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Lee Jung-eun, Kim Moo-yeol reunite in Netflix's

Lee Jung-eun, Kim Moo-yeol reunite in Netflix's "Grandma" after four years — 70-something takes up a gun for her grandson

Noir action series based on a webtoon of the same name; directed by Lee Kwon of "The Killer's Shopping List," with Heo Joon-ho joining as a villain
Lee Jung-eun transforms into a 70-something killer in "Grandma" — reunion after four years sets stage for bloody revenge Netflix original series officially confirmed, directed by Lee Kwon of "The Killer's Shopping List," with Heo Joon-ho and Kim Moo-yeol joining the cast Four years after "Juvenile...
[Kim Ji-yeon’s Jewel Box] From raw terror to weighty warmth, Kim Young-sung of 〈Gyeongju Trip〉, 〈Salmokji〉 and 〈Big Sleep〉

[Kim Ji-yeon’s Jewel Box] From raw terror to weighty warmth, Kim Young-sung of 〈Gyeongju Trip〉, 〈Salmokji〉 and 〈Big Sleep〉

A columnist curious about people — even actors already on the radar may be living their least famous day right now. "Kim Ji-yeon’s Jewel Box" introduces performers who keep reaching new highs; think of it as a tip to "buy low" on these rising stocks.
Do you remember the character who complained the whole time and was the first to be found cold and dead in one of the standout horror films of the first half of the year, 〈Salmokji〉 (2025)? Song Kyung-tae, the representative of a veteran Road View filming company, played by Kim Young-sung, is...
[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

I am drawn to objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. 'Joo Sung-chul's Locker' records the objects in movies that quietly catch my eye.
“The rush of battle is often a potent and lethal addiction, for war is a drug.” The Hurt Locker (2009), which won the 2010 Academy Award for Best Picture, opens with that title card. Director Kathryn Bigelow drew the quotation from War Is a Force That Gives Us Meaning, a 2002 nonfiction book by...
'2026 Busan Biennale' spotlights Venice Biennale standout—with a twist on its 16,000-won admission fee

'2026 Busan Biennale' spotlights Venice Biennale standout—with a twist on its 16,000-won admission fee

Held through Nov. 1 under the theme 'Dissident Chorus,' the exhibition spans three venues, including the Busan Museum of Contemporary Art, and showcases a range of genres.
Opening June 29 with 46 artists from 22 countries; two venues on Yeongdo and at a former high school will be entirely free The global art world is turning its attention to Busan once again. The '2026 Busan Biennale' will open in grand fashion on June 29, bringing together 46 artists from 22...
3 Picks to Watch Amid the Blockbuster Storm: Family, Battlefield and Revenge

3 Picks to Watch Amid the Blockbuster Storm: Family, Battlefield and Revenge

Although the heat dome largely spared the Korean Peninsula, cinemas are in the grip of a box-office storm. 〈Spider-Man: Brand New Day〉, which opened July 29, and 〈Odyssey〉, which opened August 5, have each surpassed 7 million and 6 million viewers respectively, and have fueled the summer box...
Moon Geun-young returns to big screen in lead role after nine years

Moon Geun-young returns to big screen in lead role after nine years

Mystery thriller set at a former cult site adds Go Ah-sung and Kim Si-a to its cast
Secrets of a Cult Revealed in Yeon Sang-ho’s New Film ‘Yeto’ Go Ah-sung and Kim Si-a join the cast as co-director Yoon Young-woo; post-production begins with original VFX Influencer Sisters Disappear as a Chilling Truth Emerges From a Former Cult Site Actor ‘Moon Geun-young’ will return to the big...
Director Lee Joon-ik’s Short Drama ‘Father’s Home-Cooked Meal,’ Announces 12 Main-Round Entries in Addition to Invitation Screening at the 1st Korea Short Drama Awards!

Director Lee Joon-ik’s Short Drama ‘Father’s Home-Cooked Meal,’ Announces 12 Main-Round Entries in Addition to Invitation Screening at the 1st Korea Short Drama Awards!

Director Lee Joon-ik’s short drama 〈Father’s Home-Cooked Meal〉 opens the door to the 1st Korea Short Drama Awards, held on Aug. 29 (Sat) at the Korea National University of Arts for Film?
Director Lee Joon-ik’s short drama 〈Father’s Home-Cooked Meal〉 opens the door to the 1st Korea Short Drama Awards. It was selected as an invited work for the awards ceremony to be held at KOFA Cinematheque, the main venue of the Korea Film Archive located in Sangam-dong, on Aug. 29 .
First Reactions to 〈The Journey to Gyeong-ju〉: Cineplay Reporters' Star Ratings

First Reactions to 〈The Journey to Gyeong-ju〉: Cineplay Reporters' Star Ratings

[First reactions from the press screening] Opening Aug. 26, 〈The Journey to Gyeong-ju〉 follows four women from one family who embark on a deadly revenge trip after waiting eight years for their youngest daughter, Gyeong-ju, who never returned from a school trip.
[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

I can’t help getting captivated by the objects in movies. I find myself in deep thought about why, of all things, the director, cinematographer, production designer, or even the actors would put that item in front of the camera. “Jusungcheol’s Locker” is a record of the film objects that have landed gently on my eyes.
One of the most striking scenes in 〈Odyssey〉 is the one-eyed giant Cyclops that Odysseus and his group encounter in a cave they enter after chasing a ram. With his enormous body blocking the cave like a huge boulder, he devours the humans inside two at a time each day, then sleeps.
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...