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[Joo Seong-cheol's Locker] The Black Speaker of 'Sirat' and the Monolith of '2001: A Space Odyssey'

[Joo Seong-cheol's Locker] The Black Speaker of 'Sirat' and the Monolith of '2001: A Space Odyssey'

I get fascinated by objects in movies. I deeply ponder why the director, cinematographer, art director, or even the actors placed that object in front of the camera. 'Joo Seong-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.
Where is salvation, and can we really find it? Among the recent releases, the most overwhelming 'object' is undoubtedly the black rectangular speaker of 〈Sirat〉. The poster, which expresses the theme of the film by making that huge speaker even larger and placing it side by side to let light in...
[On the Ground at BIFF] “Art Is Art”: Zhang Yimou Breaks Silence on Historical Controversy Over “Assassins”; Top Asian Film to Be Named on 15th

[On the Ground at BIFF] “Art Is Art”: Zhang Yimou Breaks Silence on Historical Controversy Over “Assassins”; Top Asian Film to Be Named on 15th

Director Jung Juri shares concerns that creators could be intimidated; the 31st Busan International Film Festival jury will select South Korea’s Academy submission from 13 competition entries
Director “Zhang Yimou”, the Chinese cinema master serving as jury president for this year’s 31st Busan International Film Festival competition, has firmly stated his position on the controversy over historical distortion surrounding “Assassins”, a film that has recently stirred South Korea’s movie...
[Busan International Film Festival] Grand opening draws Michelle Yeoh, Hyun Bin and other stars as 93 world premieres are unveiled

[Busan International Film Festival] Grand opening draws Michelle Yeoh, Hyun Bin and other stars as 93 world premieres are unveiled

The 10-day festival opens with 316 films from 59 countries, bringing master filmmaker Alfonso Cuarón and Michelle Yeoh to Busan; Yeoh receives the Asian Filmmaker of the Year Award
South Korea's premier film event and Asia's largest film festival, the '31st Busan International Film Festival' , opened in grand style on Oct. 6. The festival launched a 10-day cinematic journey featuring 316 films, including 93 'world premieres' being shown for the first time anywhere in the...
Andrey Zvyagintsev branded a 'spy' in Russia, report says on 18th

Andrey Zvyagintsev branded a 'spy' in Russia, report says on 18th

Master director of 2014's 'Leviathan' faces sanctions, including income restrictions, over anti-war message
Power tightens its grip on art as master director is branded a 'foreign agent' The Russian government has effectively branded filmmaker Andrey Zvyagintsev a 'spy' for his critical portrayal of the devastation caused by the war in Ukraine.
From Novelist to Global Master: Lee Chang-dong’s 30-Year Gaze on Society

From Novelist to Global Master: Lee Chang-dong’s 30-Year Gaze on Society

A first prize in 24 years since the Best Director award for “Oasis,” highlighting the meaning of class and love through a laid-off worker and a “silver-spoon” couple
Director Lee Chang-dong, 72, reaffirmed his stature as a global master by winning the Grand Jury Prize at the 83rd Venice International Film Festival for “Possible Love,” his first film in eight years. After winning Best Director for “Oasis” in 2002, Lee added a new milestone to his international...
Venice Film Festival opens today; Lee Chang-dong’s ‘Possible Love’ vies for Golden Lion

Venice Film Festival opens today; Lee Chang-dong’s ‘Possible Love’ vies for Golden Lion

Netflix film marks his return to the director’s chair after eight years as it competes with 20 contenders for the top prize… Korean film in competition for second straight year Winners to be announced at closing ceremony on the 12th… 20 films, including Kore-eda’s ‘Look Back,’ in contention
Lee Chang-dong’s ‘Possible Love’ returns to Venice after 24 years… set for worldwide release on Nov. 6 Netflix film marks his return to the director’s chair after eight years as it competes with 20 contenders for the top prize A master’s return: Breaking 24 years of silence on the island of Lido...
Jung Ho-yeon Drives a Stella for a Drift…Hyundai in Na Hong-jin’s Film “Hope” Releases Behind-the-Scenes Action Video “Sung-ae”

Jung Ho-yeon Drives a Stella for a Drift…Hyundai in Na Hong-jin’s Film “Hope” Releases Behind-the-Scenes Action Video “Sung-ae”

High-level car chases even before he got his Class 1 license. In Na Hong-jin’s new work “Hope,” the film showcases the performance of the beloved Hyundai Stella, resurrected as a police car in the memories.
Na Hong-jin, the director who represents Korea’s unmatched auteur tradition, has finally unveiled his new film Hope . Released on Jan. 15, the movie seized theaters immediately, and it is a science fiction action thriller that depicts a desperate human battle against an unknown presence in the...
'Humor and Fantasy in Marty Supreme' and the Freedom Josh Safdie Won

'Humor and Fantasy in Marty Supreme' and the Freedom Josh Safdie Won

After Josh Safdie split from his brother Benny Safdie, his solo directorial debut 〈Marty Supreme〉 is packed with a different kind of humor and fantasy than before.
〈Marty Supreme〉 is similar to Josh Safdie’s earlier works, but also different. The most decisive factor is that after going through 〈Heaven Knows What〉 (2014), 〈Good Time〉 (2017), and 〈Uncut Gems〉 (2019), which they co-directed under the name “Safdie Brothers” with his younger brother Benny Safdie,...
Cannes Film Festival Two Wins: “Secret Agent” Brings the Stench of Authoritarianism Into 1970s Brazil’s Everyday Life

Cannes Film Festival Two Wins: “Secret Agent” Brings the Stench of Authoritarianism Into 1970s Brazil’s Everyday Life

A political thriller that swept 102 festival awards worldwide. It exposes the absurdity of military dictatorship through an ordinary citizen’s attempt to flee.
When brutality reigns, being ordinary becomes a crime Brazil under the hard-edged blade of a military dictatorship in 1977. The reality facing ‘Marcelo’ (played by Wagner Moura) is pure, surreal terror. A rotting corpse sprawled on a gas station floor, and the ugly face of state power—geared more...
Cannes’ Two-Win Haul: “48 Hours of a Paris Deliveryman” Wraps With Professor Jeong Il-young and Editor Park Hye-eun for a Deep-Dive GV

Cannes’ Two-Win Haul: “48 Hours of a Paris Deliveryman” Wraps With Professor Jeong Il-young and Editor Park Hye-eun for a Deep-Dive GV

The winner of the 77th Cannes International Film Festival’s Attention-Grabbing Views Jury Award and Best Actor award—set for a June 17 release—held a premiere screening and CineTalk GV on June 14. Professor Jeong Il-young, who earned a Ph.D. in Linguistics from Paris’ 8th University, spotlighted refugee issues in the film, including illegal stay and asylum review in France. With Park Hye-eun, editor at The Screen, leading the session, the event left audiences with weighty questions and lingering thoughts, building anticipation ahead of the release.
Professor Jeong Il-young and editor Park Hye-eun wrapped up a GV that left a lasting impression from 〈48 Hours of a Paris Deliveryman〉. Ahead of its June 17 release, the film 〈48 Hours of a Paris Deliveryman〉 held a premiere screening and a CineTalk GV on June 14.