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This newly released 〈Beautiful Early Evening Moon〉 launch teaser opens with a cross-cut of Kohaku saying, “I don’t know things like love,” and Yoi saying, “Love like that doesn’t fit me.” Yoi draws everyone’s admiration with her neat looks and steadfast heart, but unlike that image—and unlike...

Movie 〈The Journey to Gyeongju〉—a film that drew attention for bringing together South Korean acting heavyweights Lee Jeong-eun, Gong Hyo-jin, Park So-dam, and Lee Yeon—has confirmed its Aug. 26 release and unveiled two poster versions.

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.

A massive ocean wave in the Pacific awakens in the breath of live action after 10 yearsDisney Animation’s landmark masterpiece 'Moana' has returned after a decade-long wait as a spellbinding live-action film. Hitting screens on Aug.

〈Marty Supreme〉 is similar to Josh Safdie’s earlier works, but also different. The most decisive factor is that after going through 〈Heaven Knows What〉 (2014), 〈Good Time〉 (2017), and 〈Uncut Gems〉 (2019), which they co-directed under the name “Safdie Brothers” with his younger brother Benny Safdie,...

A massive project that had been expected to shake up the Korean theater industry has ultimately collapsed. In a filing on the 1st, 'Lotte Shopping' declared that it will scrap the 'merger' process between 'Lotte Cultureworks' and 'Contentree JoongAng' involving 'Lotte Cinema' and 'Megabox' in full.

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.

Actor Lee Hwi-hyang steps into her first big-screen leading role with the upcoming film 〈Family Trip〉, confirmed for release this September. 〈Family Trip〉 is a “dongsang-imong” road movie with one destination and five hidden feelings—telling the story of a family that sets off on a trip with no...

This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...

Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.