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The Fall of “Weekly Shonen Jump,” Once Printing 6.35 Million Copies… the Collapse of Paper Magazine Sales to 1 Million

The Fall of “Weekly Shonen Jump,” Once Printing 6.35 Million Copies… the Collapse of Paper Magazine Sales to 1 Million

The publisher recorded 985,000 copies in the first two quarters of this year—leaving Japan with no remaining paper magazines selling 1 million copies
For Guinness’ glory of 6. 35 million copies… the quiet exit of a paper manga kingdomThe impenetrable stronghold of 'Weekly Shonen Jump', once an absolute heavyweight in Japan’s manga industry that topped 6 million copies per single issue and earned its place in the Guinness Book, has collapsed.
Crime Drama 〈Paper Man〉 Casts Cho Jung-seok, Park Hae-soo and Claudia Kim

Crime Drama 〈Paper Man〉 Casts Cho Jung-seok, Park Hae-soo and Claudia Kim

Netflix confirms production; Lee Il-hyeong, director of 〈A Violent Prosecutor〉, 〈Remember〉 and Netflix series 〈Karma〉, will direct
Netflix has confirmed production of the original series 〈Paper Man〉 and unveiled its cast.〈Paper Man〉 is a crime drama about a man who has spent his life producing forgeries and never received recognition. After he produces a counterfeit banknote so flawless it fools everyone, he is drawn into a...
Cho Jung-seok Turns Into a Counterfeit-Bill Technician in Netflix’s ‘Paper Man’ Casting

Cho Jung-seok Turns Into a Counterfeit-Bill Technician in Netflix’s ‘Paper Man’ Casting

Cho Jung-seok, who slips from a master of disguise into a full-fledged counterfeiter, will star alongside Park Hae-soo and Soo-hyun in a crime thriller
The one caught in a swamp of forgery, the one who hunts him, and the guardian of the lawA new crime thriller poised to captivate the world gets underway. Netflix has announced its ambitious new original series ‘Paper Man’, drawing the spotlight with an overwhelming casting lineup.
Composer Anthony Hopkins scores career twist at 88 as 'Life Is a Dream' tops UK classical chart

Composer Anthony Hopkins scores career twist at 88 as 'Life Is a Dream' tops UK classical chart

Screen legend reaches a 'new summit' with a baton and manuscript paper, channeling his 'positive impact' toward an earthquake-hit country
Screen legend reaches a 'new summit' with a baton and manuscript paper, releasing 12 orchestral works composed over a lifetime Legendary actor Anthony Hopkins, 88, who won two Academy Awards for best actor for The Silence of the Lambs and The Father, has reached the top of the classical music world...
Anthropic Trained on Mariah Carey, Taylor Swift Songs Without Permission; Sony, Warner Call It “Largest Theft in History”

Anthropic Trained on Mariah Carey, Taylor Swift Songs Without Permission; Sony, Warner Call It “Largest Theft in History”

Sony and Warner seek up to 200 million won in damages per song and permanent destruction of the data, while also alleging that copyright-management information was manipulated.
The stark face of intellectual-property theft and Big Tech’s moral hazardGlobal artificial intelligence company Anthropic is facing potentially massive copyright lawsuits from major music publishers and record companies.
Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Part 2
※〈Gyeongju Trip〉 Director Kim Mi-jo's interview continues from Part 1.One striking aspect of 〈Gyeongju Trip〉 is how it depicts Baek Sang-hyun, the killer (Byun Yo-han). Why did you choose not to give any backstory to the perpetrator Baek Sang-hyun and instead portray him solely as a heinous...
‘Made in Korea Season 2’ Hyun Bin’s ruthless ambition erupts! ‘Baek Gi-tae’ character still revealed!

‘Made in Korea Season 2’ Hyun Bin’s ruthless ambition erupts! ‘Baek Gi-tae’ character still revealed!

In Season 2, he sustains a dangerous double life for 9 years, taking on the role of acting head of the Korean Central Intelligence Agency and rising to No. 2 in the organization’s hierarchy.
〈Made in Korea Season 2〉, building buzz ahead of a bigger-than-Season-1 surge of desire and escalating showdowns, has unveiled character stills of Hyun Bin that capture his overwhelming charisma. 〈Made in Korea Season 2〉 is a noir drama depicting the precarious journey of ‘Baek Gi-tae’ as he goes...
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.