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Search results for "Kim Da-mi interview"

Finding One's Purpose as an Actor 'HUMINT' Jo In-sung①

Finding One's Purpose as an Actor 'HUMINT' Jo In-sung① "Elegant Action? Thanks to Director Ryoo Seung-wan, I Just Did What I Was Told"

Jo In-sung stated that he studies 'how not to act'. With 27 years of acting experience, Jo In-sung still contemplates his purpose. He constantly questions his usefulness and self-censors. The actor Jo In-sung, who has built a strong image, said he is rather learning 'how to let go'.
| Kim Ji-yeon
'Humint' Jo In-sung,

'Humint' Jo In-sung, "Manager Jo is a person who treats Chae Sun-hwa with kindness... If you caught a glimpse of the chemical reaction between the two characters, it would be the highest praise"

"I didn't intentionally aim for a melodramatic mood... However, I would be grateful if you could appreciate the film richly"
Actor Jo In-sung shared insights about the deep relationships in 〈Humint〉.On the afternoon of the 11th, a commemorative interview for the release of the film 〈Humint〉 took place in Jongno-gu, Seoul. On this day, Cineplay met with Jo In-sung to discuss behind-the-scenes stories about the film...
| Kim Ji-yeon
The Magic of Choi Woo-shik, the Youth Who Makes Fantasy Real, 'Number One' Choi Woo-shik② “Everyone loves my unassuming face, allowing me to grow with the character”

The Magic of Choi Woo-shik, the Youth Who Makes Fantasy Real, 'Number One' Choi Woo-shik② “Everyone loves my unassuming face, allowing me to grow with the character”

▶ 〈Number One〉 Actor Choi Woo-shik Interview Continues Part 1. 〈Number One〉 is a film where dialogue is important, but there are many significant eating scenes. Local foods from Busan, like pickled perilla leaves and beef radish soup, also appear.
| Kim Ji-yeon
The Magic of Choi Woo-shik, the Youth Who Makes Fantasy Realistic, 'Number One' Choi Woo-shik① “I Have Great Luck with People, This Set Had Everything in Harmony”

The Magic of Choi Woo-shik, the Youth Who Makes Fantasy Realistic, 'Number One' Choi Woo-shik① “I Have Great Luck with People, This Set Had Everything in Harmony”

When Choi Woo-shik does it, it seems plausible. The setting where numbers appear before his eyes, the setting where a number decreases every time he eats his mom's food, and the somewhat absurd setting of leaving his hometown to avoid his mom's home-cooked meals, all transform from fantasy to a...
| Kim Ji-yeon
‘The King's Warden’ Park Ji-hoon ① “You must be Danjong, I decided to participate after Director Jang Hang-jun's words”

‘The King's Warden’ Park Ji-hoon ① “You must be Danjong, I decided to participate after Director Jang Hang-jun's words”

Although it is a phrase derived from the West, a king is sometimes like the sun. It signifies both the nobility of the 'bloodline' that a king receives from the heavens and the duty to spread light across the world.
| Seongchan Eol
'The Rose: Come Back to Me' A Thorny Rose That Thrived Through the K-Pop System, Meeting the Band 'The Rose'

'The Rose: Come Back to Me' A Thorny Rose That Thrived Through the K-Pop System, Meeting the Band 'The Rose'

We met the four members of The Rose, Kim Woosung, Lee Ha-jun, Lee Tae-kyum, and Park Do-joon, in the documentary 〈The Rose: Come Back to Me〉 that captures the ongoing challenges of the band in their eighth year since debut.
In a fiercely competitive world where only 0. 1 percent of aspiring artists debut, and among them, only 0. 001 percent can succeed. The joy of dreaming of becoming a trainee as the destination of dreams does not last long.
| Cineplay
The King's Warden: Director Jang Hang-jun ②

The King's Warden: Director Jang Hang-jun ② "Park Ji-hoon has a unique charm personally... Yoo Hae-jin has acting skills comparable to national actor Song Kang-ho's one-man show"

▶ 〈The King's Warden〉 Director Jang Hang-jun's interview continues in Part 1.※ It is specified that descriptions related to the climax of 〈The King's Warden〉 have been narrated.Additionally, in the film, Lee Hong-wi is referred to by his military title 'Noh San-gun', but for the convenience of the...
| Seongchan Eol
Mr. Kim Goes to the Cinema, Directed by Former BIFF Executive Chairman Kim Dong-ho, Releases on February 19

Mr. Kim Goes to the Cinema, Directed by Former BIFF Executive Chairman Kim Dong-ho, Releases on February 19

First feature documentary featuring interviews with master directors like Bong Joon-ho, Park Chan-wook, and Hirokazu Kore-eda... Exclusive screening at Megabox
The first feature documentary directed by former BIFF Executive Chairman Kim Dong-ho is coming to theaters. According to Plus M Entertainment, Kim's first feature directorial work 〈Mr. Kim Goes to the Cinema〉 will be released exclusively at Megabox on February 19.
| 김지민
Can This Love Be Translated? Kim Seon-ho ②

Can This Love Be Translated? Kim Seon-ho ② "I think my reaction creates the image of the other character while acting"

▶ 〈Can This Love Be Translated. 〉 Kim Seon-ho Actor Interview continues in Part 1. There were many overseas location shoots. Among Japan, Italy, and Canada, which country left the biggest impression on you. Italy was great, and everything was good, but I can't forget the shock of seeing the aurora.
| Chua-young
[Joo Seong-cheol's Locker] The 'Canned Cart Camera' that Changed the History of World Cinema with 'Nouvelle Vague'

[Joo Seong-cheol's Locker] The 'Canned Cart Camera' that Changed the History of World Cinema with 'Nouvelle Vague'

I am fascinated by objects in movies. I ponder deeply why directors, cinematographers, art directors, or even actors placed that object in front of the camera. 'Joo Seong-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.
"Keep shooting, because only we can do it. " 〈Nouvelle Vague〉 is a film set in Paris in 1959, depicting the process of Jean-Luc Godard , a passionate young film critic for the French film magazine 'Cahiers du Cinéma', shooting his debut film 〈Breathless〉 (1959).
| Joo Seong-cheol