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Search results for "Commercial Film"

[Interview] Jeon Jong-seo of 'Project Y' ②

[Interview] Jeon Jong-seo of 'Project Y' ② "Director Lee Hwan's strong preferences? I have always been a 'yes' from the start"

※ 〈Project Y〉 actor Jeon Jong-seo's interview continues from part 1. In the film 〈Call〉, you worked with director Lee Chung-hyun, and with director Jung Ga-young in 〈Romance Without Love〉 (2021). Actor Jeon Jong-seo tends to work a lot with rookie directors.
| Kim Ji-yeon
[Interview] Jeon Jong-seo of 'Project Y' ①

[Interview] Jeon Jong-seo of 'Project Y' ① "I chose it because it's a buddy film made by actresses of the same age"

An instinctive actor. The presence of Jeon Jong-seo, an actress who embodies raw and hip charm, has been a decisive key in making 〈Project Y〉 imprint as a ‘stylish neo-noir’ film.The film 〈Project Y〉, set to be released on January 21, tells the story of Mi-sun (Han So-hee) and Do-kyung (Jeon...
| Kim Ji-yeon
KT, Generative AI Film 'Code: G The Beginning of Attention' to be Released Exclusively at CGV on the 27th

KT, Generative AI Film 'Code: G The Beginning of Attention' to be Released Exclusively at CGV on the 27th

Includes 4 Short Films Made 100% by AI, Experimenting with the Possibilities of AI in the Film Industry
KT, a major telecommunications company in South Korea, will exclusively release the generative artificial intelligence film 〈Code: G The Beginning of Attention〉 at CGV on the 27th. It is gaining attention as an experimental attempt to explore the commercial potential of AI in film production.
| 김지민
3.0 Million Viewers·Sold in 148 Countries! “Ghost in the Cell” Becomes a Global Box-Office Monster From Indonesia

3.0 Million Viewers·Sold in 148 Countries! “Ghost in the Cell” Becomes a Global Box-Office Monster From Indonesia

A genre balance that combines a uniquely built setting rooted in a prison with social satire, melding violence and black comedy to draw intense attention from overseas genre fans.
Barunson E&A (CEO Choi Yoon-hee, and Moon Yang-kwon) co-produced the Indonesian genre film 〈Ghost in the Cell〉 with Indonesia’s leading director Joko Anwar’s production company Come And See Pictures, and handled overseas sales.
| Joo Seong-cheol
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
Rebellion by a 20-Year-Old YouTuber That Shook Hollywood…‘The Backrooms’ Tops U.S. Box Office

Rebellion by a 20-Year-Old YouTuber That Shook Hollywood…‘The Backrooms’ Tops U.S. Box Office

A film adaptation of a YouTube horror tale with 25 million views…A 20-year-old director with no Hollywood experience sets an A24 all-time opening-champion record
Internet abyss legends swallow the screen in a visual revolutionThe overwhelming mise-en-scène of 'The Backrooms', which perfectly captures an unknown dread. A city creepypasta that once roamed the digital ecosystem has finally shattered the hard box-office barrier of Hollywood.
| James choi
A Win in 10 Days Shatters Records, Surpassing 3 Million Tickets and Changing the Paradigm for Korea’s Zombie Genre With “Gun-chae”

A Win in 10 Days Shatters Records, Surpassing 3 Million Tickets and Changing the Paradigm for Korea’s Zombie Genre With “Gun-chae”

Yeon Sang-ho’s latest film, “Gun-chae,” hits the break-even point at the fastest pace of the year, underscoring the box-office power of a Cannes Film Festival invitee.
A Win in 10 Days Signals an Overwhelming Hit for “Gun-chae,” the Film That Changes the Paradigm for Korea’s Zombie GenreThe hit formula for Korea’s zombie blockbuster has been rewritten. Director Yeon Sang-ho’s new film “Gun-chae” surged to an early break-even moment by drawing more than 3.
| James choi
In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

Praised as a landmark of 21st-century Japanese cinema, Shinji Aoyama’s 〈EUREKA〉 will open in South Korea on May 27. Originally released in 2000, 〈EUREKA〉 screened in competition at the 53rd Cannes Film Festival and drew lavish praise from leading contemporary critics such as Shigehiko Hasumi, who...
| Chua-young
[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
| Seongchan Eol
[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

Yeon Sang-ho has done it again. Released on May 22, 〈Colony〉 passed 2 million viewers in its opening week. The overseas response has been as strong as the domestic reaction: advance international sales have already generated significant revenue, and in Malaysia the film ranked third among all...
| Seongchan Eol