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Added 19 Hidden Minutes… Park Chan-wook’s ‘It’s Not Like I Had a Choice’ Extended Edition VOD Released

Added 19 Hidden Minutes… Park Chan-wook’s ‘It’s Not Like I Had a Choice’ Extended Edition VOD Released

It includes a large number of previously unreleased scenes featuring Lee Byung-hun and Son Ye-jin that were not in the theatrical cut… Coming to living rooms starting April 16
The maestro’s hidden 19 minutes, a cold return beyond perfectionA brutal yet elegant thriller woven by director Park Chan-wook, the film 'It’s Not Like I Had a Choice' is finally unsealed. CJ ENM, the distributor, will release an extended edition in the form of a Deep Cut—one step beyond the...
| James choi
'Exit 8' Theater Simultaneous VOD Service Launches... Enjoy 'Infinite Loop' Horror from Home Now

'Exit 8' Theater Simultaneous VOD Service Launches... Enjoy 'Infinite Loop' Horror from Home Now

The top-grossing Japanese live-action film of 2025... Experience the immersive reality horror that Cannes and Busan are paying attention to, right at home
The film 〈Exit 8〉, which set the highest box office record among Japanese live-action films released in 2025, has officially launched its simultaneous VOD service starting today. The horror of the original game, which caused a global 'anomaly' syndrome, can now be vividly experienced at home.
| Chua-young

"John Cena's Rampage Begins"... Action Blockbuster 'Freelance' to be Released on February 11

Director Pierre Morel of 'Taken' X John Cena's Collaboration... Explosive Escape Action
The film 〈Freelance〉, featuring explosive action from John Cena, will be available to domestic audiences on February 11.〈Freelance〉 is a collaboration between director Pierre Morel, known for action masterpieces 〈Taken〉 and 〈District 13〉, and action star John Cena, who comes from a wrestling...
| Seongchan Eol
2007 Korean Film 'D-War' Suddenly Rises to No. 2 on Netflix in Europe

2007 Korean Film 'D-War' Suddenly Rises to No. 2 on Netflix in Europe

The 2007 South Korean film 〈D-War〉 (also listed as 〈Dragon Wars〉) has reappeared on Netflix: after being released in 19 countries on Aug. 10, it reached No. 6 on FlixPatrol's movie popularity rankings. Its arrival on the streaming service was notable for several reasons.
| Seongchan Eol
[Interview] “It’s a bigger sin not to release this video.” How should it have been handled? Director Tomoaki Fujino ①

[Interview] “It’s a bigger sin not to release this video.” How should it have been handled? Director Tomoaki Fujino ①

When it was released in Japan, the film posed pointed questions about families with disabled relatives and issues of caregiving, and interest continues as it opened in South Korea on the 29th of last month.
There’s a film that has sparked buzz on every front, from the source material—an older sister’s schizophrenia and the parents’ confinement of her—to the production of a private documentary recorded by the family, and to the theater release format despite the absence of IPTV, VOD, OTT, and other...
| 이화정
Beyond OTT and Into Theaters: Independent Film Long-Run Project “Slow Cinema” Launches

Beyond OTT and Into Theaters: Independent Film Long-Run Project “Slow Cinema” Launches

Instead of streaming straight to OTT, it holds onto theater screenings through year-end—kicking off the “Slow Cinema” movement built to share breath with audiences
In an era dominated by exclusive screen access, independent films have launched an all-out counterattack for survival. A nationwide audience coalition project aimed at reclaiming what theaters are for and protecting the value of long-run screenings, the “Slow Cinema” movement, has opened its...
| James choi
A Bold Mashup of Teen Drama and Body Horror: “I Want To Be Blonde” Opens on VOD in June

A Bold Mashup of Teen Drama and Body Horror: “I Want To Be Blonde” Opens on VOD in June

The film explores identity and belonging issues facing Asian American teenagers in the U.S. in the format of a genre movie, winning praise A standout from the 2025 SXSW Film Festival featuring Shirley Chen and McKenna Grace delivers an overwhelming sense of immersion Set to land in living rooms in June 2026 through major VOD platforms including the three IPTV providers and Studio Choiсe
I Want To Be Blonde, which combined teen film and body horror and won over audiences, meets Korean viewers on VOD.The film 〈I Want To Be Blonde〉 follows Joann Huang, a Chinese American high school student who lives feeling alienated in American society, and drew major attention after its debut at...
| Seongchan Eol
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
IU and Byeon Woo-seok Apologize Together Over Controversy of Historical Distortion in “The Grand Lady of the 21st Century” (Full Text)

IU and Byeon Woo-seok Apologize Together Over Controversy of Historical Distortion in “The Grand Lady of the 21st Century” (Full Text)

Due to inadequate research and controversy over historical distortion in the drama “The Grand Lady of the 21st Century,” both lead actors apologized via their personal SNS accounts IU: “I’m ashamed of myself for not reading the script carefully and studying with enough thought,” Byeon Woo-seok: “I lacked consideration for the historical context” With a promise from the production team to make prior VOD revisions, the lead actors recognized the heavy responsibility as main performers and bowed their heads side by side
〈The Grand Lady of the 21st Century〉’s royal couple delivered an apology to viewers, expressing their regret. Controversy Over Historical Fact-Checking and IU’s Personal Reflection The drama 〈The Grand Lady of the 21st Century〉 ended on May 16.
| Seongchan Eol
“Yumi’s Cells” Season 3 to Premiere in 18 Countries on April 13—Including Japan and Southeast Asia

“Yumi’s Cells” Season 3 to Premiere in 18 Countries on April 13—Including Japan and Southeast Asia

TVING’s Global Distribution Push… Available via HBO Max and a TVING Brand Channel on Disney+ Japan
Returning is “Cell Stimulating Empathy Romance,” delivering a fresh jolt with a first-of-its-kind blend of live action and 3D animation. TVING announced that it will kick off a global hit run by releasing the original series 〈Yumi’s Cells Season 3〉 simultaneously in 18 Asia-Pacific...
| Chua-young