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[Joo Sung-chul’s Locker] The Still-Enchanting Mambo Dance in the 4K Re-release of *Days of Being Wild*—Leslie Cheung and the Mirror

[Joo Sung-chul’s Locker] The Still-Enchanting Mambo Dance in the 4K Re-release of *Days of Being Wild*—Leslie Cheung and the Mirror

I get fixated on objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put a particular object in front of the camera. “Joo Sung-chul’s Locker” is a record of the objects in films that have quietly caught my eye.
What exactly was I watching. The image that has stayed with me throughout 〈Days of Being Wild〉, recently re-released in 4K, is Yuddy looking at himself in a mirror. The same goes for the opening, when he flashes his handsome face and says, “Would you look at my watch with me for just one minute.
[Interview] Lee Joon-hyuk on the comfort of 〈Even the Lottery Winner Goes to Work〉 for office workers

[Interview] Lee Joon-hyuk on the comfort of 〈Even the Lottery Winner Goes to Work〉 for office workers

Part 1
In an era flooded with the meme "I'm quitting my job," the recently concluded Tving original 〈Even the Lottery Winner Goes to Work〉 pushes against that current. The series argues that quitting isn't the only answer, telling its story through Gong Eun-tae (Lee Joon-hyuk), an office worker who wins 1.
Yoo Hae-jin Says Lee Min-ho Became 'Like a Handsome Younger Brother' on 〈Assassin(s)〉

Yoo Hae-jin Says Lee Min-ho Became 'Like a Handsome Younger Brother' on 〈Assassin(s)〉

In 〈Assassin 〉, Yoo Hae-jin plays Cheol-gu, a deeply human detective whose life is overturned by the 1974 presidential assassination attempt that killed Yuk Young-soo. Cheol-gu is a family man, a dependable boss and a public servant anyone would respect.
‘Paradise Lost’ Director Yeon Sang-ho and ‘Look Back’ Director Kore-eda Hirokazu Talk in Toronto!

‘Paradise Lost’ Director Yeon Sang-ho and ‘Look Back’ Director Kore-eda Hirokazu Talk in Toronto!

A psychological thriller that begins when Ryu Seon-woo, a boy presumed dead, miraculously returns to his mother, Ryu So-young, nine years after she lost him in the Camp School bus disappearance.
The conversation brought together two of the leading directors of South Korea and Japan, Yeon Sang-ho and Kore-eda Hirokazu, whose distinctive worldviews and compelling storytelling have captivated audiences worldwide.
Interview: Han So-hee on Seon-woo’s Shadow and Grit in 〈The Intern〉, Part 1

Interview: Han So-hee on Seon-woo’s Shadow and Grit in 〈The Intern〉, Part 1

In 〈The Intern〉, Han So-hee plays Seon-woo, a fast-rising fashion CEO whose drive masks deep uncertainty. The film, which opens on the 16th, is a character drama about a woman who, amid instability, gradually finds her own steadiness.
[Seong Chan-eol's Comics] Can’t Die Even After Death? An XP Fever Time in ‘The Knight Only Lives Today’

[Seong Chan-eol's Comics] Can’t Die Even After Death? An XP Fever Time in ‘The Knight Only Lives Today’

I'm obsessed with subculture. Not just films, but webtoons, games, comics and animation — anything with fresh stories, settings or characters, I check it out first. I opened the world of fandom through comic books, moved on to e-books, and now read webtoons on my phone; I suppose I'm an "adult fan.
Is Paramount heading out of Hollywood? Tennessee offers a bold pitch to move its headquarters

Is Paramount heading out of Hollywood? Tennessee offers a bold pitch to move its headquarters

Amid antitrust lawsuits from 12 states, including California, Tennessee is making a direct appeal to Paramount by touting a business-friendly environment
An exodus from Hollywood? Tennessee throws 'a bold love call' at Paramount California, the beating heart of the U.S. film industry, is wobbling. With 12 states, including California, filing massive antitrust lawsuits against 'Paramount Skydance' (hereafter, Paramount), the Tennessee government has...
[Kim Ji-yeon’s Jewel Box] Han Ji-eun Gives the Best Scene-Stealing Performance of the First Half in 〈Notes from the Last Row〉

[Kim Ji-yeon’s Jewel Box] Han Ji-eun Gives the Best Scene-Stealing Performance of the First Half in 〈Notes from the Last Row〉

I am curious about people. Even actors already in the spotlight can be at their least visible moment right now. "Kim Ji-yeon's Jewel Box" introduces performers who are hitting new highs day by day. Buy the dip on tomorrow's breakout stars.
I would go so far as to say she has renewed a career-defining role — specifically Seon Min-hee in 〈Notes from the Last Row〉. For an actor in her 21st year since debut, this represents a new peak. Viewers and theatergoers who have followed Han Ji-eun for years already consider her well known, yet...
Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.
[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

Choi Hyun-wook, born in 2002, squares off with Choi Min-sik, born in 1962, in Netflix's 〈Notes from the Last Row〉 — and, furthermore, few expected he'd end up literally playing on top of the veteran; still, he never gives ground.