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Search results for "Kim Young-Sung"

‘Sang-namja’ Disney+ Release Confirmed! Park Jeong-min Rewinds as a Corporate Rookie CEO

‘Sang-namja’ Disney+ Release Confirmed! Park Jeong-min Rewinds as a Corporate Rookie CEO

He climbed to the CEO chair at a major conglomerate chasing only success—but the next day, he loses everything, and rewinds back 20 years to his days as a new hire.
Popular Naver webtoon 〈Sang-namja〉 is being produced as a series. 〈Sang-namja〉 is an office time-rewind story about a man who rises to the CEO spot at a major conglomerate by pursuing nothing but success—only to lose everything overnight—then rewinds back 20 years to his new-hire days to carve out...
| Joo Seong-cheol
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
Yeon Sang-ho’s 'Paradise Lost' Officially Invited to Toronto Film Festival, Set for October Release

Yeon Sang-ho’s 'Paradise Lost' Officially Invited to Toronto Film Festival, Set for October Release

Following last year’s 〈Face〉, Yeon returns to TIFF’s Special Presentations for a second consecutive year
Director Yeon Sang-ho's new film 〈PARADISE LOST〉 has been officially invited to the Special Presentations section at the 51st Toronto International Film Festival.CJ ENM said on July 21 that 〈PARADISE LOST〉 will screen in the Special Presentations section at the 51st Toronto International Film...
| Kim Ji-yeon
KBS·JTBC Ratings Tie at 3.4% as Spain Wins — ‘Dynamite’ by BTS Lights Up the Night

KBS·JTBC Ratings Tie at 3.4% as Spain Wins — ‘Dynamite’ by BTS Lights Up the Night

BTS Makes World Cup History with the First-Ever Halftime Show, While Jung Ho-yeon Heads to the Final as the Trophy Presenter for a 1-0 Match
At the broadcast booth of the ‘2026 International Federation of Association Football North America Cup’ final, which drew the attention of soccer fans around the world, ‘KBS’ and ‘JTBC’ staged a ratings showdown with not an inch to spare. The return of the invincible fleet, and a 3.
| James choi
Analog Scent in the AI Era… Park Hak-gi Launches a Talk Concert, “Filling in the Blanks,” With Audience Members

Analog Scent in the AI Era… Park Hak-gi Launches a Talk Concert, “Filling in the Blanks,” With Audience Members

First Episode on YouTube on July 7… A Relay of Support From Star Social Media First guest is Yurisangja (Jang Park Seung-hwa & Lee Se-jun), delivering the emotional pull and connection of a small-venue concert that brings back the memories of the ’80s and ’90s
Amid an onslaught of digital, ‘solid comfort’ delivered by analogIn today’s era, when artificial intelligence and advanced digital technology have encroached on everyday life, a distinctive YouTube content series that brings back the warm sensibilities of the 1980s and 1990s is finding its way to...
| James choi
‘Hope’ Posts the Best Opening Score of the Year as Its First Day Tops 330,000

‘Hope’ Posts the Best Opening Score of the Year as Its First Day Tops 330,000

〈The Chaser〉(113,673 viewers), 〈Hwanghae〉(120,482 viewers), 〈The Wailing〉(310,042 viewers)—it is the highest opening score among filmmaker Na Hong-jin’s works to date.
With the movie 〈Hope〉 proving an unmistakable presence at this summer’s theaters, it drew 333,899 viewers on its first day of release to take the No. 1 spot at the box office. That makes it the highest opening score among Na Hong-jin’s works to date, surpassing 〈The Chaser〉(113,673 viewers),...
| Joo Seong-cheol
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
| Kim Ji-yeon
Bucheon Fantastic Film Festival Closes 30th Edition With Record Crowds, Attendance Up 27%

Bucheon Fantastic Film Festival Closes 30th Edition With Record Crowds, Attendance Up 27%

321 films from 50 countries screened and about 137,000 visitors were counted; launch of Bucheon AI Content Summit points to the cinema of the future
The 30th Bucheon International Fantastic Film Festival (BIFAN, executive chair Shin Chul) wrapped its 11-day run on Sunday, July 12, drawing record crowds as attendance rose 27% from last year. Marking its 30th anniversary, the festival adopted "newness and expansion" as its themes and drew strong...
| Kim Ji-yeon
[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

I can’t help getting captivated by the objects in movies. I fall into deep thought over why, whether it’s the director, the cinematographer, the art director—or even the actor—someone felt compelled to place that particular item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the movie objects that came down on my eyes like stepping onto a soft stair.
Is there anyone who doesn’t know David’s stone. The story of David and Goliath that is told in 〈Robot Taekwon V〉(1976), and 〈General Tolly〉, and the 〈Ureomei〉 series, and countless other children’s animations and feature films—was also made by director Kim Cheong-gi, known for creating them all.
| Joo Seong-cheol
[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

※This interview with 〈Hope〉 actor Jo In-sung continues from Part 1. Imagining and acting opposite an imagined being must have been a major challenge. In particular, when Seong-gi confronts a gigantic alien intelligence late in the film, his subtle eye movements and tiny facial shifts were striking.
| Kim Ji-yeon