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The Master of the World: Buster Keaton ③ Review of Representative Works — “Our Hospitality” (1923) and “Sherlock Jr.” (1924)

The Master of the World: Buster Keaton ③ Review of Representative Works — “Our Hospitality” (1923) and “Sherlock Jr.” (1924)

〈Sherlock Jr.〉 wasn’t an awkward 44-minute runtime; otherwise, it would easily rank among the cinema’s greatest masterpieces.
Slapstick motion without end within the frame,〈Our Hospitality〉(1923)Willie McCay heads back to his hometown to inherit the land. The railroad tracks are a mess, and even the dam collapses—he forges ahead through a perilous route.
| Joo Seong-cheol
The Master of the World: Buster Keaton ② ‘The Great Unflinching Face’ Loved Across Time

The Master of the World: Buster Keaton ② ‘The Great Unflinching Face’ Loved Across Time

Buster Keaton turned the ‘Great Unflinching Face’ (Great Stone Face), unaffected by whatever was happening around him, into his own unmistakable style and personality.
Buster Keaton doesn’t smile—so why do we laugh when we see him? In film, action images are always a subject of curiosity, and also something we keep investigating—an inquiry that never truly stops. Our eyes automatically respond while watching films, trying to harmonize the many formal elements...
| Joo Seong-cheol
The Master of the World, Buster Keaton ① The Golden Age of Silent Film, Inventor of an Acrobatic Film Language

The Master of the World, Buster Keaton ① The Golden Age of Silent Film, Inventor of an Acrobatic Film Language

Buster Keaton, whom André Bazin and David Bordwell praise in unison, shows the limits of motion images through the boundless use of the human body and space.
Buster Keaton is one of the great artists who fully invented a brand-new film language of his own. Film scholar David Bordwell, in 「Film Art」, speaks about the comedy of Keaton’s “space” — the kind of freedom-to-move that he demonstrates — saying, “David Bordwell’s slapstick comedy confirms André...
| Joo Seong-cheol
NMIXX Releases MV Teaser for “Crescendo,” the 1st Track on Their 5th Mini Album

NMIXX Releases MV Teaser for “Crescendo,” the 1st Track on Their 5th Mini Album

Ahead of the May 11 release of their 5th mini album, “Heavy Serenade,” the teaser video for Track 1 is unveiled first Lily and Bae take part in writing the lyrics for the included songs, and singer-songwriter Hanloro works on the title track’s lyrics After the full release of the “Crescendo” MV on the 28th at 6:00 PM, the first world tour schedule resumes from June
NMIXX caught fans’ attention once again by releasing a music video teaser. Contrasting mysterious visuals with the sound On the 27th, the group NMIXX released the music video teaser for “Crescendo,” the 1st track of their 5th mini album, “Heavy Serenade,” via their official SNS channel.
| Seongchan Eol
Lee Sang-ho, Yoo Sung-sung, Moon So-ri, and Lee Seong-min—‘A Training Ground for Masterful Actors and a Towering Presence in the Theater World’: Director Lee Sang-woo Passes Away

Lee Sang-ho, Yoo Sung-sung, Moon So-ri, and Lee Seong-min—‘A Training Ground for Masterful Actors and a Towering Presence in the Theater World’: Director Lee Sang-woo Passes Away

In 2009, director of the feature film ‘Small Pond,’ and director of ‘Chilsu and Mansu,’ Lee Sang-woo, a former professor at Korea National University of Arts, has died at age 75
By founding the theater company Yeonwoo Mudae and Chaimu, the director Lee Sang-woo, a former professor at the College of Theatre at Korea National University of Arts, died on the 26th from illness. He was 75.The late man, a graduate of Seoul National University’s Department of Aesthetics, began...
| James choi
What Are You Doing Here? Spot the Hidden Actors in 'Baram'

What Are You Doing Here? Spot the Hidden Actors in 'Baram'

The unofficial 10-million-admissions film 〈Baram〉 spawned the spin-off 〈Jjanggu〉, which opened on the 22nd. Actor Jung Woo has insisted that 〈Jjanggu〉 is not a sequel to 〈Baram〉, but since it’s based on the autobiographical story of the protagonist Jjanggu , 〈Jjanggu〉 inevitably recalls 〈Baram〉 in...
| Kim Ji-yeon
Finished in Two Months Without Actors or Crew…A 100% AI Film Arrives

Finished in Two Months Without Actors or Crew…A 100% AI Film Arrives

From Director Kim Il-dong’s “I’m Popo” to a Chinese film where AI handled the entire process: The infiltration of generative AI into the film industry, ushering in the one-person production era
An ethical clash that erupts as artificial intelligence , equipped with consciousness and emotions, penetrates every corner of society. That is the core plot of Director Kim Il-dong’s film 'I'm Popo', set to open next month on the 21st.
| James choi
[Photo&] TVXQ, Energizing 130,000 Fans—Proving a 20-Year Power at Nissan Stadium in Japan ‘Concert Site’

[Photo&] TVXQ, Energizing 130,000 Fans—Proving a 20-Year Power at Nissan Stadium in Japan ‘Concert Site’

TVXQ, marking the 20th anniversary of its Japanese debut, drew 130,000 attendees over two days at the local area’s largest Nissan Stadium. “It’s the biggest luxury,” says with a heartfelt impression!
TVXQ proved its firm presence on the 20th anniversary of its debut by drawing 130,000 fans over two days at Nissan Stadium, Japan’s largest concert venue.After wrapping up its third solo concert ‘Red Ocean’ on the 25th, TVXQ expressed deep gratitude toward fans, saying, “It’s the biggest luxury you...
| James choi
After 'Salmokji,' Ready for a Ghost Tour? Korean Horror Films Set at Real-Life Haunted Spots

After 'Salmokji,' Ready for a Ghost Tour? Korean Horror Films Set at Real-Life Haunted Spots

〈A Man Living with the King〉's Yeongwol was followed by Yesan for 〈Salmokji〉. The film 〈Salmokji〉, which has already surpassed twice its break-even point, takes its motif from the 'Salmokji legend,' which is set at the Salmokji reservoir in Gwangsim-myeon, Yesan, Chungnam.
| Kim Ji-yeon
Is That a Goomba? Game-Based Films That Successfully Reinvented Themselves from Bywords for Flops

Is That a Goomba? Game-Based Films That Successfully Reinvented Themselves from Bywords for Flops

It feels like a lifetime has passed. Gone are the days when "video game adaptations" fought over 0.5 or 1-star ratings; now we live in an era where they can reliably deliver a decent average. Even Mario once went through a period when it was the epitome of a "worst movie," a reputation even fans...
| Seongchan Eol