
[First Impressions from a Press Screening]
〈Renoir〉, a hot topic from the Competition section of the Cannes Film Festival, which opened on Wednesday, April 22, is a 2026 springtime story set during an ordinary summer vacation in 1980—when an 11-year-old named “Huki” grows up, learning about the world along the way. It’s a film that somehow feels familiar to us—those who were children once and are adults now. Cineplay reporter Choo Ah-young shares her first impressions after viewing the film in advance at a media screening.
Choo Ah-Young / ★★★☆ / Capturing the hidden inner landscapes of children enthralled by the unknown
〈Renoir〉 aligns with a line of films that reflect the irrational world of adults by passing through a child’s perspective. But 〈Renoir〉 takes a slightly different approach. Rather than highlighting the contrast between adults’ irrational world and the purity of a child, it spotlights the loneliness and lack of care a child faces amid imperfect adults—through a child’s portrait shaped by an original, primal curiosity about the unknown. In this way, 〈Renoir〉 depicts another world of children—one that exists outside the expectations society and adults place on them—through deep, dark images. The film’s captivating visuals, which capture the spirit of 1980s Japan in the shadows, can hardly be outdone by the beauty of the images associated with Edward Yang and Kiyoshi Kurosawa.



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