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[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

I can’t stop fixating on the objects in the movies. I get pulled into deep thought over why—director, cinematographer, production designer, maybe even an actor—someone put that object in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects from films that landed in my eyes, as if they gently stepped over them.
〈Toy Story 2〉 (1999)’s opening begins as if it were a scene from the 〈Star Wars〉 series. And in the moment of crisis, Woody recites the lines “Think about it, think about it,” like the way Dong-su (Kim Sang-kyung) does in 〈Theater Jeon〉 (2005) or Yeon-hong (Son Ye-jin) does in 〈No Secrets〉 (2016).
| Joo Seong-cheol
BTS Keeps the Afterglow Going With Busan Shows…Lotte Cinema Hosts Late-Night Screenings for ARMY

BTS Keeps the Afterglow Going With Busan Shows…Lotte Cinema Hosts Late-Night Screenings for ARMY

Recliner seats will be kept available for rest until 7 a.m. the next day after the film screenings at the Busan flagship store on the 12th and 13th…A late-night haven for ARMY at home and abroad
A theater wrapped in a violet tide—‘Purple Night in Busan’ for ARMYMore than just a viewing experience, it’s a place for complete rest. Lotte Cinema has unveiled an unprecedented late-night sanctuary built for the world’s ‘ARMY’.
| James choi
The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

It is the first time that a work by director Albert Serra has received an official theatrical release in South Korea; his “The Solitaire Afternoon” is set to open here.
This is the first time that a work by director Albert Serra has received an official theatrical release in South Korea. 〈The Solitaire Afternoon〉 is a film that closely captures the look of world-renowned bullfighter Andrés Roca Rey, one of the giants of modern bullfighting, created by director...
| Joo Seong-cheol
“Khan’s Biggest Shock”: Why Foreign Media Can’t Stop Praising Hong Jin-ho’s New Film ‘Hope’

“Khan’s Biggest Shock”: Why Foreign Media Can’t Stop Praising Hong Jin-ho’s New Film ‘Hope’

Screen Daily rating of 2.8 keeps it in the upper tier. Amid overwhelming praise from major foreign outlets, reactions to the ending and the monster’s CGI are mixed.
Hong Jin-ho’s return shakes Cannes with 'Hope'Director Hong Jin-ho’s new work, 'Hope', has taken the stage at the 79th Cannes International Film Festival in the Competition section, drawing cheers from critics around the world.
| James choi
[Interview] “There’s No ‘Gentle Melody’ in Our Desires” ‘Trainer’ Director Seo Eun-seon ②

[Interview] “There’s No ‘Gentle Melody’ in Our Desires” ‘Trainer’ Director Seo Eun-seon ②

With the release from prison of Sora (Kim Seung-hwa), her younger sister who has a criminal record, the everyday life of celebrity pet trainer Ha-yeong (Choi Seung-yun) begins to shake.
▶〈Trainer〉 Seo Eun-seon, the director’s interview continues from Part 1. Their relationship, full of mutual hostility, keeps creating tension in the film—and gives it a reason for incidents to happen. ​Yes. It feels like they each hold the other’s leash. Ha-yeong is afraid of Sora because of the past.
| 이화정
Sky Cinema Rooftop Movie Theater Opens in the Night Views of Chungmuro…Just 7,000 Won

Sky Cinema Rooftop Movie Theater Opens in the Night Views of Chungmuro…Just 7,000 Won

Seoul Film Center Opens Its Outdoor Screening Venue on the 10th Floor. A Free Screening of May’s Masterpieces, Then Starting in June, Adult Tickets at 7,000 Won—Run at a Reasonable Price
Romance of City Night Views and Movies: Seoul Film Center Opens “Sky Cinema”“Seoul Film Center,” which opened in Chungmuro in November last year, will begin full operations on the 15th with its 10th-floor rooftop movie theater, “Sky Cinema,” offering the charm of the city’s night skyline.
| James choi
Amazon Prime Video Introduces Vertical Short-Form “Clips” to Target Gen Z

Amazon Prime Video Introduces Vertical Short-Form “Clips” to Target Gen Z

Following Netflix and Disney+, Amazon Launches the Vertical Short-Form Service “Clips”1
The Beginning of the Short-Form War: Global OTT Survival StrategyBig changes are underway in the global online video-on-demand market. After “Netflix” and “Disney+”, “Amazon Prime Video” has officially entered the “short-form” content ecosystem. On the 9th , the U. S.
| James choi
Big, Cute, and Impossible to Miss: Films and Series Going Giant for Marketing (feat. Star Wars' Grogu)

Big, Cute, and Impossible to Miss: Films and Series Going Giant for Marketing (feat. Star Wars' Grogu)

It's 'super big, super cute.' For Star Wars Day (May 4) 2026, Star Wars rolled out Grogu, the mascot of the May release 〈The Mandalorian and Grogu〉. It's the 10-meter-tall 'Giant Grogu.' Making the already-adorable Grogu enormous—the ultimate 'so huge, so cute' move—shows how much thought went into...
| Seongchan Eol
The Master of the World: Buster Keaton ③ Review of Representative Works — “Our Hospitality” (1923) and “Sherlock Jr.” (1924)

The Master of the World: Buster Keaton ③ Review of Representative Works — “Our Hospitality” (1923) and “Sherlock Jr.” (1924)

〈Sherlock Jr.〉 wasn’t an awkward 44-minute runtime; otherwise, it would easily rank among the cinema’s greatest masterpieces.
Slapstick motion without end within the frame,〈Our Hospitality〉(1923)Willie McCay heads back to his hometown to inherit the land. The railroad tracks are a mess, and even the dam collapses—he forges ahead through a perilous route.
| Joo Seong-cheol
[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

I get hooked on the objects in movies. I can’t help but get lost in questions about why the director, cinematographer, production designer, or even the actors put that thing right in front of the camera. “[Joo Seong-cheol’s Lockers]” is a record of those movie objects that land lightly—right onto my eyes.
Watching 〈Lee Cronin’s The Mummy〉 , you can feel the full-on force of Blumhouse as it revives a franchise that seemed long dead: 〈Mummy〉. The first 〈Mummy〉 (1932), powered by the charisma of actor Boris Karloff, was basically the flagship of the “Universal Horror” era.
| Joo Seong-cheol