LoginSign up
My PageLog out
Cineplay

Find your next favorite work.

Search results for "ONE SEED"

[Photo&] JYP·CJ·Tencent Establishes Joint Venture 'One Seed'... Paving a New Path for K-Pop

[Photo&] JYP·CJ·Tencent Establishes Joint Venture 'One Seed'... Paving a New Path for K-Pop

Leading the Debut of Boy Group 'ModiSay'... Stray Kids' 100 Million Views and Woodz's Comeback News
JYP Entertainment and CJ ENM, along with China’s largest music platform Tencent Music, have officially launched the joint venture in the Greater China region, 'One Seed'. This alliance of the three companies is a large-scale project aimed at penetrating the K-Pop market in the Greater China region,...
| James choi

"A three-page note from my mother was the original concept": Yeon Sang-ho brings 500 million-won film 'Lost Paradise' to screens, confronting AI dilemma

Opening Oct. 21, the film follows a mother who reunites with a son recreated by AI after nine years, showcasing Kim Hyun-joo's 30 years of acting experience and Bae Hyun-sung's dramatic transformation
The hottest human dilemma forged by the coldest technology Director 'Yeon Sang-ho', who established a distinctive universe with this year's film 'Colony', returns with 'Lost Paradise', a low-budget film made for around 500 million won. Set for release Oct.
| James choi
[Photo] Lee Joon-hyuk wins 1.3 billion won in lottery, chooses a twist over resignation

[Photo] Lee Joon-hyuk wins 1.3 billion won in lottery, chooses a twist over resignation

TVING to offer an early release on the 10th, as K-office drama gives fantasy a turn in the real world “I’ve spent 20 years living only for work ... I deeply empathized with the protagonist’s life”
The dilemma of an office worker holding 1.3 billion won — the birth of a reality-driven office drama If you won the first prize in the lottery, would you hand in your resignation? That sweet fantasy, one nearly everyone has entertained at least once, takes on a vivid, reality-based form in TVING’s...
| James choi
[Photo &] “Odyssey” Dumps CGI, Builds a 10m Trojan Horse and Drinks in 640km of Film—A 10m Trojan Horse and an 18m One-Eyed Monster

[Photo &] “Odyssey” Dumps CGI, Builds a 10m Trojan Horse and Drinks in 640km of Film—A 10m Trojan Horse and an 18m One-Eyed Monster

Matt Damon calls it “the toughest project” … Real-life set work covering 10,000㎡ and even an 18m monster brought to the screen after a 20-year dream
Christopher Nolan’s masterpiece “Odyssey” is sending shockwaves through movie theaters worldwide. By bucking the complacent current of the modern film industry that relies on computer graphics —and even directly constructing a full-size Trojan Horse on a 10m scale—the result maximizes Nolan’s...
| James choi
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
| Kim Ji-yeon
Virtual Idol PLAVE Marks 'PLLI' Fans' Birthday With a Donation of 100 Million Won for a Third Act of Goodwill

Virtual Idol PLAVE Marks 'PLLI' Fans' Birthday With a Donation of 100 Million Won for a Third Act of Goodwill

To celebrate the birthday of the fandom 'PLLI,' the group delivers 100 million won in support funds for the self-reliance of children in vulnerable circumstances. Ahead of the first-ever virtual exclusive stadium concert in September, it demonstrates its positive influence.
A third miracle of goodwill that blossoms under the fan name 'PLLI,' breaking down the boundary between fantasy and reality 'PLAVE,' the front-runner among virtual idols, is bringing a heavy warmth to the real world.
| James choi
[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

A talk that reaches the actor through deep, steady breathing, like a detox. The actors Lee Hwa-jung meets in her film journalism.
▶ The meeting with actor Lee Yeon continues from Part 1. ​ 〈Juvenile Judgment〉 is a different situation, but it’s a portrayal of the dark side of teenage youths. I can imagine that darkness running counter to Lee Yeon’s brightness must have felt overwhelming.
| 이화정
[Interview] “From ‘Adult Gimjangha’ to ‘Namtaeryeong,’ the Plaza Evolves.” Director Hyunji Kim ②

[Interview] “From ‘Adult Gimjangha’ to ‘Namtaeryeong,’ the Plaza Evolves.” Director Hyunji Kim ②

That “long, long night” with a felt temperature of minus 20°C became, somehow, the “brightest night.” “This cute and spicy struggle—that’s the core of Namtaeryeong!”
​ ▶ 〈Namtaeryeong〉 The interview with Director Hyunji Kim continues from Part 1. ​ I think you must have been thinking hard about the title. I also feel that the title 〈Namtaeryeong〉 has a tone that isn’t so different from 〈Adult Gimjangha〉.
| 이화정
The Master of the World, Buster Keaton ① The Golden Age of Silent Film, Inventor of an Acrobatic Film Language

The Master of the World, Buster Keaton ① The Golden Age of Silent Film, Inventor of an Acrobatic Film Language

Buster Keaton, whom André Bazin and David Bordwell praise in unison, shows the limits of motion images through the boundless use of the human body and space.
Buster Keaton is one of the great artists who fully invented a brand-new film language of his own. Film scholar David Bordwell, in 「Film Art」, speaks about the comedy of Keaton’s “space” — the kind of freedom-to-move that he demonstrates — saying, “David Bordwell’s slapstick comedy confirms André...
| Joo Seong-cheol