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A Borderless Art Language: The Work of Albert Serra, Part 2

A Borderless Art Language: The Work of Albert Serra, Part 2

〈Pacifiction〉 and 〈The Afternoon of Solitude〉 pulled off back-to-back feats by topping “Cahiers du cinéma”’s Best 10 lists.
〈Waiting for Sancho〉’s production process and behind-the-scenes stories are included in a documentary he made himself: the film critic Mark Peranson, who serves as editor of the film magazine “Cinemascop,” appeared in the movie as the character Joseph.
| Joo Seong-cheol
Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

It’s one of those songs you’ve never heard before, but it sounds familiar. The stage looks new, yet you get a strong sense of déjà vu. If you saw the film that opened on June 3, 〈Wild Sing〉, you probably felt that.
| Seongchan Eol
[Interview] Park Ji-hoon, From Danjong to Kitchen Duty: Becoming an Actor Between Emerging and Established ①

[Interview] Park Ji-hoon, From Danjong to Kitchen Duty: Becoming an Actor Between Emerging and Established ①

It’s the first time a drama has leaned so fully into what the show dubs “chwiral” (a newly coined blend of "kitchen soldier" and "crazy"). After a single spoonful of seaweed soup, a sudden "god of seaweed" stages a mock "creation of heaven and earth," and after tasting a multicolored rice ball an...
| Kim Ji-yeon
‘Odyssey’ Robert Pattinson Also Praises This Summer’s Top Must-See! “On the Set” Video Released

‘Odyssey’ Robert Pattinson Also Praises This Summer’s Top Must-See! “On the Set” Video Released

Robert Pattinson as Antinous, hunting for the opening left behind by the non-returning Odysseus, said, “From the audience’s perspective, you find yourself imagining what it would be like to watch this film. I want to see it soon.”
With its domestic release set for Aug. 5, the film 〈Odyssey〉, hailed as one of the summer’s biggest must-sees, is drawing attention by unveiling an “On the Set” video that captures the vivid scenes from the shoot and the candid stories of the director and cast.
| Joo Seong-cheol
[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

A talk that reaches the actor through deep, steady breathing, like a detox. The actors Lee Hwa-jung meets in her film journalism.
▶ The meeting with actor Lee Yeon continues from Part 1. ​〈Juvenile Judgment〉 is a different situation, but it’s a portrayal of the dark side of teenage youths. I can imagine that darkness running counter to Lee Yeon’s brightness must have felt overwhelming.
| 이화정
[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

A talk that approaches the actor with deep, cleansing breaths. Actors Lee Yeo-jeong meets.
“I should get paid a really big amount of money.” Borrowing a line from Dobby-seo, she delivered a compliment aimed at the Dobby-seo of 〈the Dynasty Lady of the 21st Century〉. Lee Yeon’s performance, which breaks the mold of what a typical secretary in a drama looks like, gives off a lively, bouncy...
| 이화정
[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
| Seongchan Eol
[Interview] Taking on Comedy Acting Full Force! Park Ji-hyun ① in <Wild Sing>

[Interview] Taking on Comedy Acting Full Force! Park Ji-hyun ① in

Park Ji-hyun’s recent moves come as a surprise. The elegant yet mesmerizing character in 〈Hidden Face〉 that earned her the Best Supporting Actress award at the Blue Dragon Film Awards, a terminally ill role in 〈Eunjoong and Sangyeon〉 that spans her life trajectory from her 20s to her 40s, and even...
| Kim Ji-yeon
Interview: How Park Eun-bin, Once Known as a Model Student, Went Off the Rails in ‘The WONDERfools’ (Part 2)

Interview: How Park Eun-bin, Once Known as a Model Student, Went Off the Rails in ‘The WONDERfools’ (Part 2)

▶ This interview with Park Eun-bin on 〈The WONDERfools〉Part 1 continues below. “At its core, the series is about solidarity among flawed people. ” The characters grow through that process. How did you interpret and portray Chae-ni’s process of growth. Chae-ni was, after all, living on borrowed time.
| Kim Ji-yeon
[Interview] How model-student actor Park Eun-bin became the 'official troublemaker' of 《The WONDERfools》①

[Interview] How model-student actor Park Eun-bin became the 'official troublemaker' of 《The WONDERfools》①

Park Eun-bin arrived for the interview dressed like Chaeni, the fiery heroine she plays in 〈The WONDERfools〉. In a yellow knit hood and an oversized shirt that summoned late-1990s style, she said she had worn the same outfit to the show's first script reading to recapture that initial resolve.
| Kim Ji-yeon