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From Baseball to Salt Bread to Olive Young: Christopher Nolan, Matt Damon and Charlize Theron in Korea for ‘Odyssey’

From Baseball to Salt Bread to Olive Young: Christopher Nolan, Matt Damon and Charlize Theron in Korea for ‘Odyssey’

With an August 5 release looming, director Christopher Nolan, producer Emma Thomas and lead actors Matt Damon and Charlize Theron appeared at a Seoul press conference on August 3 at the Four Seasons Hotel in Jongno as part of their Korea visit to promote 〈Odyssey〉.
Movies industry braces for tension as Megabox seeks to recover…KOFICE to help with debt claims by next month’s 2nd

Movies industry braces for tension as Megabox seeks to recover…KOFICE to help with debt claims by next month’s 2nd

Deadline to submit creditor lists is Aug. 4…guidance materials for those who did not attend and counseling desks to be in operation
Movies industry hit by Megabox liquidity crunch…KOFICE mounts emergency response by Aug. 4 'deadline' Claim filing for rehabilitation debts begins Aug. 5, with an all-out effort to minimize damage to small and mid-sized distributors and entrusted theaters 'Megabox' shakes the ecosystem… 'Korea Film...
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
Nam Joo-hyuk Enters the Spirit World in Netflix’s 'The East Palace'

Nam Joo-hyuk Enters the Spirit World in Netflix’s 'The East Palace'

〈KPop Demon Hunters〉 next is 〈The East Palace〉. The hybrid-genre Netflix series 〈The East Palace〉—which mixes occult and historical drama with mystery, fantasy and action—finally unveiled its first episodes on the 17th after months of anticipation.
'Odyssey' Tops North American Box Office on Opening Weekend, R-Rated Breakout Hit…Nolan: 'AI Is a Trojan Horse'

'Odyssey' Tops North American Box Office on Opening Weekend, R-Rated Breakout Hit…Nolan: 'AI Is a Trojan Horse'

Christopher Nolan, the director behind 'Odyssey' test screenings that generated 390 billion won in revenue worldwide
Mastermind behind 'Odyssey', the cinematic work that has taken over theaters worldwide, director Christopher Nolan issued a sharp warning aimed at 'artificial intelligence ' technology. He defined today's tech-centrism with a distinctive metaphor, 'a transparent Trojan Horse', offering weighty...
[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

I can’t help getting captivated by the objects in movies. I fall into deep thought over why, whether it’s the director, the cinematographer, the art director—or even the actor—someone felt compelled to place that particular item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the movie objects that came down on my eyes like stepping onto a soft stair.
Is there anyone who doesn’t know David’s stone. The story of David and Goliath that is told in 〈Robot Taekwon V〉(1976), and 〈General Tolly〉, and the 〈Ureomei〉 series, and countless other children’s animations and feature films—was also made by director Kim Cheong-gi, known for creating them all.
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
'Golden Globe' Award Winner Timothée Chalamet’s Madcap Scam: “Marty Supreme” — Obsession With Ping-Pong, Success and Desire

'Golden Globe' Award Winner Timothée Chalamet’s Madcap Scam: “Marty Supreme” — Obsession With Ping-Pong, Success and Desire

An American Dream built on gambling and swindles, with zero hesitation. From the director of “Uncut Gems,” Josh Safdie, and starring Timothée Chalamet, a Golden Globe-winning work.
In 1952 New York, USA, an everyday shoe store sales clerk Marty Mowzer (played by Timothée Chalamet) wins recognition from his boss, his uncle, with exceptional ingenuity. He is offered a steady manager position, but his sights are set only on the dream of becoming “the world’s best table tennis...
Cannes Film Festival Two Wins: “Secret Agent” Brings the Stench of Authoritarianism Into 1970s Brazil’s Everyday Life

Cannes Film Festival Two Wins: “Secret Agent” Brings the Stench of Authoritarianism Into 1970s Brazil’s Everyday Life

A political thriller that swept 102 festival awards worldwide. It exposes the absurdity of military dictatorship through an ordinary citizen’s attempt to flee.
When brutality reigns, being ordinary becomes a crime Brazil under the hard-edged blade of a military dictatorship in 1977. The reality facing ‘Marcelo’ (played by Wagner Moura) is pure, surreal terror. A rotting corpse sprawled on a gas station floor, and the ugly face of state power—geared more...
[Interview] Catching This Year’s Debut, a Y2K-Era Sensibility: Director Han Chang-rok, Actors Joo Min-hyung and Baek Ji-hye, Part 1

[Interview] Catching This Year’s Debut, a Y2K-Era Sensibility: Director Han Chang-rok, Actors Joo Min-hyung and Baek Ji-hye, Part 1

Inspired by a murder case in Washington, Benton in 2018, 〈Choong-Choong-Choong〉 portrays a catastrophe sparked by the intersecting desires of three kids.
Retro is the trend. In the fashion, music and props of young people in their 20s, there’s nowhere that a Y2K sensibility hasn’t managed to seep in. Director Han Chang-rok, born in 1990 and a graduate of the Korea National University of Arts film school, pulls this retro sensibility straight onto...