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[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

A talk that reaches the actor through deep, steady breathing, like a detox. The actors Lee Hwa-jung meets in her film journalism.
▶ The meeting with actor Lee Yeon continues from Part 1. ​
| 이화정
[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

A talk that approaches the actor with deep, cleansing breaths. Actors Lee Yeo-jeong meets.
“I should get paid a really big amount of money.” Borrowing a line from Dobby-seo, she delivered a compliment aimed at the Dobby-seo of 〈the Dynasty Lady of the 21st Century〉. Lee Yeon’s performance, which breaks the mold of what a typical secretary in a drama looks like, gives off a lively, bouncy...
| 이화정
[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
| Seongchan Eol
Interview: Park Ji-hyun Takes on Comedy in 〈Wild Thing〉 (Part 2)

Interview: Park Ji-hyun Takes on Comedy in 〈Wild Thing〉 (Part 2)

※〈Wild Thing〉 actor Park Ji-hyun interview continues from Part 1. Domi gives up performing and becomes a chaebol daughter-in-law, living an upper-class life. Even so, why does she return to the stage. I think Domi is an honest, very down-to-earth person. Her main goals are probably money and fame.
| Kim Ji-yeon
[Interview] The Boldest, Most Unconventional Attempt of His Career, 'Wild Sing' Kang Dong-won②

[Interview] The Boldest, Most Unconventional Attempt of His Career, 'Wild Sing' Kang Dong-won②

“My 'headspin'? I want to be the best actor in the world. That's all.”
▶Actor Kang Dong-won's interview on 〈Wild Thing〉 continues from Part 1. 〈Wild Sing〉's Hyun-woo sees the 'headspin' as the symbol of a dream he can never give up; if Kang Dong-won has a dream like that, what is it. I just want to be the best actor in the world; simply put, that's all there is.
| Kim Ji-yeon
[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

“One hour step practice, one hour technique practice, one hour choreography practice, then technique practice again — I practiced four hours a day”
Kang Dong-won let himself go without reservation. He said he wasn’t working extra hard just this time. He explained that he’s always approached each project with the mindset that you can’t afford to strike out; if you strike once, you must make it to base the next time — and that attitude has...
| Kim Ji-yeon
[Kim Ji-yeon's Jewelry Box] You Already Knew Lee Hyo-je! 'If Wishes Could Kill' Lee Hyo-je

[Kim Ji-yeon's Jewelry Box] You Already Knew Lee Hyo-je! 'If Wishes Could Kill' Lee Hyo-je

I am curious about people. Even if someone is already a noticed actor, today may be the least famous they'll ever be. 'Kim Ji-yeon's Jewelry Box' introduces actors who are reaching new highs by the day. Treat these 'soaring stocks' as 'buy-the-dip' opportunities.
The first time I saw Lee Hyo-je, or rather the first time I 'mistook' that I had seen him, was at a small theater. Earlier this year, Lee Hyo-je took the stage as the character Gi Ho-tae in the youth troupe Bu-eong Waltz's play 〈Escape from Reality〉.
| Kim Ji-yeon
[Joo Seong-cheol’s Lockers] The Great Dancer Turned Film Director Summoned by “Michael”: Bob Fosse’s “All That Jazz”

[Joo Seong-cheol’s Lockers] The Great Dancer Turned Film Director Summoned by “Michael”: Bob Fosse’s “All That Jazz”

I can’t help but get hooked on the objects in movies. Director, cinematographer, production designer, or even an actor—why, exactly, did they put that item in front of the camera? ‘Joo Seong-cheol’s Lockers’ is a record of the movie objects that lightly landed under my gaze and, somehow, stuck there.
Everyone had been waiting. With the release of 〈Michael〉 on May 13, it shot to #1 at the weekend box office, instantly projecting a million viewers. Zafar Jackson, Michael Jackson’s real-life nephew, debuts as the youngest member of the ‘Jackson 5’ right away, drawing attention for his musical...
| Joo Seong-cheol
“TOTORO & HOWL Live—First Korea Visit by the Original Song Vocalists of Ghibli OST”

“TOTORO & HOWL Live—First Korea Visit by the Original Song Vocalists of Ghibli OST”

Held at Yonsei University’s Grand Auditorium on the 6th of next month… A live stage with orchestral collaboration and the vivid performance of the original artists
Voices that echoed around the world—“Studio Ghibli” Original Singers’ first Korea visit The beloved masterpieces from “Studio Ghibli”—songs that left a lasting mark on the history of animation worldwide—will finally land on the Korean stage.
| James choi
Critic Kim Na-hee’s “Vivaldi and Me” ② The Moment When Beings We Had Only Heard Appear

Critic Kim Na-hee’s “Vivaldi and Me” ② The Moment When Beings We Had Only Heard Appear

Spring isn’t just the season when flowers bloom. It’s the moment when the beings we could only hear finally begin to be seen.
For a brief moment, we may feel like we understand or truly know the other person—so convinced that we believe it. Communication through music is like that. In the deepest layer of their relationship, we see it in Vivaldi’s confession—when, in the middle of the night, he comes first to Cecilia’s...
| Cineplay