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Search results for "Slow Cinema movement"

Beyond OTT and Into Theaters: Independent Film Long-Run Project “Slow Cinema” Launches

Beyond OTT and Into Theaters: Independent Film Long-Run Project “Slow Cinema” Launches

Instead of streaming straight to OTT, it holds onto theater screenings through year-end—kicking off the “Slow Cinema” movement built to share breath with audiences
In an era dominated by exclusive screen access, independent films have launched an all-out counterattack for survival. A nationwide audience coalition project aimed at reclaiming what theaters are for and protecting the value of long-run screenings, the “Slow Cinema” movement, has opened its...
| James choi
[Joo Seong-cheol’s Lockers] The Great Dancer Turned Film Director Summoned by “Michael”: Bob Fosse’s “All That Jazz”

[Joo Seong-cheol’s Lockers] The Great Dancer Turned Film Director Summoned by “Michael”: Bob Fosse’s “All That Jazz”

I can’t help but get hooked on the objects in movies. Director, cinematographer, production designer, or even an actor—why, exactly, did they put that item in front of the camera? ‘Joo Seong-cheol’s Lockers’ is a record of the movie objects that lightly landed under my gaze and, somehow, stuck there.
Everyone had been waiting. With the release of 〈Michael〉 on May 13, it shot to #1 at the weekend box office, instantly projecting a million viewers. Zafar Jackson, Michael Jackson’s real-life nephew, debuts as the youngest member of the ‘Jackson 5’ right away, drawing attention for his musical...
| Joo Seong-cheol
The Master of the World: Buster Keaton ② ‘The Great Unflinching Face’ Loved Across Time

The Master of the World: Buster Keaton ② ‘The Great Unflinching Face’ Loved Across Time

Buster Keaton turned the ‘Great Unflinching Face’ (Great Stone Face), unaffected by whatever was happening around him, into his own unmistakable style and personality.
Buster Keaton doesn’t smile—so why do we laugh when we see him? In film, action images are always a subject of curiosity, and also something we keep investigating—an inquiry that never truly stops. Our eyes automatically respond while watching films, trying to harmonize the many formal elements...
| Joo Seong-cheol
[Seong Chan-eol's Manga Books] A Class-Defying Romance That Slowly Seeps In Like Ink in Water 「Emma」

[Seong Chan-eol's Manga Books] A Class-Defying Romance That Slowly Seeps In Like Ink in Water 「Emma」

I'm obsessed with subculture. I check out anything that handles fresh stories, ideas, or characters—not only films but webtoons, games, comics, and animation. Having opened the door to the world of 'geek' through printed manga, I now read comics on e-books and webtoons on my smartphone—I've become...
| Seongchan Eol
Before “Wangsa-nam,” there was “Rebound”! The film “Rebound” by Director Jang Hang-jun, who bounced back the right way

Before “Wangsa-nam,” there was “Rebound”! The film “Rebound” by Director Jang Hang-jun, who bounced back the right way

Director Jang Hang-jun, who became the director with a blockbuster hit for the first time with “The Man Who Lives with a King,” has brought back the story he treasures most, “Rebound,” as it reopens in theaters on April 3, returning to this spring’s moviegoing scene.
| Chua-young
Hungarian Filmmaking Master Béla Tarr Passes Away… Leaving Behind the Aesthetics of Slowness

Hungarian Filmmaking Master Béla Tarr Passes Away… Leaving Behind the Aesthetics of Slowness

Master of Long Takes and Black-and-White Imagery Passes Away at 70... Leaving Milestones in Modern Film History such as 'Sátántangó'
The legendary Hungarian filmmaker Béla Tarr passed away on the 6th at the age of 70. The Hungarian Film Association announced his death through an official statement saying, "He passed away in the early morning after suffering from a serious chronic illness," expressing deep condolences from the...
| Chua-young
Han Ye-ri, Kim Seol-jin Starring, Directed by Kang Mi-ja, <Spring Night> Press Screening Held

Han Ye-ri, Kim Seol-jin Starring, Directed by Kang Mi-ja, Press Screening Held

A drama that captures the tragic and poignant love story of Young-kyung (Han Ye-ri) and Su-hwan (Kim Seol-jin) who live in ruins with wounds and face death.
A poetic drama that captures the tragic and poignant love story of ‘Young-kyung’ and ‘Su-hwan’ who live in ruins with wounds and face death was successfully held on July 3 at 2 PM at CGV Yongsan I-Park Mall with the attendance of Director Kang Mi-ja and actors Han Ye-ri and Kim Seol-jin for a...
| Joo Seong-cheol