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Disco King ‘Village People’ Vocalist Victor Willis Dies at 74

Disco King ‘Village People’ Vocalist Victor Willis Dies at 74

The main vocalist of ‘Village People’ and co-writer of legendary hits ‘Y.M.C.A.’ and ‘Macho Man,’ as well as a charismatic police-officer look A maestro who led the disco era of the 1970s to its golden age leaves the world Deep mourning across the global pop world… “A hero who delivered the most joyful dance to humanity, transcending generations and borders”
Victor Willis (Victor Willis·74), the main vocalist and co-founder of the legendary American six-member group ‘Village People,’ which shook club scenes and the pop world around the globe in the 1970s and led disco music’s golden age, has died.
| Yangsimoh
‘David’ Unveils Concept Art Perfected by the Craftsmanship of Global Artists

‘David’ Unveils Concept Art Perfected by the Craftsmanship of Global Artists

From the song of his mother to his showdown with the giant Goliath feared across the world, ordinary shepherd David faces his fate as king.
The film 〈David〉 has released concept art that offers a glimpse into how the work was created. The film 〈David〉 tells the story of how an ordinary shepherd named David encounters the destiny of a king, from the song of his mother to his confrontation with the giant Goliath whom the world feared.
| Joo Seong-cheol
Review: Kim Min-ha Leads ‘Hana Korea,’ as Cast and Filmmakers Discuss the Film at Seoul Press Event

Review: Kim Min-ha Leads ‘Hana Korea,’ as Cast and Filmmakers Discuss the Film at Seoul Press Event

〈Hana Korea〉 tells one of Korean cinema’s most familiar stories in one of its most unfamiliar forms: a film by a Danish director, set in Seoul, about a North Korean defector. At times it unfolds like a Scandinavian film, yet its setting and faces are unmistakably Seoul, with Kim Min‑ha at the...
| Kim Ji-yeon
[Photo &] 60,000-Strong Army Takes Over Brussels—Heat Rises at BTS’s First Concert in Belgium Even as the Subway Grinds to a Halt, Fans Chant “Arirang” Together

[Photo &] 60,000-Strong Army Takes Over Brussels—Heat Rises at BTS’s First Concert in Belgium Even as the Subway Grinds to a Halt, Fans Chant “Arirang” Together

Brussels is roiling with K-food fever and fans who poured in from across Europe
A violet wave of thrills rippling through Europe’s core—Brussels grinds to a halt On the 1st , Brussels, the capital of the European Union, transformed into a giant melting pot. At King Baudouin Stadium, the area that hosted the first visit by the group BTS to Belgium since its debut, the scene was...
| James choi
Chae Jong-hyeop Pairs Up With Japan’s Top Star Kanna Hashimoto for a Romance in “Vacation Law”

Chae Jong-hyeop Pairs Up With Japan’s Top Star Kanna Hashimoto for a Romance in “Vacation Law”

“I Love You” syndrome’s leading figure Chae Jong-hyeop meets Japan’s top star Kanna Hashimoto. The new drama “Vacation Law” will be released on Netflix on the 31st.
A cross-border visual shock: A mystery romance to be completed by “Hyoksama” and “Thousand-Year Idol” Actor “Chae Jong-hyeop,” who sparked an unprecedented syndrome across the Japanese archipelago, is once again aiming directly at the hearts of fans throughout Asia.
| James choi
[Photo &] Netflix’s “Solo Dating 2” Passes 17,000 Applicants, Stronger Narrative Ahead

[Photo &] Netflix’s “Solo Dating 2” Passes 17,000 Applicants, Stronger Narrative Ahead

MC lineup including Seo In-guk and Lee Eun-ji takes the stage— A reality romance return upgraded with a fourfold surge in applicants compared with the previous season and the introduction of new rules.
Between purity and audacity, a reopened project to spark romance Last year, Netflix original variety show “Mother Sol, But I Want to Date” (hereafter “Solo Dating”) captivated global viewers with raw, unfiltered feelings and returns in Season 2 equipped with an even more solid narrative and twists...
| James choi
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
A Blood-Red Curse Overruns the Palace! ‘The East Palace’ Main Poster & Teaser Trailer Released, Special Posters Unveiled!

A Blood-Red Curse Overruns the Palace! ‘The East Palace’ Main Poster & Teaser Trailer Released, Special Posters Unveiled!

Koo Cheon (Nam Joo-hyuk), who can move between the world of the ghoi(ghosts), and Saenggang (No Yoon-seo), a palace maid who keeps a secret, receive a summons from the king (Jo Seung-woo).
Netflix series 〈The East Palace〉 has released its main poster, main teaser trailer, and special posters, raising expectations further with the story of how Koo Cheon (Nam Joo-hyuk), who can move between the world of ghoi , and Saenggang (No Yoon-seo), a palace maid who keeps a secret, are summoned...
| Joo Seong-cheol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정