Search results for "Nah Hong-jin director"

Na Hong-jin’s First Directing Work After “Goksung,” Drawing Major Attention for Its Luxurious Global Cast Featuring Hwang Jung-min, Jo In-sung, Jeong Ho-yeon, and More Entering the Competition Section at the Cannes International Film Festival, the trailer lifts the veil on a devastated village and an unknown presence Starring Michael Fassbender, Alicia Vikander, and others—capturing global attention… Opening in Korea in Summer 2026

Following an invitation to the 79th Cannes International Film Festival’s International Competition section, it signs a partnership with global distributor NEON Chosen by NEON, which distributed six consecutive films that won the Palme d’Or—including “Parasite”—it proves it’s a highly anticipated global release A lavish cast including Hwang Jung-min, Jo In-sung, and Michael Fassbender... After its debut at Cannes, it lands in Korean theaters this summer

'The Wailing' in 2016 will have its first new follow-up in 10 years, with a confirmed GV featuring Hwang Jung-min and Jo In-sung

With the film just one week away from release, it has swept aside not only existing movies in theaters but also upcoming new releases, widening the gap by more than double from 〈Moana〉, which sits in second place for pre-sales.

The Cannes Film Festival competition lineup continues as the film scores a pre-sales bonanza across more than 200 countries and regions worldwide Big-name global distributors including Neon and Focus Features are heavily involved, with early signs the film could recoup about half of its net production budget through pre-sales An ultra-luxe global cast led by Hwang Jung-min, Jo In-sung, Jeong Ho-yeon, and Michael Fassbender, with a theatrical release arriving in July

Director Na Hong-jin’s new film “Hope,” set mainly in Namchang-ri, Haenam, brings an unusual tourist spot to life with a recreated 1980s backdrop and props from the movie

A dazzling 12-day journey, the artistic questions Cannes left behind

Screen Daily rating of 2.8 keeps it in the upper tier. Amid overwhelming praise from major foreign outlets, reactions to the ending and the monster’s CGI are mixed.

Press Conference at the Opening Ceremony of the 79th Cannes Film Festival... “We Will Judge Fairly Through the Eyes of Pure Viewers, Without Any Special Privileges for Korean Films”