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[Billboard Chart] KATSEYE Breaks Into Billboard 200 Top Spot for First Time, Becomes Fourth Ever After BLACKPINK

[Billboard Chart] KATSEYE Breaks Into Billboard 200 Top Spot for First Time, Becomes Fourth Ever After BLACKPINK

The mini-album “WILD” tops Top Album Sales with 170,000 album units, underscoring the Grammy Best New Artist nominee’s momentum
HYBE’s KATSEYE Makes History as Fourth Ever to Top Billboard 200, Taking Over With 170,000 Copies of “WILD” Group sells 145,000 physical albums and enters the U.K. Official Albums Chart at No. 2 HYBE’s Formula for Success Is Reshaping the Global Pop Market HYBE’s Korean-American girl group...
Anthony Hopkins rekindles 60-year musical passion at 89 with orchestral album conducted by Gustavo Dudamel

Anthony Hopkins rekindles 60-year musical passion at 89 with orchestral album conducted by Gustavo Dudamel

The two-time Oscar winner for 'The Silence of the Lambs' releases 'Life Is a Dream,' featuring 12 original compositions, through Decca Classics
Anthony Hopkins' 89-year-old plot twist: 'Life Is a Dream,' six decades in the making Decca Classics releases album featuring 12 orchestral works, with maestro Gustavo Dudamel conducting Screen icon awakens a 60-year musical passion British acting legend 'Anthony Hopkins', 89, a two-time Academy...
[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

I can’t help getting captivated by the objects in movies. I find myself in deep thought about why, of all things, the director, cinematographer, production designer, or even the actors would put that item in front of the camera. “Jusungcheol’s Locker” is a record of the film objects that have landed gently on my eyes.
One of the most striking scenes in 〈Odyssey〉 is the one-eyed giant Cyclops that Odysseus and his group encounter in a cave they enter after chasing a ram. With his enormous body blocking the cave like a huge boulder, he devours the humans inside two at a time each day, then sleeps.
From a 10-Meter Trojan Horse to a Seaworthy Ship: The Behind-the-Scenes Story of Nolan’s New Film ‘Odyssey’

From a 10-Meter Trojan Horse to a Seaworthy Ship: The Behind-the-Scenes Story of Nolan’s New Film ‘Odyssey’

Christopher Nolan’s long-gestating passion project finally reached theaters in South Korea on Aug. 5, with 〈Odyssey〉 reimagining Homer’s 「Odyssey」 as a modern blockbuster. 「Odyssey」—written around the 8th century BCE—is widely regarded as a pinnacle of ancient Greek literature and is often...
4 Venice Film Festival Picks Headed to Korea This Year

4 Venice Film Festival Picks Headed to Korea This Year

The Venice International Film Festival, counted among the world’s three major film festivals along with the Berlin International Film Festival and the Cannes Film Festival, has announced the lineup for its 83rd edition. The festival runs Sept. 2–12 in Venice, Italy.
Genesis to Provide Production Support for Marilyn Monroe’s 100th Anniversary Film, Set for Its First Look in Venice in September

Genesis to Provide Production Support for Marilyn Monroe’s 100th Anniversary Film, Set for Its First Look in Venice in September

Dakota Johnson and Ellen Burstyn star, with Maggie Gyllenhaal directing… new film “Flesh Impact”
Genesis unveils “Flesh Impact” for Marilyn Monroe’s 100th anniversary… bringing Marilyn back to the screen Directed by Maggie Gyllenhaal and starring Dakota Johnson, debuting at the 2026 Venice International Film Festival in September A reimagining of a timeless icon, a new grammar of luxury to be...
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
First Reactions: Cineplay's Joo Seong-chul Gives 'Marty Supreme' 4 Stars

First Reactions: Cineplay's Joo Seong-chul Gives 'Marty Supreme' 4 Stars

[First Reactions] Timothée Chalamet transforms into a table tennis player in 〈Marty Supreme〉, which opens in South Korea on July 1. 〈Marty Supreme〉 follows Marty Mauzer (Timothée Chalamet), a man obsessed with a dream no one respects, as he goes to hell and back to become the best.