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Jung Ho-yeon Drives a Stella for a Drift…Hyundai in Na Hong-jin’s Film “Hope” Releases Behind-the-Scenes Action Video “Sung-ae”

Jung Ho-yeon Drives a Stella for a Drift…Hyundai in Na Hong-jin’s Film “Hope” Releases Behind-the-Scenes Action Video “Sung-ae”

High-level car chases even before he got his Class 1 license. In Na Hong-jin’s new work “Hope,” the film showcases the performance of the beloved Hyundai Stella, resurrected as a police car in the memories.
Na Hong-jin, the director who represents Korea’s unmatched auteur tradition, has finally unveiled his new film Hope . Released on Jan. 15, the movie seized theaters immediately, and it is a science fiction action thriller that depicts a desperate human battle against an unknown presence in the...
| James choi
Yoo Jae-suk and Yoo Yeon-seok Return for Season 5, “Anytime There’s a Gap” …First Guest Star: Ho(pe) Lead Actors Hwang Jung-min and Jeong Ho-yeon

Yoo Jae-suk and Yoo Yeon-seok Return for Season 5, “Anytime There’s a Gap” …First Guest Star: Ho(pe) Lead Actors Hwang Jung-min and Jeong Ho-yeon

The Season 5 of SBS’s “Anytime There’s a Gap” starts its first broadcast next month on the 11th, featuring Ho(pe) lead actors Hwang Jung-min and Jeong Ho-yeon
A magic that fills the gaps of everyday life—returning armed with even stronger laughter ‘Yoo Jae-suk’ and ‘Yoo Yeon-seok’, two irreplaceable MCs, have long won the public’s absolute backing with their perfect ensemble, and the flagship SBS entertainment program ‘Anytime There’s a Gap,’ now finally...
| James choi
Namhongjin’s $50 Billion Epic “Hope” Opens Today… 600,000 Tickets Press Ahead to a Dominant No. 1

Namhongjin’s $50 Billion Epic “Hope” Opens Today… 600,000 Tickets Press Ahead to a Dominant No. 1

A return 10 years after “The Wailing.”
[In-Depth Analysis] The Return of a $5 Billion Epic—A Mind-Blowing Sci-Fi Thriller Created by the Namhongjin Universe The return of a master who broke a decade of silence is, indeed, overwhelming. 'Hope', which has shaken up the landscape of the Korean film industry, proved its explosive box-office...
| James choi
Sakamoto Yuji Offers Fantastical Consolation in 〈The World of Unrequited Love〉

Sakamoto Yuji Offers Fantastical Consolation in 〈The World of Unrequited Love〉

Anyone who follows Japanese pop culture likely knows one writer by name: Sakamoto Yuji. A steady source of acclaimed TV dramas, Sakamoto has in recent years also produced consistently strong film screenplays. He teamed with Koreeda Hirokazu on 〈Monster〉 and with Tsukahara Ayuko on 〈The First Kiss〉.
| Seongchan Eol
[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

I can’t help getting captivated by the objects in movies. I fall into deep thought over why, whether it’s the director, the cinematographer, the art director—or even the actor—someone felt compelled to place that particular item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the movie objects that came down on my eyes like stepping onto a soft stair.
Is there anyone who doesn’t know David’s stone. The story of David and Goliath that is told in 〈Robot Taekwon V〉(1976), and 〈General Tolly〉, and the 〈Ureomei〉 series, and countless other children’s animations and feature films—was also made by director Kim Cheong-gi, known for creating them all.
| Joo Seong-cheol
[Weekend Theater] Live-Action ‘Moana’ Takes No. 1 at the Box Office, Reservation-Rate Surge for Na Hong-jin’s ‘Hope’

[Weekend Theater] Live-Action ‘Moana’ Takes No. 1 at the Box Office, Reservation-Rate Surge for Na Hong-jin’s ‘Hope’

A new blockbuster formula for Disney’s live-action remake, as the ocean fantasy swept the theater scene Disney’s ambitious live-action project ‘Moana’ has finally lifted the curtain and seized full control of the local theater scene.
| James choi
‘Hope’ Surpasses 50% Total Pre-Sales Rate, Sending Ticket Sales Soaring! 4 Special-Viewing Posters Revealed!

‘Hope’ Surpasses 50% Total Pre-Sales Rate, Sending Ticket Sales Soaring! 4 Special-Viewing Posters Revealed!

With the film just one week away from release, it has swept aside not only existing movies in theaters but also upcoming new releases, widening the gap by more than double from 〈Moana〉, which sits in second place for pre-sales.
This summer, the movie 〈Hope〉, set to deliver the most cinematic experience at theaters, is continuing its momentum after its advance ticket sales rate broke through 50%. After ticket sales opened, 〈Hope〉 moved to No. 1 at the fastest pace of the year, locking in its lead with overwhelming figures.
| Joo Seong-cheol
[Weekend Theater] Min-a Shin’s “Eye Pupils” vs. “Toy Story 5” as the Weekend Box Office No. 1 Duel Heats Up

[Weekend Theater] Min-a Shin’s “Eye Pupils” vs. “Toy Story 5” as the Weekend Box Office No. 1 Duel Heats Up

With the thriller starring Min-a Shin taking the No. 1 spot at the box office, “Toy Story 5,” which leads in advance ticket sales, is set for a fierce weekend showdown.
The weekend theater scene is buzzing with a clash between chilly K-mystery and warm Hollywood-style kid-at-heart wonder. Shin Min-a’s well-made thriller, Eye Pupils, knocked Disney and Pixar’s hit juggernaut, Toy Story 5, taking a commanding run to the top of the box office.
| James choi
Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

I'm drawn to film music. Sometimes music communicates a character's intimate emotions that images and dialogue alone cannot convey. It can become a window onto a creator's hidden intent. For me, understanding film music has been one way into a movie.
| Chua-young
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol