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[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

A talk that reaches the actor through deep, steady breathing, like a detox. The actors Lee Hwa-jung meets in her film journalism.
▶ The meeting with actor Lee Yeon continues from Part 1. ​
[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

Yeon Sang-ho has done it again. Released on May 22, 〈Colony〉 passed 2 million viewers in its opening week. The overseas response has been as strong as the domestic reaction: advance international sales have already generated significant revenue, and in Malaysia the film ranked third among all...
200-plus Countries Pre-Sales “Hope” Behind-the-Scenes Stills Unveiled From Cannes

200-plus Countries Pre-Sales “Hope” Behind-the-Scenes Stills Unveiled From Cannes

In the competition section at the Cannes Film Festival, 〈​Hope​〉—a Korean film making its first foray in four years—will meet audiences in theaters this summer.
The behind-the-scenes stills unveiled this time capture the special ensemble of the stars of 〈​Hope​〉—Director Na Hong-jin, along with Hwang Jung-min, Jo In-sung, Jung Ho-yeon, Michael Fassbender, Alicia Vikander and Taylor Russell—who took part in the Cannes Film Festival.
Interview: Jun Ji-hyun on 〈Colony〉 — ‘I looked good in my previous project, too … there really was no special makeup treatment’

Interview: Jun Ji-hyun on 〈Colony〉 — ‘I looked good in my previous project, too … there really was no special makeup treatment’

※ The interview with Jun Ji-hyun about 〈Colony〉 Part 1 continues here. Also note that the following contains spoilers for the film 〈Colony〉. Many people said she still looked great even in a blood-soaked raincoat. I’m just grateful people saw it that way.
Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Returning after 11 years, she is, as director Yeon Sang-ho put it, “a film actor. ” Actress Jeon Ji-hyun appears as Kwon Se-jung in 〈Colony〉, which opened on May 22, marking her first appearance before audiences since 〈Assassination〉 (2015).
‘Colony’ Yeon Sang-ho on Gu Kyo-hwan: He Was Disappointed He Didn’t Have the Ability in “Parasite: The Grey,” So He Proposed This Role

‘Colony’ Yeon Sang-ho on Gu Kyo-hwan: He Was Disappointed He Didn’t Have the Ability in “Parasite: The Grey,” So He Proposed This Role

〈Colony〉 director Yeon Sang-ho, who directed the film, shared a casting anecdote involving Gu Kyo-hwan. During an on-site roundtable interview in a location in Jongno-gu, Seoul, on May 26, director Yeon Sang-ho talked about Gu Kyo-hwan, the actor with whom he has already collaborated for a fourth...
On Their Fourth Team-Up, the Many Faces of Koo Kyo-hwan Through Yeon Sang-ho’s Lens

On Their Fourth Team-Up, the Many Faces of Koo Kyo-hwan Through Yeon Sang-ho’s Lens

It started with Yeon Sang-ho. Koo Kyo-hwan was already a star of the independent film scene, an idol of sorts for outsiders. But if you trace the origins of how he came to appear in so many commercial projects, you arrive at Yeon’s 〈Peninsula〉.
[Moja-mu-sse Ending] ‘Break Through When You’re Trapped’ in Youthful Mise-en-Scène… Gu Kyo-hwan Wins Best New Director, 5.3% Ratings on Finale Day, Reflections From 6 Key Cast Members

[Moja-mu-sse Ending] ‘Break Through When You’re Trapped’ in Youthful Mise-en-Scène… Gu Kyo-hwan Wins Best New Director, 5.3% Ratings on Finale Day, Reflections From 6 Key Cast Members

From Gu Kyo-hwan to Go Yoon-jung, the cast’s star turns lit up ‘Moja-mu-sse,’ which ended by setting a new personal-best ratings record
Ratings surge straight up from 2. 2% to 6. 0%, a stunning catharsis launched by ’Worthlessness’ JTBC’s well-made drama ’Everyone Is Fighting Their Own Worthlessness’ (hereafter ’Moja-mu-sse’) finally drew a brilliant curtain call. The final episode aired on the 24th notched 5.
Hwang Jung-min’s “Stella” Becomes a Police Car: Hyundai Sponsors Noh Hong-jin’s “Hope” in Competition at Cannes

Hwang Jung-min’s “Stella” Becomes a Police Car: Hyundai Sponsors Noh Hong-jin’s “Hope” in Competition at Cannes

In Noh Hong-jin’s new film “Hope,” Hwang Jung-min and Jung Ho-yeon’s police car is “Stella”—a key on-screen object poised to captivate global audiences while past heritage meets today’s art
'Stella' Walks the Cannes Red Carpet: 'Hyundai Motor'’s Meticulous Cultural Ambassador Strategy As the new work 'Hope' by master filmmaker 'Noh Hong-jin' entered the competitive section of the 79th Cannes Film Festival and drew global attention, an unexpected scene-stealer stepped in.