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Search results for "Director Lee Won-hwa"

[GV] Bong Joon-ho Praises Na Hong-jin’s New Film “Hope” as a “Breathtaking Spectacle of Unleashed Madness”

[GV] Bong Joon-ho Praises Na Hong-jin’s New Film “Hope” as a “Breathtaking Spectacle of Unleashed Madness”

SF film “Hope,” starring Hwang Jung-min and Jo In-sung, makes rounds at the GV event… “Awe-inspiring suspense and surprising exhilaration”
A master filmmaker’s praise, opening a new horizon for Korean science fiction“I kept my eyes on the screen, even amid a runaway rush of excitement. ”Global maestro “Bong Joon-ho” offered the rousing tribute after he met “Na Hong-jin”’s latest work “Hope”.
| James choi
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
| Joo Seong-cheol
Jung Ho-yeon on ‘Hope’: ‘I’m trying to overcome the fear of a major project with a rookie’s drive’

Jung Ho-yeon on ‘Hope’: ‘I’m trying to overcome the fear of a major project with a rookie’s drive’

Few actors have had a debut as striking as Jung Ho-yeon’s. Jung moved from top-tier modeling into acting and made a notable acting debut with 〈Squid Game〉. Now she is about to make her film debut in 〈Hope〉. Directed by Na Hong-jin, the filmmaker behind hits such as 〈The Chaser〉, 〈The Yellow Sea〉,...
| Seongchan Eol
Musical Night Under the Stars as a Mosquito Net Is Unfurled...Hwaeomsa’s Distinctive Concert Draws Attention: ‘The 6th Mosquito Net Film Music Concert’

Musical Night Under the Stars as a Mosquito Net Is Unfurled...Hwaeomsa’s Distinctive Concert Draws Attention: ‘The 6th Mosquito Net Film Music Concert’

Holds ‘The 6th Mosquito Net Film Music Concert’ at Gurye Hwaeomsa on August 8 next month...Pre-registration opens on the website starting on the 13th
A Thousand-Year-Old Buddhist Temple Where Starlight and Fireflies Pour Down, Becoming the Mecca of ‘Outdoor Musical’If you’re tired of the usual indoor venues, turn your attention to a mountain temple where the breath of a thousand years lingers.
| James choi
Ryoo Seung-ryong-Ha Ji-won-Kim Si-a ‘Bikwang’ Set for Sept. 2 Release—Launch Posters and Teaser Revealed

Ryoo Seung-ryong-Ha Ji-won-Kim Si-a ‘Bikwang’ Set for Sept. 2 Release—Launch Posters and Teaser Revealed

Top-star couple Jung-gu (Ryoo Seung-ryong) and Nam-mi (Ha Ji-won) face a breakup after Jung-gu’s daughter, Dong-ju (Kim Si-a), suddenly appears, then—eight years later—get pulled into a shocking incident as they risk everything to save Dong-ju.
The movie ‘Bikwang’ is the heartfelt family chronicle directed by Lee Ji-won, in which Jung-gu (Ryoo Seung-ryong) and Nam-mi (Ha Ji-won)—a top-star couple—split up after Jung-gu’s daughter, Dong-ju (Kim Si-a), suddenly shows up, and then eight years later, Dong-ju becomes entangled in a shocking...
| Joo Seong-cheol
‘The Taste of Prison’ Starts Filming July 6! Lee Sun-bin, Park Ji-hwan, Bae Hyun-seong, Park Young-gyu, Jo Bok-rae, and More Revealed in Reading Still Photos!

‘The Taste of Prison’ Starts Filming July 6! Lee Sun-bin, Park Ji-hwan, Bae Hyun-seong, Park Young-gyu, Jo Bok-rae, and More Revealed in Reading Still Photos!

A comedy film about an A-list chef who ends up working in a prison kitchen and inmates who create mind-blowing dishes with recipes and ingredients no one could have imagined.
Comedy film ‘The Taste of Prison,’ which depicts a fun food reformation story in which a star chef, suddenly thrown into rock bottom and assigned to work in a prison kitchen, and inmates awaken their souls by making dishes with recipes and ingredients beyond imagination has confirmed the casting of...
| Joo Seong-cheol
‘Kim Bu-jang’ full-AI video, 100% produced on ‘AICRON,’ a platform planned by Korea’s VFX experts

‘Kim Bu-jang’ full-AI video, 100% produced on ‘AICRON,’ a platform planned by Korea’s VFX experts

A roughly three-minute sequence showing the past of Kim Bu-jang (So Ji-seop), the protagonist and a former special agent, was entirely produced with AI.
SBS Friday-Saturday drama ‘Kim Bu-jang’ (written by Nam Dae-jung, directed by Lee Seung-young and Lee So-eun, planned by Studio S, produced by Studio S, and Fantagio) is drawing another wave of attention after adopting bold AI technology, as it has broken through 21.
| Joo Seong-cheol
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정