Search results for "Obsession film"

[Photo &] “Odyssey” Dumps CGI, Builds a 10m Trojan Horse and Drinks in 640km of Film—A 10m Trojan Horse and an 18m One-Eyed Monster

[Photo &] “Odyssey” Dumps CGI, Builds a 10m Trojan Horse and Drinks in 640km of Film—A 10m Trojan Horse and an 18m One-Eyed Monster

Matt Damon calls it “the toughest project” … Real-life set work covering 10,000㎡ and even an 18m monster brought to the screen after a 20-year dream
Christopher Nolan’s masterpiece “Odyssey” is sending shockwaves through movie theaters worldwide. By bucking the complacent current of the modern film industry that relies on computer graphics —and even directly constructing a full-size Trojan Horse on a 10m scale—the result maximizes Nolan’s...
Addictive ‘Same-Old Flavor’ Star-Crossed Romance! Netflix Series “Our Sticky Love” Wraps Production-Launch Event

Addictive ‘Same-Old Flavor’ Star-Crossed Romance! Netflix Series “Our Sticky Love” Wraps Production-Launch Event

A romantic comedy that follows Go Eun-sae (Ha-young), a prosecutor with amnesia, and Jang Tae-ha (Jeong Hae-in), a boxing coach who insists he is her boyfriend, as they move in and live together.
A romantic comedy depicting the thrilling, stick-to-your-soul cohabitation of prosecutor Go Eun-sae (Ha-young), who is suffering from amnesia, and boxing coach Jang Tae-ha (Jeong Hae-in), who claims—on his own—that he is her boyfriend, has held a successful production-launch event today (the 5th).
Busan International Film Festival Selects 25 Source IP Titles… Including “A Genius Doctor Who Reads Comments” and 15 Korean Works

Busan International Film Festival Selects 25 Source IP Titles… Including “A Genius Doctor Who Reads Comments” and 15 Korean Works

After a contest among 138 submissions, IPs are handpicked from four Asian countries; a second rights-focused business meeting is set to take place at BEXCO in October.
A battleground for K-content’s source IPs: Masterpieces from 25 titles reveal themselvesIn Busan International Film Festival , the AsiaContents&Film Market—Asia’s biggest arena for content deals—shook up the second rights market by unveiling 25 officially selected titles for the “Busan StoryMarket”.
How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

▶〈Hope〉: this piece continues Part 1. Director Na Hong-jin deliberately disorients the audience by showing Beom-seok misidentify the alien's location. Beom-seok and Jong-gu are both police officers, but they are timid and incompetent.
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.
Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

※〈Notes from the Last Row〉 actor Choi Min-sik interview continues from Part 1. Among viewers' reactions to 〈Notes from the Last Row〉, many say, "It feels like my most embarrassing, hidden complex has been stripped bare and exposed — it's funny but very uncomfortable.
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
Christopher Nolan’s Perfect Cinematic Blockbuster, ‘Odyssey’ Reveals Final Trailer!

Christopher Nolan’s Perfect Cinematic Blockbuster, ‘Odyssey’ Reveals Final Trailer!

Ahead of its Aug. 5 release in South Korea, 〈Odyssey〉 finally unveiled the final trailer, beginning with the voice of its protagonist, Odysseus (Matt Damon).
Ahead of its Aug. 5 release in South Korea, 〈Odyssey〉 finally unveiled its final trailer and revealed the overwhelming grandeur of a new mythology that director Christopher Nolan is set to bring to the screen.The released trailer opens in pitch-black darkness, with a voice that awakens ‘Odysseus’...
Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

I'm drawn to film music. Sometimes music communicates a character's intimate emotions that images and dialogue alone cannot convey. It can become a window onto a creator's hidden intent. For me, understanding film music has been one way into a movie.