Search results for "Classical Film"

Critic Kim Na-hee’s “Vivaldi and Me” ② The Moment When Beings We Had Only Heard Appear

Critic Kim Na-hee’s “Vivaldi and Me” ② The Moment When Beings We Had Only Heard Appear

Spring isn’t just the season when flowers bloom. It’s the moment when the beings we could only hear finally begin to be seen.
For a brief moment, we may feel like we understand or truly know the other person—so convinced that we believe it. Communication through music is like that. In the deepest layer of their relationship, we see it in Vivaldi’s confession—when, in the middle of the night, he comes first to Cecilia’s...
'Maurice Ravel' Marks 150th Birth Anniversary with 'Ravel: A Thousand Lights' — Megabox Launches Exclusive Theatrical Release on the 21st

'Maurice Ravel' Marks 150th Birth Anniversary with 'Ravel: A Thousand Lights' — Megabox Launches Exclusive Theatrical Release on the 21st

A dazzling performance documentary featuring Klaus Mäkelä and the Paris Orchestra. Special GV with cellist Song Min-je and critic Kim Moon-kyung
The return of a maestro beyond time, 'A Thousand Lights' stitched across the screenThe astonishing musical world of the great 'Maurice Ravel' of French impressionist music comes to life flawlessly on screen. Megabox, commemorating the 150th anniversary of Ravel’s birth, has confirmed the release of...
How Jim O'Rourke's 'Eureka' Set Aoyama Shinji's 〈Eureka〉 in Motion

How Jim O'Rourke's 'Eureka' Set Aoyama Shinji's 〈Eureka〉 in Motion

I am drawn to music in film. At times, music reveals a character's private emotions in ways images and dialogue cannot. It can also open a window into a creator’s hidden intent. For me, understanding film music was one way into the film itself. "Chu A-young's Music Box" listens closely to a film’s voice through its music. (P.S. I hope you listen to the music while you read.)
Director Aoyama Shinji's film 〈Eureka〉 is a road movie about wounded people who travel an endless road in search of the possibility of healing and renewal. The characters, survivors of a terror that shattered ordinary life, set out on a trip to escape the trauma of the incident.
From Classics to Movie Scores… World-Class “12 Cellists of the Berlin Philharmonic” Coming to Korea in July

From Classics to Movie Scores… World-Class “12 Cellists of the Berlin Philharmonic” Coming to Korea in July

The world’s top cello ensemble with a 54-year history visits Korea in July. From traditional classical to chanson, jazz, and movie music, these 12 cellos deliver flawless harmony as they move across genres.
A world-class cello ensemble returns to Korean audiences, carrying the romance of a midsummer night. 'The 12 Cellists of the Berlin Philharmonic(The 12 Cellists of the Berlin Philharmonic)' , celebrating its 54th anniversary, will return to the Korean stage again in July, following last year.
Bae Soontak’s Heart Waiting for “Michael” ① From The Jackson 5 to Reaching “Thriller” with a Mind-Blowing 100 Million Copies

Bae Soontak’s Heart Waiting for “Michael” ① From The Jackson 5 to Reaching “Thriller” with a Mind-Blowing 100 Million Copies

“I’m going to turn the world upside down. I’m going to be fantastic. I’ll dig in deeply and keep digging. I’ll surpass what the greatest artists have accomplished.”
When I was about 11 years old, I was in the fourth grade. My father, whose job was corporate negotiator, would often travel abroad. The gifts he brought back were usually toys like LEGO. Then, one day, my father came home with an album as a present.
The Master of the World, Buster Keaton ① The Golden Age of Silent Film, Inventor of an Acrobatic Film Language

The Master of the World, Buster Keaton ① The Golden Age of Silent Film, Inventor of an Acrobatic Film Language

Buster Keaton, whom André Bazin and David Bordwell praise in unison, shows the limits of motion images through the boundless use of the human body and space.
Buster Keaton is one of the great artists who fully invented a brand-new film language of his own. Film scholar David Bordwell, in 「Film Art」, speaks about the comedy of Keaton’s “space” — the kind of freedom-to-move that he demonstrates — saying, “David Bordwell’s slapstick comedy confirms André...
May’s First Holiday Weekend: Film Orchestra Hits with “The Dark Knight” and “The Lion King”… National Symphony Film Music Concert

May’s First Holiday Weekend: Film Orchestra Hits with “The Dark Knight” and “The Lion King”… National Symphony Film Music Concert

A “Hollywood Blockbuster” concert held at Seoul Arts Center… Featuring iconic film scores by masters such as Hans Zimmer and Philip Glass, performed with a grand orchestral sound
Bringing the Thrill of the Big Screen to the Stage: “National Symphony Orchestra” and “Hollywood Blockbuster”At the heart of South Korea’s classical music scene, “National Symphony Orchestra” brings the grand emotions of film to life on stage.

"The Value of Art is Not a Number"... Timothée Chalamet, the Arrogant 'Braggart' Sparks a Global Uprising in the Art World?

During a discussion in Texas, he stated, "I don't want to save ballet or opera that no one cares about"... The Butterfly Effect Spreads Criticism of Chalamet's 'Soul-less Respect' as New York Met and London Royal Opera say, "Look at the sweat behind the stage" With the Academy Awards approaching on the 16th, the path to Best Actor is in 'Emergency'... Conan O'Brien's sharp criticism is expected to come to light.
Timothée Chalamet has ignited a massive firestorm of anger in the global art community with a careless remark. As he was being discussed as a strong contender for Best Actor at the upcoming 98th Academy Awards, he faced a major crisis due to his own words.
[Chua-young's Music Box] The Music of 'Pavane' Following the Path of Love

[Chua-young's Music Box] The Music of 'Pavane' Following the Path of Love

I am captivated by the music in movies. Music sometimes conveys the intimate emotions of characters that cannot be expressed through visible images and audible dialogues. It can also serve as a window into the hidden intentions of the creator. For me, understanding film music was one way to connect with the film. 'Chua-young's Music Box' listens to the voice of the film more closely through music. (P.S. I hope you read this while listening to the music.)
There are some stories I want to protect. Just as Kyung-rok (Moon Sang-min) tried to protect the small and humble love between Mi-jung (Go Ah-sung) and Johan (Byun Yo-han) until the end, I still hold onto something that is no longer there.
[Chua-young's Music Box] The Meta Representation of Subculture 'Cosmic Princess Kaguya!' with 'World Is Mine' and 'Reply'

[Chua-young's Music Box] The Meta Representation of Subculture 'Cosmic Princess Kaguya!' with 'World Is Mine' and 'Reply'

I get hooked on the music in movies. Music sometimes conveys the intimate emotions of characters that cannot be expressed through visible images and audible dialogues. It can also serve as a window to glimpse the hidden intentions of the creator. For me, understanding movie music was one way to connect with the film. 'Chua-young's Music Box' listens to the voice of the movie more closely through music. (P.S. I hope you read this while listening to the music.)
Japanese animator Shingo Yamashita, who gained recognition for directing various movie openings such as 〈Naruto: Shippuden〉, 〈Jujutsu Kaisen〉 Season 1, and 〈Chainsaw Man〉, has created his ambitious debut work. The Netflix feature animation 〈Cosmic Princess Kaguya.