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Director Award: Park Chan-wook (Film) and Kang Yoon-sung (Series), The 24th Directors Cut Awards Conclude in Grand Style!

Director Award: Park Chan-wook (Film) and Kang Yoon-sung (Series), The 24th Directors Cut Awards Conclude in Grand Style!

Male Actor Award went to Yoo Hae-jin (Film) and Hyun Bin (Series), and the Female Actor Award went to Seo Soo-bin (Film) and Im Soo-jung (Series).
‘The 24th Directors Cut Awards,’ which Korean film directors select and present themselves, was held in grand style at Edeuls on May 19 at 6:00 p. m. , hosted by directors Jang Hang-jun, Bong Man-dae, and Kim Cho-hee.
| Joo Seong-cheol
Korean Film Directors Guild (DGK), Joong Hee Kim, Man-dae Bong, and Hahng Joon Jang to Host ‘Three-MC’ Directors’ Cut Awards

Korean Film Directors Guild (DGK), Joong Hee Kim, Man-dae Bong, and Hahng Joon Jang to Host ‘Three-MC’ Directors’ Cut Awards

Covers films and drama series directed by DGK Regular and Associate Members whose works were announced between April 1, 2025, and March 31, 2026.
‘The 24th Directors’ Cut Awards,’ held on Tuesday, May 19 at 6:00 p. m. , will honor film and drama series directed by DGK Regular and Associate Member directors that were announced between April 1, 2025, and March 31, 2026.
| Joo Seong-cheol
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
[BIFAN 2026] Enjoying Bucheon 30 Years in 100 Times ② Bucheon Is AI! AI Content Summit & Beyond Reality

[BIFAN 2026] Enjoying Bucheon 30 Years in 100 Times ② Bucheon Is AI! AI Content Summit & Beyond Reality

AI films are Bucheon’s main focus. For the 30th Bucheon International Fantastic Film Festival (executive committee chair Shin Cheol, hereinafter BIFAN), “Bucheon AI Contents Summit” (Bucheon AI Contents Summit) will be introduced for the first time this July, positioning itself as a venue for...
| Joo Seong-cheol
K- ZOMBIES THAT TAKE OVER NEW YORK SCREENS AND A HEAVY SENSE OF THE TIMES: 25th New York Asian Film Festival Special Program on Korean Films

K- ZOMBIES THAT TAKE OVER NEW YORK SCREENS AND A HEAVY SENSE OF THE TIMES: 25th New York Asian Film Festival Special Program on Korean Films

A total of 23 films are set to screen in a special showcase, including "Gunchae," a new zombie film starring and featuring Jeon Ji-hyun and directed by Yeon Sang-ho
The unstoppable rush of K-movies cuts straight through the heart of New York. The New York Korean Cultural Center, in partnership with Film at Lincoln Center and others, will stage an unprecedented showing of 'The 25th New York Asian Film Festival: Special Program on Korean Films' from Oct.
| James choi
Lee Joon-ik and Lee Won-suk’s Short Drama ‘BIFAN’ and ‘New York Film Festival’ Invitation Is a Huge Win, Displaying the Power of K-Short Drama!

Lee Joon-ik and Lee Won-suk’s Short Drama ‘BIFAN’ and ‘New York Film Festival’ Invitation Is a Huge Win, Displaying the Power of K-Short Drama!

Amid the spotlight, master filmmakers Lee Joon-ik and Lee Won-suk’s short-form challenge lands consecutive invitations to Bucheon International Fantastic Film Festival and the New York Asian Film Festival
The fleeting aesthetics seen through a master’s gaze. Director Lee Joon-ik’s ‘Father’s Home-Cooked Meal’ and Director Lee Won-suk’s ‘Beloved Death’ are ready to ignite all five senses of genre-film fans around the world—and short-drama fans alike—with a brief yet forceful narrative.
| James choi
[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

A talk that reaches the actor through deep, steady breathing, like a detox. The actors Lee Hwa-jung meets in her film journalism.
▶ The meeting with actor Lee Yeon continues from Part 1. ​〈Juvenile Judgment〉 is a different situation, but it’s a portrayal of the dark side of teenage youths. I can imagine that darkness running counter to Lee Yeon’s brightness must have felt overwhelming.
| 이화정
Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Returning after 11 years, she is, as director Yeon Sang-ho put it, “a film actor. ” Actress Jeon Ji-hyun appears as Kwon Se-jung in 〈Colony〉, which opened on May 22, marking her first appearance before audiences since 〈Assassination〉 (2015).
| Seongchan Eol
[Joo Seong-cheol’s Lockers] The Great Dancer Turned Film Director Summoned by “Michael”: Bob Fosse’s “All That Jazz”

[Joo Seong-cheol’s Lockers] The Great Dancer Turned Film Director Summoned by “Michael”: Bob Fosse’s “All That Jazz”

I can’t help but get hooked on the objects in movies. Director, cinematographer, production designer, or even an actor—why, exactly, did they put that item in front of the camera? ‘Joo Seong-cheol’s Lockers’ is a record of the movie objects that lightly landed under my gaze and, somehow, stuck there.
Everyone had been waiting. With the release of 〈Michael〉 on May 13, it shot to #1 at the weekend box office, instantly projecting a million viewers. Zafar Jackson, Michael Jackson’s real-life nephew, debuts as the youngest member of the ‘Jackson 5’ right away, drawing attention for his musical...
| Joo Seong-cheol
Director Jeong Juri, Kim Do-yeon, and Ando Sakura Share Their Thoughts on Attending the ‘Dora’ at the Cannes Film Festival!

Director Jeong Juri, Kim Do-yeon, and Ando Sakura Share Their Thoughts on Attending the ‘Dora’ at the Cannes Film Festival!

While a family staying at a seaside villa in the height of summer—after leaving Seoul—struggles with an unknown illness, Dora finally learns what love is, and everything begins to slowly unravel.
Ahead of the May 17 world premiere in the Directors’ Fortnight at the Cannes Film Festival, director Jeong Juri’s new work 〈Dora〉 has confirmed the Cannes joint attendance of director Jeong Juri and actors Kim Do-yeon and Ando Sakura, unveiling the trio’s invitation-day remarks.
| Joo Seong-cheol