Search results for "Sub Character One"

[Photo &] Park Ji-hoon’s B-Grade Humor Military Fantasy… Box-Office Boom Analysis of “Becoming a Legend in the Kitchen”

[Photo &] Park Ji-hoon’s B-Grade Humor Military Fantasy… Box-Office Boom Analysis of “Becoming a Legend in the Kitchen”

A fresh fantasy that blends cooking, games, and the military, topped the No. 1 spot in the number of paid subscribers who contributed
A military fantasy gripping a kitchen knife instead of a gun writes a new chapter in box-office successThe military—an institution that reflects the solid hierarchy of South Korean society—is evolving. Departing from the one-size-fits-all barracks routines, the camera now zeroes in on special...
The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

It is the first time that a work by director Albert Serra has received an official theatrical release in South Korea; his “The Solitaire Afternoon” is set to open here.
This is the first time that a work by director Albert Serra has received an official theatrical release in South Korea. 〈The Solitaire Afternoon〉 is a film that closely captures the look of world-renowned bullfighter Andrés Roca Rey, one of the giants of modern bullfighting, created by director...
‘The Last-Row Boy’ Character Stills Revealed Featuring Choi Min-sik x Choi Hyun-wook! A Meeting Between a Professor of Korean Literature and a Mysterious Boy!

‘The Last-Row Boy’ Character Stills Revealed Featuring Choi Min-sik x Choi Hyun-wook! A Meeting Between a Professor of Korean Literature and a Mysterious Boy!

The unpredictable aftershocks set in motion by their literature class! 〈The Last-Row Boy〉 will be released on Netflix on June 26.
A suspense drama 〈​The Last-Row Boy〉​ portrays the story of a failed writer and a professor of Korean literature, ‘Heo Moon-oh,’ who discovers the genius of ‘Lee Kang,’ the boy in the very last row of a classroom, and becomes fixated on his writing.
“It’s a place where we all confirm each other’s existence!” Masterclass, performances, forums, exhibitions, and more wrap up the 12th Pride Expo 2026

“It’s a place where we all confirm each other’s existence!” Masterclass, performances, forums, exhibitions, and more wrap up the 12th Pride Expo 2026

Held for two days from Saturday, May 30 to Sunday, May 31 at Seoul Dongdaemun Design Plaza (DDP), the event drew more than 2,500 visitors and closed out successfully.
Based on six values—Diversity, Equality, Inclusion, Pride, Love, and Solidarity—the country’s largest LGBTQ culture and arts fair, the “12th Seoul Pride Expo 2026,” wrapped up successfully at Seoul Dongdaemun Design Plaza over the two days from Saturday, May 30 to Sunday, May 31.
[Kim Ji-yeon’s Jewel Box] Right Now Is Yoon Byung-hee’s Prime

[Kim Ji-yeon’s Jewel Box] Right Now Is Yoon Byung-hee’s Prime

I’m interested in people. Even actors already drawing attention may be less famous today than they will be tomorrow. 'Kim Ji-yeon’s Jewel Box' introduces performers reaching new highs by the day. Think of it as spotting a breakout before everyone else does.
Writing about an actor who seems to be everywhere on TV can feel almost too obvious, but Yoon Byung-hee is in the midst of another prime that is impossible to ignore. Yoon Byung-hee has recently appeared in 〈My Royal Nemesis〉, 〈Sold Out on You〉 and 〈21segi Daegunbuin〉 — three dramas that aired...
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
So Ji-sub Stars in SBS New Drama ‘Manager Kim’ With Cool Black-and-White Teaser Posters Unveiled

So Ji-sub Stars in SBS New Drama ‘Manager Kim’ With Cool Black-and-White Teaser Posters Unveiled

Based on the same-titled Naver webtoon… An ordinary banker-turned-father awakens his former operative instincts to find his missing daughter in a revenge action story So Ji-sub’s relentless tension as he clutches a cold gun instead of his daughter’s lunch… Producer lineup including screenwriter Nam Dae-jung and director Lee Seung-young teams up A massive, fatherly-love blockbuster planned as a 10-episode series, set to premiere June 26 at 9:50 p.m.
‘Manager Kim’ So Ji-sub transforms into a dangerous man to get his daughter back.Fatherly-love blockbuster based on the same-titled webtoon gets under way SBS’s new Friday-to-Saturday drama ‘Manager Kim’ said on the 29th it has immediately released a teaser poster featuring So Ji-sub’s intense...
Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

※This interview with Gu Gyo-hwan continues from Part 1. From films to TV dramas, every project Gu Gyo-hwan has appeared in is doing well. Can we call this the 'Gu Gyo-hwan era'. Calling it the 'Gu Gyo-hwan era' is a bit much. When I walk down the street, people sometimes call out, "Dong-man.
In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

Praised as a landmark of 21st-century Japanese cinema, Shinji Aoyama’s 〈EUREKA〉 will open in South Korea on May 27. Originally released in 2000, 〈EUREKA〉 screened in competition at the 53rd Cannes Film Festival and drew lavish praise from leading contemporary critics such as Shigehiko Hasumi, who...
[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

Yeon Sang-ho has done it again. Released on May 22, 〈Colony〉 passed 2 million viewers in its opening week. The overseas response has been as strong as the domestic reaction: advance international sales have already generated significant revenue, and in Malaysia the film ranked third among all...