely noticed Kang Ki-dong at least once — the reliably grounded actor whose supporting turns keep stealing scenes. In the tvN drama 〈Off to Work Again!〉, which concluded on the 28th, Kang played Jeon Gi-tae, a seven-year office veteran and a member of Saeum...
[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

With the college entrance exam days away, the four girls—In-hye (Park Hye-jin), Seo-hee (Lee Seung-yeon), Jeong-ae (Park Hyo-eun), and Su-min (Choi Soo-in)—are shaken by news that the animals at the school’s animal-keeping facility will be euthanized.
In 2001, what were the girls from 〈Please Take Care of My Cat〉 doing about now? Maybe they’ve already grown up by now. Somewhere, they’re surely doing well. Even so, the descendants of the daydreamer Tae-hee (Bae Doo-na), who kept caring for strays, are being born again—and growing up—somewhere, as...
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...