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[Film Festival] Sold-Out Screenings and Solidarity Q&As with LGBTQ+ Rights Groups: Seoul International PRIDE Film Festival (SIPFF) 2026 Heated Up On and Off Screen

[Film Festival] Sold-Out Screenings and Solidarity Q&As with LGBTQ+ Rights Groups: Seoul International PRIDE Film Festival (SIPFF) 2026 Heated Up On and Off Screen

​ The 16th Seoul International PRIDE Film Festival , led by Festival Director Kim Jho Kwang-soo, hosted a series of sold-out screenings of headline films, along with an international co-production forum, a Pride Ball, an HIV/AIDS/PrEP forum and more than 20 audience Q&As.
Seoul International Pride Film Festival Opens Nov. 11, Screening 116 Films; Cannes Award Winner 'The Black Ball' to Get Exclusive Showcase

Seoul International Pride Film Festival Opens Nov. 11, Screening 116 Films; Cannes Award Winner 'The Black Ball' to Get Exclusive Showcase

Festival opens next month at CGV Piccadilly 1958, with acclaimed queer films from 34 countries
From award-winning films at prestigious international festivals to digitally restored Korean classics The 16th Seoul International Pride Film Festival, the largest international LGBTQ+ film festival in South Korea, will be held Nov. 5-11 at CGV Piccadilly 1958 in Seoul.
[Film Festival] 16th Seoul International PRIDE Film Festival: Five Picks ① — “Open Pride” Section: “Transgender People Take Center Stage”

[Film Festival] 16th Seoul International PRIDE Film Festival: Five Picks ① — “Open Pride” Section: “Transgender People Take Center Stage”

Tickets for the 16th Seoul International PRIDE Film Festival, running Nov. 5-11, go on sale at 4 p.m. on Friday, Oct. 23.
PRIDE is a symbolic word that expresses the self-esteem of sexual minorities and encompasses all LGBTQIA+ people. A showcase of solidarity that brings some of the world’s best queer films to Korean audiences, the 16th Seoul International PRIDE Film Festival begins ticket sales at 4 p. m.
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

After transitioning, Alice has only just been able to choose the life she wants. Eddie says her transition is still ongoing. The film portrays not a momentary change, but an ongoing process of facing oneself.
A women’s bathhouse. Perhaps it’s a familiar, ordinary place for most women. The camera is set up, the lights come on, and filming begins. Water—whether sweat or tears, it’s hard to tell—runs down the face of a woman in the bath.
[Film Festival] Picks from the 16th Seoul International PRIDE Film Festival, Part 2: ‘Asia Pride’ and ‘Special Pride’ Sections, ‘Korean Queer Film History’

[Film Festival] Picks from the 16th Seoul International PRIDE Film Festival, Part 2: ‘Asia Pride’ and ‘Special Pride’ Sections, ‘Korean Queer Film History’

『Korean Queer Film History 2022–2025』, documenting queer films that screened in Korea from 2022 to 2025 through criticism by five critics and interviews with five directors, will also be published.
※ Continued from the first article on picks from the 16th Seoul International PRIDE Film Festival. The Seoul International PRIDE Film Festival’s “Asia Pride” section is a chance to discover a diverse range of queer films made in Asia.
[Choo A-young's Music Box] 'I Saw the TV Glow' Becomes an Anthem for Anyone Trying to Reclaim Themselves

[Choo A-young's Music Box] 'I Saw the TV Glow' Becomes an Anthem for Anyone Trying to Reclaim Themselves

I get hooked on the music in films. Music often reveals intimate emotions a picture or dialogue alone cannot convey. It can become a window into a creator's hidden intent. For me, listening to a film's music is one way to get closer to what the film is doing.
Queer Horror 'Leviticus' and Thriller 'Knock' Win Top Honors at Bucheon Film Festival (BIFAN)

Queer Horror 'Leviticus' and Thriller 'Knock' Win Top Honors at Bucheon Film Festival (BIFAN)

Queer horror 'Leviticus' and crime thriller 'Knock' were named best at the 30th Bucheon International Fantastic Film Festival The festival also revealed winners of the newly created AI film award
A film industry's paradigm shift for what's next — BIFAN's take on genre upheaval and an AI revolution The 30th edition of the Bucheon International Fantastic Film Festival — where the imaginations of 321 films from 50 countries across the world collided — has finally unveiled the faces set to...
Kurosawa Kiyoshi’s ‘Black Thunder Castle’ and Other Buzzed-About Titles at BIFAN 2026

Kurosawa Kiyoshi’s ‘Black Thunder Castle’ and Other Buzzed-About Titles at BIFAN 2026

Marking its 30th anniversary this year, the Bucheon International Fantastic Film Festival will be held from July 2 to July 12 around Bucheon City Hall. As South Korea’s only fantastic genre film festival, BIFAN again presents works armed with genre playfulness and a bold experimental spirit.
Kim Ji-yeon’s Jewel Box: Jang Yo-hun, a Box-Office-Level Presence in Short Films

Kim Ji-yeon’s Jewel Box: Jang Yo-hun, a Box-Office-Level Presence in Short Films

I’m curious about people. Even actors who are already attracting attention may be at their least-famous moment right now. "Kim Ji-yeon’s Jewel Box" spotlights actors who keep reaching new heights. Consider these breakout picks chances to buy the dip.
“Gibeu aen teikeu, ssinyeonbara!” Lines such as “My child’s father is extremely angry,” “School Rights Protection Bureau inspector! I’m Im Han-lim—!” and the stammering “Ju-, ju-, ju-, a juvenile offender” spawned countless memes from 〈Teach You a Lesson〉, but there’s one moment that should have...
Cannes Winner ‘Bring Me to the Back Seat’ Original Novel Tops eBook Charts Immediately After Release

Cannes Winner ‘Bring Me to the Back Seat’ Original Novel Tops eBook Charts Immediately After Release

The original novel of the Cannes Film Festival screenwriting winner, released in South Korea, shot to No. 1 on bestseller lists at the same time theaters won hearts.
The aftershocks of the masterfully crafted masterpiece chosen by the Cannes Film Festival are rippling beyond the screen, creating a seismic shift in the publishing world. The ‘Bring Me to the Back Seat Original Novel’, released through official channels in South Korea on the 15th, regained...