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[Photos] Koo Kyo-hwan stars as undead 31-year-old job seeker in 'Revival Man: The Red,' who wakes 72 hours after death

[Photos] Koo Kyo-hwan stars as undead 31-year-old job seeker in 'Revival Man: The Red,' who wakes 72 hours after death

Comic-book VFX deliver visceral impact in adaptation of hit webtoon, while Shin Seung-ho and Kang Ki-young join the cast and filmmakers hint at series potential at production briefing
Koo Kyo-hwan's 'Revival Man: The Red' . . . Set for release on the 30th, with 101 minutes of endless resurrection-fueled action and an expanded universe "I thought my life would end just like this, without having accomplished a single thing.
[Seong Chan-eol’s Comics] Unusual Beings Become High School Students in 「Ruri Dragon」 and 「Ogami Tsumiki and Her Unusual Daily Life」

[Seong Chan-eol’s Comics] Unusual Beings Become High School Students in 「Ruri Dragon」 and 「Ogami Tsumiki and Her Unusual Daily Life」

I have a soft spot for pop-culture fandoms. I check out anything with fresh ideas or characters — not just movies but webtoons, games, manga and animation. Comics opened the door to fandom for me; these days I’m a grown-up kid who reads manga on an e-reader and webtoons on my phone.
Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo’s 〈Gyeongju Trip〉 is a brisk, chilly revenge drama that announces a director with a singular, hard-to-pin-down voice. Director Kim Mi-jo said that 〈Little Miss Sunshine〉 (2006) and Bong Joon-ho’s 〈The Host〉 (2006) were the biggest influences on 〈Gyeongju Trip〉.
Canon Korea’s ‘Canon Cinema Camp 2026’ Trains 30 Emerging Filmmakers

Canon Korea’s ‘Canon Cinema Camp 2026’ Trains 30 Emerging Filmmakers

“You must water and give sunlight for flowers to bloom…” Canon Korea held ‘Canon Cinema Camp 2026’ from July 27 to July 31, bringing 30 aspiring filmmakers together for five days of lectures and on-set training.
Two-Part Biopic Film About Charles de Gaulle, “The Battle for De Gaulle,” Soars at the Box Office, Drawing Nearly 5 Million Viewers on Word of Mouth

Two-Part Biopic Film About Charles de Gaulle, “The Battle for De Gaulle,” Soars at the Box Office, Drawing Nearly 5 Million Viewers on Word of Mouth

“A yearning for a figure to lead the integration”
In an era of division, the “savior” France calls back to the screen France’s theater scene is reviving its own historical hero on the big screen, sparking an unusual box-office surge. According to the British daily The Guardian, the two-part biographical film “The Battle for De Gaulle”, which...
'Detective Conan' new film sets a record with 3.5 billion yen at the opening… to open in South Korea on Aug. 12

'Detective Conan' new film sets a record with 3.5 billion yen at the opening… to open in South Korea on Aug. 12

The 29th installment, 'The Hellfire in the Highway,' marks the first appearance of popular character Chihaya Haywara and sets expectations for the franchise’s biggest box-office hit
A rush of success worth 3. 5 billion yen—what lies behind the black shadow that swept over Yokohama is revealed The star of an overwhelming box-office record that shook Japan’s islands arrives at local movie theaters in South Korea.
They Chose YouTube Instead of Theaters… Shin Jae-hoon’s New Work “I’m Your Man” Released Unusually Early

They Chose YouTube Instead of Theaters… Shin Jae-hoon’s New Work “I’m Your Man” Released Unusually Early

Confronting the real-world walls of indie film releases… a comedy starring Lee Ji-hoon and Moon Hee-kyung, with an uncommonly free release of a preview cut
A daring move that picks ‘YouTube’ over the screen… the bitter struggle of an indie film that challenged the logic of capital An unusual stir is sweeping through the Korean film industry. Director Shin Jae-hoon, who directed ‘Chiwabŏpkwŏn’ and ‘Mangnaein: Eolgul Eopsneun Salinjadeul’, has unveiled...
Lee Hwi-hyang Makes Her First Big-Screen Leading Role in 44 Years With ‘Family Trip,’ Set for Release in September—Main Poster Revealed!

Lee Hwi-hyang Makes Her First Big-Screen Leading Role in 44 Years With ‘Family Trip,’ Set for Release in September—Main Poster Revealed!

One destination, five hidden thoughts! It’s a “dongsang-imong” road movie chronicling a family’s no-plan trip that’s anything but smooth.
Actor Lee Hwi-hyang steps into her first big-screen leading role with the upcoming film 〈Family Trip〉, confirmed for release this September. 〈Family Trip〉 is a “dongsang-imong” road movie with one destination and five hidden feelings—telling the story of a family that sets off on a trip with no...
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.