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A Look Inside Kore-eda Hirokazu’s Korea Press Conference for New Film 〈Sheep in the Box〉

A Look Inside Kore-eda Hirokazu’s Korea Press Conference for New Film 〈Sheep in the Box〉

Director Kore-eda Hirokazu introduced his new film 〈Sheep in the Box〉 at a June 4 press briefing at Megabox COEX in Seoul, joined by child actor Kuwaki Rimu, who plays the humanoid Kakeru. Known for his warm yet incisive take on alternative families, Kore-eda returns with a film that extends his...
| Chua-young
[Photo&] “AI That Replaces a Dead Son” Hirokazu Kore-eda’s New Work ‘A Sheep in a Box’ Unveiled at the Cannes Film Festival

[Photo&] “AI That Replaces a Dead Son” Hirokazu Kore-eda’s New Work ‘A Sheep in a Box’ Unveiled at the Cannes Film Festival

A meeting between a couple who lost their son and a humanoid robot. Acclaimed director Hirokazu Kore-eda questions humanity in the AI era. Confirmed for release in Korea on the 10th next month and for his in-person visit on the 4th.
Humanity in the AI era: a weighty topic from a master“In an era when artificial intelligence technology advances by leaps and bounds, we should ask ourselves what, exactly, defines humanity.”Bringing his new film ‘A Sheep in a Box’, invited to the competitive section of the 79th Cannes...
| James choi
Hirokazu Kore-eda’s New Film “Sheep in the Box” Invited to the 79th Cannes Film Festival, Set for Domestic Release on June 10

Hirokazu Kore-eda’s New Film “Sheep in the Box” Invited to the 79th Cannes Film Festival, Set for Domestic Release on June 10

A unique near-future story in which a family adopts a humanoid that looks just like their deceased son A truly unprecedented record—Kore-eda Hirokazu’s 10th Cannes invitation and an 8th entry into the competition lineup A special chronicle video covering the 22 years of Cannes Film Festival entries, from “Nobody Knows” onward
Hirokazu Kore-eda’s new film 〈Sheep in the Box〉, invited by the Cannes Film Festival, has confirmed its release in theaters on June 10. 〈Sheep in the Box〉 is Kore-eda Hirokazu’s latest work, following 〈Nobody Knows〉, 〈Shoplifters〉, and 〈Monster〉, among others.
| Seongchan Eol
A Robot That Looks Like a Dead Son... Hirokazu Kore-eda’s New Film ‘The Sheep in the Box’ to Release in June

A Robot That Looks Like a Dead Son... Hirokazu Kore-eda’s New Film ‘The Sheep in the Box’ to Release in June

Selected for the Competition Section at the 79th Cannes Film Festival. A special story of a humanoid family inspired by ‘The Little Prince,’ starring Haruka Ayase
The Master Returns: Hirokazu Kore-eda’s New Film ‘The Sheep in the Box’Global master ‘Hirokazu Kore-eda’ returns with a new family film ‘The Sheep in the Box’, set in the near future. Combining the pain of loss with the sci-fi concept of ‘humanoids’, the film has been invited to the Competition...
| James choi
Hirokazu Kore-eda's New Film 'The Sheep in the Box' to Land in Korea This Summer

Hirokazu Kore-eda's New Film 'The Sheep in the Box' to Land in Korea This Summer

'A Family' and 'Monster' Master’s Original New Work... Screenplay, Direction, and Editing by One Person
Hirokazu Kore-eda's new film 〈The Sheep in the Box〉 will land in Korea this summer.The acclaimed director Hirokazu Kore-eda, known for films like 〈Nobody Knows〉, 〈A Family〉, and 〈Monster〉, presents his original new work 〈The Sheep in the Box〉, for which he took on the roles of screenplay,...
| Seongchan Eol
'Predator: The Land of Death' 'Humanoid Tia & Tessa' Video Released

'Predator: The Land of Death' 'Humanoid Tia & Tessa' Video Released

Elle Fanning Transforms into a Synthetic Human with Damaged Legs
As 'Predator: The Land of Death' garners hot topics with Elle Fanning's dual role performance, the video for 'Humanoid Tia & Tessa' has been released. 'Predator: The Land of Death' is an action-adventure film depicting the life-and-death struggle and cooperation between the Predator Deck and the...
| Chua-young
A Great Failure: What Kore-eda Hirokazu Wants to Convey in 〈The Sheep in the Box〉 ②

A Great Failure: What Kore-eda Hirokazu Wants to Convey in 〈The Sheep in the Box〉 ②

▶ This article on Kore-eda Hirokazu's 〈The Sheep in the Box〉 continues from Part 1.Recovery of an animistic sensibilityThe willingness to believe in the unseen connects directly to Japan's traditional animism, which holds that natural objects and phenomena are inhabited by spirits or invisible...
| Chua-young
A Great Failure: What Kore-eda Hirokazu Tries to Say in 'The Sheep in the Box' — Part 1

A Great Failure: What Kore-eda Hirokazu Tries to Say in 'The Sheep in the Box' — Part 1

〈The Sheep in the Box〉 may be Kore-eda Hirokazu’s most ambitious film, but its reach exceeds its grasp. Revisiting his long-running interest in alternative-family narratives while returning to science fiction after 〈Air Doll〉 (2009), Kore-eda attempts to expand his themes beyond the human realm to...
| Chua-young
[Photo &] 30th Bucheon Film Festival Screens Record 321 Films, Jet Li Named Opener

[Photo &] 30th Bucheon Film Festival Screens Record 321 Films, Jet Li Named Opener

A record-breaking scale with 321 films screened across 50 countries. AI and short-form categories are added as the curtain rises on a new-genre festival
A massive comeback for 'Asia's largest genre film festival' — bold lineup for the 30th BIFAN'Asia's largest genre film festival' has returned in grand form, proving its clout. The 'Bucheon International Fantastic Film Festival' ('BIFAN') is back with the best-ever lineup.
| James choi
[Photo] Three Japanese Masterpieces Enter the Cannes Competition for the First Time in 25 Years...Japanese Directors Chasing the Palme d’Or

[Photo] Three Japanese Masterpieces Enter the Cannes Competition for the First Time in 25 Years...Japanese Directors Chasing the Palme d’Or

Ryusuke Hamaguchi’s New Work Sets a Career-High Rating Record...Three Japanese Master Directors—including Hirokazu Kore-eda—who have jointly entered the Cannes Film Festival competition category for the first time in 25 years, and their chances of winning
A Record of Waiting for 25 Years, as the World Turns Its Eyes to the Revival of Japanese CinemaAt the 79th 'Cannes Film Festival', three Japanese films entered the competition section side by side, signaling a seismic shift in the global film world.
| James choi