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Search results for "Yes Man"

Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

※This interview with Gu Gyo-hwan continues from Part 1. From films to TV dramas, every project Gu Gyo-hwan has appeared in is doing well. Can we call this the 'Gu Gyo-hwan era'. Calling it the 'Gu Gyo-hwan era' is a bit much. When I walk down the street, people sometimes call out, "Dong-man.
| Kim Ji-yeon
[Lee Hwa-jeong’s Deep Detox] “Keep Running Without Rest With an Athlete’s Grit.” Meeting Actress Yeon Lee, Star of “Tango at Dawn” and “Gyeongju Trip” ③

[Lee Hwa-jeong’s Deep Detox] “Keep Running Without Rest With an Athlete’s Grit.” Meeting Actress Yeon Lee, Star of “Tango at Dawn” and “Gyeongju Trip” ③

A talk that approaches the actress with deep, measured breaths, like detoxing. Film journalist Lee Hwa-jeong speaks with the actors she has met.
▶ The meeting with actress Yeon Lee continues in Part 2. ​Unlike how she appears—bright-minded and bold in taking on challenges—what I heard is that the reason she started acting in the first place was a process meant to heal her fear.
| 이화정
[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

A talk that reaches the actor through deep, steady breathing, like a detox. The actors Lee Hwa-jung meets in her film journalism.
▶ The meeting with actor Lee Yeon continues from Part 1. ​〈Juvenile Judgment〉 is a different situation, but it’s a portrayal of the dark side of teenage youths. I can imagine that darkness running counter to Lee Yeon’s brightness must have felt overwhelming.
| 이화정
[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
| Seongchan Eol
[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

Yeon Sang-ho has done it again. Released on May 22, 〈Colony〉 passed 2 million viewers in its opening week. The overseas response has been as strong as the domestic reaction: advance international sales have already generated significant revenue, and in Malaysia the film ranked third among all...
| Seongchan Eol
Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Returning after 11 years, she is, as director Yeon Sang-ho put it, “a film actor. ” Actress Jeon Ji-hyun appears as Kwon Se-jung in 〈Colony〉, which opened on May 22, marking her first appearance before audiences since 〈Assassination〉 (2015).
| Seongchan Eol
[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

“One hour step practice, one hour technique practice, one hour choreography practice, then technique practice again — I practiced four hours a day”
Kang Dong-won let himself go without reservation. He said he wasn’t working extra hard just this time. He explained that he’s always approached each project with the mindset that you can’t afford to strike out; if you strike once, you must make it to base the next time — and that attitude has...
| Kim Ji-yeon
BIGBANG’s Taeyang Shares the “Essence” on His 20th Debut Anniversary… Releases 4th Studio Album “Quintessence” in 9 Years

BIGBANG’s Taeyang Shares the “Essence” on His 20th Debut Anniversary… Releases 4th Studio Album “Quintessence” in 9 Years

He held a listening session on the 18th—his birthday… “I’m thrilled to showcase the heart of the music I studied for a year, feeling light and free.” Title track “LIVE FAST DIE SLOW,” with “My Own Tempo” inside the fastest beats ever Featuring The Kid LAROI and Tablo, and writing lyrics on 9 out of 10 tracks… “BIGBANG’s 20th anniversary—a miracle made by fans”
Taeyang of the group BIGBANG has returned with a solo studio album that captures the musical “essence” he has refined, in a momentous year as he marks his 20th debut anniversary. On the afternoon of the 18th, in Mapo-gu, Seoul, Taeyang held a music listening event to celebrate the release of his...
| Yangsimoh
[Interview] “In the Flow of the December 3 Coup Attempt, the Most Decisive Moment Is Namtaeryeong.” Director Kim Hyun-ji of ‘Namtaeryeong’ ①

[Interview] “In the Flow of the December 3 Coup Attempt, the Most Decisive Moment Is Namtaeryeong.” Director Kim Hyun-ji of ‘Namtaeryeong’ ①

Seventeen tractors belonging to the Korean National Federation of Farmers’ Clubs (JeonNong), pushing forward to stand up to a coup in the guise of “martial,” were blocked by police at Namtaeryeong in Seocho-gu, Seoul.
Since that unbelievable day—December 3, 2024, when the president declared a state of emergency—another day continued with nights full of uncertainty and anxiety. Seventeen tractors belonging to the Korean National Federation of Farmers’ Clubs , advancing to confront the president’s coup in the...
| 이화정
[Interview] “There’s No ‘Gentle Melody’ in Our Desires” ‘Trainer’ Director Seo Eun-seon ②

[Interview] “There’s No ‘Gentle Melody’ in Our Desires” ‘Trainer’ Director Seo Eun-seon ②

With the release from prison of Sora (Kim Seung-hwa), her younger sister who has a criminal record, the everyday life of celebrity pet trainer Ha-yeong (Choi Seung-yun) begins to shake.
▶〈Trainer〉 Seo Eun-seon, the director’s interview continues from Part 1. Their relationship, full of mutual hostility, keeps creating tension in the film—and gives it a reason for incidents to happen. ​Yes. It feels like they each hold the other’s leash. Ha-yeong is afraid of Sora because of the past.
| 이화정