Search results for "play hard"

The ease of a ninth-year act returning with a sensual summer song, and musical provocation that breaks boundariesThe girl group I-DLE subdued the heat of summer with sensual, exotic melodies. A nine-year veteran presence did not settle into comfort—it led to a bold musical provocation unlike...

The return of the action king that swallowed up the home-viewing audience is relentless. The SBS Friday-Saturday drama 'Manager Kim,' led by actor 'So Ji-sub,' is charging full speed, breaking through the fabled mark of '20% viewership' in one go and writing a new chapter in Korean action thrillers.

※ This interview with 〈Notes from the Last Row〉 star Choi Hyun-wook continues from Part 1. 〈Notes from the Last Row〉 sets up Lee Gang’s decision to take revenge after an offhand remark from Heo Mun-o, whom he met at the orphanage as a child, becomes a wound.

Choi Hyun-wook, born in 2002, squares off with Choi Min-sik, born in 1962, in Netflix's 〈Notes from the Last Row〉 — and, furthermore, few expected he'd end up literally playing on top of the veteran; still, he never gives ground.

※〈Notes from the Last Row〉 actor Choi Min-sik interview continues from Part 1. Among viewers' reactions to 〈Notes from the Last Row〉, many say, "It feels like my most embarrassing, hidden complex has been stripped bare and exposed — it's funny but very uncomfortable.

Penélope Cruz (Penélope Cruz) and Javier Bardem were spotted at the 2026 North and Central American World Cup. The sight of the two watching their home country Spain’s national team play and pouring out intense enthusiasm drew concentrated attention from foreign media.

The weekend theater scene is buzzing with a clash between chilly K-mystery and warm Hollywood-style kid-at-heart wonder. Shin Min-a’s well-made thriller, Eye Pupils, knocked Disney and Pixar’s hit juggernaut, Toy Story 5, taking a commanding run to the top of the box office.

〈Hana Korea〉 tells one of Korean cinema’s most familiar stories in one of its most unfamiliar forms: a film by a Danish director, set in Seoul, about a North Korean defector. At times it unfolds like a Scandinavian film, yet its setting and faces are unmistakably Seoul, with Kim Min‑ha at the...

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.

This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...