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From Hwatu to Poker, From Korea to Global Stakes: First Press-Screening Review of ‘Tazza: Belzebub’s Song’ and Highlights From the Press Conference

From Hwatu to Poker, From Korea to Global Stakes: First Press-Screening Review of ‘Tazza: Belzebub’s Song’ and Highlights From the Press Conference

A symbol of Korean adults-only entertainment cinema, the 〈Tazza〉 series returns for its final chapter, 〈Tazza: Belzebub's Song〉 (hereafter 〈Tazza 4〉), which opens on Sept. 23. The film trades hwatu for poker and moves much of its action from Korea to the global gambling circuit.
First Reactions: Cineplay Reporters Rate 〈Assassin(s)〉

First Reactions: Cineplay Reporters Rate 〈Assassin(s)〉

[First Reactions] 〈Assassin 〉, a film that traces the suspicions and the forces behind the Aug. 15, 1974 assassination incident that shocked South Korea, opens Sept. 23. The film is a collaboration between Hive Media Corp. , the production company behind 〈12.
[OTT Ratings] Cineplay’s Star Rating for Netflix Series 〈Mousetrap〉

[OTT Ratings] Cineplay’s Star Rating for Netflix Series 〈Mousetrap〉

[OTT Ratings] Netflix has released all episodes of 〈Mousetrap〉, a thriller about a man who loses his identity in an instant and sets out to get it back. 〈Mousetrap〉 follows novelist Moon Jae, who has his name, face and life stolen by a mysterious figure called the Mousetrap; No-ja, a loan shark...
First Reactions: Cineplay Editor-in-Chief Gives 'Agami' 3.5 Stars

First Reactions: Cineplay Editor-in-Chief Gives 'Agami' 3.5 Stars

First reactions from a preview screening Director An Jaehoon's animated feature 〈Agami〉, based on Gu Byeongmo's novel 「Agami」, opens Sept. 9. The film tells the radiant story of Gon, the world's only child to grow gills after being thrown into deep water, and of the people who meant everything in...
Review: Christopher Nolan’s ‘Odyssey’ Turns Greek Epic Into a Grand Human Drama

Review: Christopher Nolan’s ‘Odyssey’ Turns Greek Epic Into a Grand Human Drama

One phrase immediately came to mind: Christopher Nolan has pushed past his own limits in 〈Odyssey〉, his adaptation of Homer’s 「The Odyssey」, which opens on Aug. 5. 「The Odyssey」 tells the story of King Odysseus’s return to his homeland of Ithaca after the Trojan War, a foundational epic that still...
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
Interview: Na Hong-jin on 〈Hope〉 — The Massive Attraction Built on a Decade of Obsession, Part 2 (Contains spoilers)

Interview: Na Hong-jin on 〈Hope〉 — The Massive Attraction Built on a Decade of Obsession, Part 2 (Contains spoilers)

Contains spoilers and interpretations of the ending.
※The interview with 〈Hope〉 director Na Hong-jin continues from Part 1. ※This interview contains spoilers and interpretations of the ending. Before the film was finished, you said that the actors who play the aliens—including Michael Fassbender and Alicia Vikander—are the protagonists.
Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.
First Reactions to ‘Hope’: Cineplay Critics’ Star Ratings

First Reactions to ‘Hope’: Cineplay Critics’ Star Ratings

[First reactions from the press screening] Na Hong-jin’s new film 〈Hope〉, which screened in competition at the 79th Cannes Film Festival, opens July 15. In 〈Hope〉, Beom-seok (Hwang Jung-min), chief of the Hopohang outpost in the Demilitarized Zone, hears from local young men that a tiger has...
‘Shadow Child’ Review: A Fantastical World Rooted in the Real Pain of Absence, Plus What Its Key Players Had to Say

‘Shadow Child’ Review: A Fantastical World Rooted in the Real Pain of Absence, Plus What Its Key Players Had to Say

Blending realist grounding with a genre mood is difficult. Capturing the border between those two seemingly different realms and turning it into a film is no easy task. Even in South Korea’s film industry, where tightly executed genre movies and grounded, reality-driven stories dominate, films that...