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[2026 BIFF] Lee Chang-dong, Jeon Do-yeon, Seol Kyung-gu, Jo In-sung and Cho Yeo-jeong on 〈Possible Love〉: 'The Moon Shines Equally on Everyone'

[2026 BIFF] Lee Chang-dong, Jeon Do-yeon, Seol Kyung-gu, Jo In-sung and Cho Yeo-jeong on 〈Possible Love〉: 'The Moon Shines Equally on Everyone'

Director Lee Chang-dong’s first film in eight years, 〈Possible Love〉, was shown at the 31st Busan International Film Festival . Invited to the Icon section, the film met domestic film festival audiences for the first time after becoming the first Korean film to win the Grand Jury Prize at the 83rd...
National Asian Culture Center to host 2026 ACC Big Door Cinema from Oct. 29-31

National Asian Culture Center to host 2026 ACC Big Door Cinema from Oct. 29-31

The “One Day, One Master: Fall in Love Cinema” program will feature screenings of “200 Pounds Beauty” (2006), “The Contact” (1997) and “Shiri” (1999), along with appearances by the films’ directors and actors.
The National Asian Culture Center , an institution affiliated with the Ministry of Culture, Sports and Tourism and led by Kim Sang-wook, will host “2026 ACC Big Door Cinema” from Oct. 29 to 31 at the Big Door outdoor stage of Theater 1 at the National Asian Culture Center.
[New film] Park Hoon-jung's 'Sad Tropics' set to open on the 25th next month with brutal survival tale crowned by Silver Crow

[New film] Park Hoon-jung's 'Sad Tropics' set to open on the 25th next month with brutal survival tale crowned by Silver Crow

Action noir starring Kim Myung-min and Park Hae-soo wins Special Jury Prize at 44th Brussels Film Festival
Director 'Park Hoon-jung', who has built an unparalleled universe in Korean noir, is returning with a new film. Distributor Mindmark said on the 13th that 'Sad Tropics' will receive a formal theatrical release on the 25th next month.
Kim Do-yeon completes first BIFF run with 'Dora,' wins Face of Asia Award

Kim Do-yeon completes first BIFF run with 'Dora,' wins Face of Asia Award

Invited to the 31st Busan International Film Festival's Gala Presentation section, she appeared at stage greetings, a guest talk and a press conference
Kim Do-yeon completed her first Busan International Film Festival run with the film 〈Dora〉. Her agency, Fantagio, said Oct. 12 that Kim successfully completed the official schedule for the 31st Busan International Film Festival, held from Oct. 6 to 9.
Review: 〈Silnakwon〉 Pits a Mother Against an AI-Era Mystery When Her Son Returns After 9 Years

Review: 〈Silnakwon〉 Pits a Mother Against an AI-Era Mystery When Her Son Returns After 9 Years

Director Yeon Sang-ho, a filmmaker often credited with expanding the range and commercial success of Korean cinema, tackles a story rooted in the anxieties of the AI age in 〈Silnakwon〉. The film, which screened for audiences at the 51st Toronto International Film Festival and the 31st Busan...
Netflix draws 400 emerging creators to BIFF for largest-ever Creative Asia

Netflix draws 400 emerging creators to BIFF for largest-ever Creative Asia

Third-year event features directors Han Jun-hee and Kang Yoon-sung and introduces its first hands-on AI workshop
400 creators poised to lead the future of K-content learn hands-on production skills Netflix held Creative Asia at the Busan International Film Festival on the 10th, bringing together emerging creators from across Asia for global exchange and professional growth in the event's largest edition yet.
Film 'Assassin(s)' Tops 3 Million Amid Political Controversy and Canceled Stage Appearances

Film 'Assassin(s)' Tops 3 Million Amid Political Controversy and Canceled Stage Appearances

Film about the hunt for those behind a 1974 assassination attempt targeting the first lady draws 3 million viewers in 20 days All stage appearances canceled after cast members face vulgar attacks amid conservative accusations of historical distortion Fierce backlash follows as production company denies directly naming the mastermind and the film industry issues a statement protecting creators
〈Assassin 〉 has surpassed 3 million viewers amid controversy. The film 〈Assassin 〉 announced that it surpassed 3 million viewers on the morning of Oct. 13. According to the Korean Film Council's integrated computer network for theater admissions, 〈Assassin 〉 had drawn 2.
[Busan International Film Festival (BIFF) Photo]

[Busan International Film Festival (BIFF) Photo] "From winning the 83rd Venice Best Actress award to the job center" ... Mathilde Arcel of 'What's Wrong With Marie?'

She won the unanimous Best Actress award for a film about a Nazi collaborator in 1945 and made her Korean debut at the Busan International Film Festival on the 11th.
"It was my first film in a leading role, and my first award at my first festival. It felt like a strange imbalance to have been in Venice just moments earlier and then find myself in a small office at a Danish job center.
[On Location at BIFF] “It Started With My Experience of Being Talked About Behind My Back” — 28-Year-Old Newcomer’s That Day’s Tae-joo Explores the Truth Behind a Busan Film Festival Rumor

[On Location at BIFF] “It Started With My Experience of Being Talked About Behind My Back” — 28-Year-Old Newcomer’s That Day’s Tae-joo Explores the Truth Behind a Busan Film Festival Rumor

Invited to the 31st Busan International Film Festival competition, the film presents an unusual narrative in which a single day repeats against the backdrop of Namhae
Chilling insight drawn from experience, on the line between escape and confrontation Selected for the competition section of the 31st Busan International Film Festival , That Day’s Tae-joo is a finely crafted work that sharply captures the anxiety of modern people trapped by others’ scrutiny and...
[On the Ground at BIFF] “It Wasn’t Your Birth Mother’s Fault”: ‘Home Sick’ Director Sørensen’s First Confession Reveals Truth Behind 56 Falsified Adoptions

[On the Ground at BIFF] “It Wasn’t Your Birth Mother’s Fault”: ‘Home Sick’ Director Sørensen’s First Confession Reveals Truth Behind 56 Falsified Adoptions

Adoptee sent to Denmark at 2 months old in 1982 returns with autobiographical documentary No compensation despite official finding of human rights violations; film takes direct aim at South Korea’s stigma against single mothers
Tracing lost blood ties through a stranger’s lens Tanja Taekyung Inwol Sørensen, who was adopted to Denmark at 2 months old in 1982, came to the 31st Busan International Film Festival with 'Home Sick: At the End of the Sea', an autobiographical documentary tracing her roots.