Search results for "Dark Matter"

The Ultimate Multiverse Sci-Fi Showdown! Joel Edgerton × Jennifer Connelly’s “Dark Matter” Season 2 Confirmed for August 28!

The Ultimate Multiverse Sci-Fi Showdown! Joel Edgerton × Jennifer Connelly’s “Dark Matter” Season 2 Confirmed for August 28!

Based on Blake Crouch’s best-selling novel, “Dark Matter” has confirmed its Season 2 release and unveiled the first still images.
“Dark Matter” is a multiverse sci-fi psychological thriller series that follows “Jason” , who is abducted into another world while living a stable everyday life, as he works relentlessly to return to reality. With an immersive story adapted from Blake Crouch’s New York Times best-selling novel,...
Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

I'm drawn to film music. Sometimes music communicates a character's intimate emotions that images and dialogue alone cannot convey. It can become a window onto a creator's hidden intent. For me, understanding film music has been one way into a movie.
[Interview] Catching This Year’s Debut, a Y2K-Era Sensibility: Director Han Chang-rok, Actors Joo Min-hyung and Baek Ji-hye, Part 1

[Interview] Catching This Year’s Debut, a Y2K-Era Sensibility: Director Han Chang-rok, Actors Joo Min-hyung and Baek Ji-hye, Part 1

Inspired by a murder case in Washington, Benton in 2018, 〈Choong-Choong-Choong〉 portrays a catastrophe sparked by the intersecting desires of three kids.
Retro is the trend. In the fashion, music and props of young people in their 20s, there’s nowhere that a Y2K sensibility hasn’t managed to seep in. Director Han Chang-rok, born in 1990 and a graduate of the Korea National University of Arts film school, pulls this retro sensibility straight onto...
[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

A talk that reaches the actor through deep, steady breathing, like a detox. The actors Lee Hwa-jung meets in her film journalism.
▶ The meeting with actor Lee Yeon continues from Part 1. ​〈Juvenile Judgment〉 is a different situation, but it’s a portrayal of the dark side of teenage youths. I can imagine that darkness running counter to Lee Yeon’s brightness must have felt overwhelming.
[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

A talk that approaches the actor with deep, cleansing breaths. Actors Lee Yeo-jeong meets.
“I should get paid a really big amount of money.” Borrowing a line from Dobby-seo, she delivered a compliment aimed at the Dobby-seo of 〈the Dynasty Lady of the 21st Century〉. Lee Yeon’s performance, which breaks the mold of what a typical secretary in a drama looks like, gives off a lively, bouncy...
Cook Sergeant Park Ji-hun Overcomes the Crisis at Gangnim Outpost! “Cook Sergeant Becomes a Legend” Takes No. 1 in Its Time Slot for Cable and General-Programming Channels

Cook Sergeant Park Ji-hun Overcomes the Crisis at Gangnim Outpost! “Cook Sergeant Becomes a Legend” Takes No. 1 in Its Time Slot for Cable and General-Programming Channels

At the Gangnim outpost, Cook Sergeant Kang Seong-jae (Park Ji-hun) and Sgt. Yoon Dong-hyeon (Lee Hong-nae) find themselves in a situation where they must take charge of the troops’ meals using only a cooking trailer.
Cook Sergeant Park Ji-hun has been crowned the hidden clutch master of the KCTC training. In episode 6 of the Tving original 〈Cook Sergeant Becomes a Legend〉 (screenplay Choi Ryong, directed by Jo Nam-hyung, planning Studio Dragon, produced by Studio Dragon, Studio N, and provided by Tving ), which...
Kim Na-hee, Critic: ‘Vivaldi and Me’ ① The Moment Beings You Only Ever Hear About Start to Appear in Spring

Kim Na-hee, Critic: ‘Vivaldi and Me’ ① The Moment Beings You Only Ever Hear About Start to Appear in Spring

The original title is 《Primavera》, which means “spring” in Italian. It is the name of the first concerto among Vivaldi’s 《The Four Seasons》, and another word for liberation.
The original title of the film 〈Vivaldi and Me〉 is 《Primavera》, which means “spring” in Italian. It is also the name of the first concerto among Vivaldi’s 《The Four Seasons》, but in this context, spring is another word for liberation.
Remembering Cinematographer Yoo Young-gil, Why You Should Watch “December 12.3” Again

Remembering Cinematographer Yoo Young-gil, Why You Should Watch “December 12.3” Again

On May 4, it reached 200,000 cumulative admissions and hit the break-even point about two weeks after its release.
There’s still a long way to go. Director Lee Myeong-se’s documentary 〈The December 12. 3〉 surpassed 200,000 cumulative viewers and reached the break-even point about two weeks after its release on May 4. With that, 〈The December 12.
[Interview] “Who Is a Building for?” Director Im Pil-sung on “How to Become a Landlord in South Korea” ①

[Interview] “Who Is a Building for?” Director Im Pil-sung on “How to Become a Landlord in South Korea” ①

Last weekend it aired up to episode 8, and it has now passed the midpoint of the 12-episode run.
〈How to Become a Landlord in South Korea〉 is being watched with great interest. It aired through episode 8 over the weekend, and yet even after passing the halfway point of this 12-episode series, it’s still a drama that’s impossible to predict. It’s a drama that’s impossible to predict.
So, How Scary Is It? “Salmokji” — Seen in Advance at a Press Screening

So, How Scary Is It? “Salmokji” — Seen in Advance at a Press Screening

After a long while, a horror film that still has bite has arrived. If, while watching a horror movie, you find yourself thinking, “Ugh, come on,” then that’s basically the end of it. If the emptiness at the finish of something eerie arrives and the fear doesn’t quite live up to expectations, all...