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Search results for "Horror Movie"

[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

I get hooked on the objects in movies. I can’t help but get lost in questions about why the director, cinematographer, production designer, or even the actors put that thing right in front of the camera. “[Joo Seong-cheol’s Lockers]” is a record of those movie objects that land lightly—right onto my eyes.
Watching 〈Lee Cronin’s The Mummy〉 , you can feel the full-on force of Blumhouse as it revives a franchise that seemed long dead: 〈Mummy〉. The first 〈Mummy〉 (1932), powered by the charisma of actor Boris Karloff, was basically the flagship of the “Universal Horror” era.
| Joo Seong-cheol
“Smartwatch Triggered” Horror “SalmoKja”… Draws Teen Crowds, Ranks No. 1 Again for a Second Week

“Smartwatch Triggered” Horror “SalmoKja”… Draws Teen Crowds, Ranks No. 1 Again for a Second Week

Poised for a long theatrical run thanks to immersive teen viewing culture and the craze for visiting the real filming location
“Salmokja,” No. 1 at the Box Office for 12 Straight Days… Surpasses 1. 46 Million Admissions Director Lee Sang-Min’s new horror film “Salmokja” has maintained the No. 1 spot for 12 consecutive days since its release, delivering overwhelming box-office dominance.
| James choi
[First Look on the Scene] Cineplay Reporter Star Ratings for “The Mummy” by Lee Cronin

[First Look on the Scene] Cineplay Reporter Star Ratings for “The Mummy” by Lee Cronin

[First Look on the Scene] Fueled by the absolute support of horror fans around the world, the film 〈The Mummy by Lee Cronin〉—which brings together horror maestro James Wan and Blumhouse, a pairing that has everyone excited—opens on April 22.
| Joo Seong-cheol
The “Salmokji” Legend: What Was Added During the Film Adaptation Process

The “Salmokji” Legend: What Was Added During the Film Adaptation Process

The chilling folktale “Salmokji,” which had audiences fired up across broadcasts including the MBC horror talk show 〈Midnight Spook Talk〉 and various horror channels, has been reborn as a movie. Director Lee Sang-min, who has steadily immersed himself in the horror genre—through shorts such as...
| Chua-young
“Salmokji” Craze Takes Over College Campuses! Horror Fan Art Goes Viral

“Salmokji” Craze Takes Over College Campuses! Horror Fan Art Goes Viral

Colleges’ horror clubs get high praise… “It’s so immersive I can’t even reach for the popcorn”—vivid firsthand reviews
A film titled 〈Salmokji〉, which has been building overwhelming box-office momentum since it surpassed its break-even point within seven days of release, has proven that it’s striking a chord with the “Z generation” centered around college campuses.
| Chua-young
Lotte Cinema Sound-Optimized Theater ‘Gwang-eum Cinema’ Opens in Vietnam for the First Time

Lotte Cinema Sound-Optimized Theater ‘Gwang-eum Cinema’ Opens in Vietnam for the First Time

A special venue opens in Ho Chi Minh City, marking the company’s first overseas expansion. Designed for local audiences who enjoy horror and action, the global brand ‘BOOMAX’ delivers an immersive viewing experience.
Lotte Cinema brings ‘Gwang-eum Cinema’ to Ho Chi Minh City, Vietnam for the first time… Accelerating the expansion of its global footprint Lotte Cinema has paved the way for a full-scale push into global markets by introducing a sound-specialized theater called 'Gwang-eum Cinema' at its Go Vap...
| James choi
Screen-to-Stage: Yeon Sang-ho’s “Gunche” Is Born as an Immersive Theater Experience Launching in May

Screen-to-Stage: Yeon Sang-ho’s “Gunche” Is Born as an Immersive Theater Experience Launching in May

Experience an evolving zombie outbreak firsthand in the theater Launching in May: an audience-participation immersive show, “Inside the Play,” built on the legendary sellout run
Horror that tears through the screen—“Gunche,” Yeon Sang-ho’s creation Officially invited to the 79th Cannes Film Festival’s Midnight Screening section and spotlighted around the world, director “Yeon Sang-ho”’s new work “Gunche” breaks free from the spatial limits of a traditional theater and...
| James choi
[Interview] “Who Is a Building for?” Director Im Pil-sung on “How to Become a Landlord in South Korea” ①

[Interview] “Who Is a Building for?” Director Im Pil-sung on “How to Become a Landlord in South Korea” ①

Last weekend it aired up to episode 8, and it has now passed the midpoint of the 12-episode run.
〈How to Become a Landlord in South Korea〉 is being watched with great interest. It aired through episode 8 over the weekend, and yet even after passing the halfway point of this 12-episode series, it’s still a drama that’s impossible to predict. It’s a drama that’s impossible to predict.
| Cineplay
A Theater Release After 18 Years… The Holocaust Masterpiece, “The Boy in the Striped Pajamas”

A Theater Release After 18 Years… The Holocaust Masterpiece, “The Boy in the Striped Pajamas”

A tragic true story resonating with “The Zone of Interest.” A brutal fairy tale about two boys separated by barbed wire hits theaters this April.
[A Holocaust Masterpiece Returns to the Screen After 18 Years] This April, “The Boy in the Striped Pajamas”—the representative masterpiece of Holocaust cinema recognized by critics around the world—will be released in Korean theaters for the first time in 18 years since it was made.
| James choi
[Interview] What’s It Like to Step Into Kim Hye-yoon’s Genre Roles? Kim Hye-yoon on ‘Salmokji’ ②

[Interview] What’s It Like to Step Into Kim Hye-yoon’s Genre Roles? Kim Hye-yoon on ‘Salmokji’ ②

“〈Salmokji〉, it’s a 10/10 movie—but if you say it’s too scary, I feel like audiences won’t come. So I’ll give it a 9.5.”
▶〈Salmokji〉 actor Kim Hye-yoon’s interview continues from Part 1. 〈Salmokji〉 is a horror film built around “experiential” scares. From the perspective of filming an “experiential” movie, was there anything that made this set different from other productions.
| Kim Ji-yeon