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'Korean Black Eyes,' documentary on girl band that shook the world, set for November release

'Korean Black Eyes,' documentary on girl band that shook the world, set for November release

The musical journey of a band that traveled stages worldwide—from Southeast Asia in the 1960s and 1970s to the Middle East, Africa and Northern Europe—takes center stage A nostalgia-inducing poster capturing the band's 10-year run and achievements has been unveiled Director Kim Dae-hyun's film is set for an official release in early November, with Kitty Im Jun-im, the story's protagonist and leader, expected to visit South Korea
'Sisters,' who once shook the world, are returning as 〈Korean Black Eyes〉. The documentary 〈Korean Black Eyes〉 will hit theaters in November 2026. It follows the musical journey of the all-female band 'Korean Black Eyes,' which began performing in Southeast Asia, including Vietnam and Thailand, in...
| Seongchan Eol
Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Part 2
※〈Gyeongju Trip〉 Director Kim Mi-jo's interview continues from Part 1.One striking aspect of 〈Gyeongju Trip〉 is how it depicts Baek Sang-hyun, the killer (Byun Yo-han). Why did you choose not to give any backstory to the perpetrator Baek Sang-hyun and instead portray him solely as a heinous...
| Kim Ji-yeon
[Photos&] Lee Jung-eun and Gong Hyo-jin’s “Gyeongju Trip”… A blood-soaked revenge drama for the youngest daughter they lost 8 years ago — press briefing site

[Photos&] Lee Jung-eun and Gong Hyo-jin’s “Gyeongju Trip”… A blood-soaked revenge drama for the youngest daughter they lost 8 years ago — press briefing site

The film holds a press briefing at the World Tower branch on the 13th… Winner of the Audience Award at the 24th Florence Korean Film Festival
‘Gyeongju Trip’ — a blood-soaked twist by Lee Jung-eun and Gong Hyo-jin… A result earned after an 8-year wait Winner of the Audience Award at the 24th Florence Korean Film Festival, a chilly revenge drama hidden behind a wholesome family trip A bond beyond the pain of loss, opening the curtain Four...
| James choi
Kim Ji-yeon’s Jewelry Box: Acting-prodigy sisters Do Yeong-seo and Kim Sia, Netflix’s two ‘granddaughters’

Kim Ji-yeon’s Jewelry Box: Acting-prodigy sisters Do Yeong-seo and Kim Sia, Netflix’s two ‘granddaughters’

I'm curious about people. Even an actor already getting attention might be at their least famous moment right now. "Kim Ji-yeon's Jewelry Box" introduces performers who keep hitting new highs day by day. Treat a rising star like a stock: buy low now.
The Coupang Play series 〈The Affair was Just the Beginning〉, which has released four episodes so far (hereafter 〈The Affair〉), is a series whose appeal lies in peeling back its many layers one by one. Blending cynicism and wry laughter, satire and boldness, the series never loses energy as it...
| Kim Ji-yeon
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
| Kim Ji-yeon
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
| Kim Ji-yeon
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
Miyawoo Returns With EP 2 ‘BITE NOW’ on June 1… Teasing Photo Featuring an ‘Apple’ Objet Stands Out

Miyawoo Returns With EP 2 ‘BITE NOW’ on June 1… Teasing Photo Featuring an ‘Apple’ Objet Stands Out

On the 15th, the BLACK LABEL official SNS revealed the second mini-album teaser photos for the group Miyawoo, ahead of the upcoming release of the second mini-album ‘BITE NOW’ on June 1. Dressed in black-and-white outfits with a dark chic vibe, the ‘apple’ objet draws attention—evoking the new release’s title. After successfully wrapping up its debut activities last year, Miyawoo solidifies its position as a leading force among 5th-generation girl groups and joins the comeback battle in June.
The group Miyawoo is back with an even deeper ‘dark chic’ charm. Official release of the new EP ‘BITE NOW’ on June 1 On the 15th, its agency, The BLACK LABEL, unveiled teaser photos for the group Miyawoo (Suin, Gawon, Anna, Narin, Ella) for its second EP ‘BITE NOW,’ set to be released on June 1,...
| Seongchan Eol
[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

I get hooked on the objects in movies. I can’t help but get lost in questions about why the director, cinematographer, production designer, or even the actors put that thing right in front of the camera. “[Joo Seong-cheol’s Lockers]” is a record of those movie objects that land lightly—right onto my eyes.
Watching 〈Lee Cronin’s The Mummy〉 , you can feel the full-on force of Blumhouse as it revives a franchise that seemed long dead: 〈Mummy〉. The first 〈Mummy〉 (1932), powered by the charisma of actor Boris Karloff, was basically the flagship of the “Universal Horror” era.
| Joo Seong-cheol
[Interview] “Who Is a Building for?” Director Im Pil-sung on “How to Become a Landlord in South Korea” ①

[Interview] “Who Is a Building for?” Director Im Pil-sung on “How to Become a Landlord in South Korea” ①

Last weekend it aired up to episode 8, and it has now passed the midpoint of the 12-episode run.
〈How to Become a Landlord in South Korea〉 is being watched with great interest. It aired through episode 8 over the weekend, and yet even after passing the halfway point of this 12-episode series, it’s still a drama that’s impossible to predict. It’s a drama that’s impossible to predict.
| Cineplay