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[Box Office] 'Chiikawa the Movie' syndrome takes holiday No. 1 by just 215 viewers; 'Assassins' hits 3 million

[Box Office] 'Chiikawa the Movie' syndrome takes holiday No. 1 by just 215 viewers; 'Assassins' hits 3 million

'Chiikawa the Movie: The Secret of Mermaid Island' proves its staying power by surpassing 1.28 million viewers, while No. 2 'Assassins' reaches the 3 million mark
The power of a singular universe drives the 'Chiikawa' syndrome The animated film 'Chiikawa the Movie: The Secret of Mermaid Island' edged out director Heo Jin-ho's blockbuster 'Assassins' by an exceptionally narrow margin over the Hangul Day holiday weekend to take the top spot at the box office.
Review: Live-Action 'Look Back' Preserves the Original's Spirit With Greater Nuance

Review: Live-Action 'Look Back' Preserves the Original's Spirit With Greater Nuance

Just five years. That is how long it took for the one-shot manga 「Look Back」 to move beyond Japan and capture readers around the world. Tatsuki Fujimoto published the short manga in 2021. It follows Fujino Ayumu and her truant classmate Kyomoto, an exceptionally gifted artist, and what happens when...
The 37th Singapore International Film Festival Confirms ‘The Assassins’ as Opening Film

The 37th Singapore International Film Festival Confirms ‘The Assassins’ as Opening Film

SGIFF, citing respect for the filmmakers’ creative vision, confirms festival screening for Nov. 21
SGIFF stands by creative vision amid controversy over historical distortion The Singapore International Film Festival will screen “The Assassins”, directed by Hur Jin-ho, as the opening film of its 37th edition as scheduled.
[On the Ground at BIFF] “Art Is Art”: Zhang Yimou Breaks Silence on Historical Controversy Over “Assassins”; Top Asian Film to Be Named on 15th

[On the Ground at BIFF] “Art Is Art”: Zhang Yimou Breaks Silence on Historical Controversy Over “Assassins”; Top Asian Film to Be Named on 15th

Director Jung Juri shares concerns that creators could be intimidated; the 31st Busan International Film Festival jury will select South Korea’s Academy submission from 13 competition entries
Director “Zhang Yimou”, the Chinese cinema master serving as jury president for this year’s 31st Busan International Film Festival competition, has firmly stated his position on the controversy over historical distortion surrounding “Assassins”, a film that has recently stirred South Korea’s movie...
Joo Sung-chul's Locker: What's Wrong With Talking About 'Assassins' and the Missing Bullet?

Joo Sung-chul's Locker: What's Wrong With Talking About 'Assassins' and the Missing Bullet?

I fixate on objects in movies. I find myself wondering why the director, cinematographer, production designer or actor placed that particular object in front of the camera. 'Joo Sung-chul's Locker' records the objects in movies that quietly catch my eye.
〈Assassins〉 has canceled all events tied to the Busan International Film Festival, which opens today, Oct. 6. The cancellations began with actor Lee Min-ho's absence from Actors' House, a program that brings actors together with audiences, and were followed by the cancellation of one stage greeting...
Backlash over historical distortion claims surrounding 'Assassins' … conservative group announces rally outside Yoo Hae-jin's home

Backlash over historical distortion claims surrounding 'Assassins' … conservative group announces rally outside Yoo Hae-jin's home

The conservative film's lead actor, Yoo Hae-jin, is the target of a monthlong daily rally planned outside his Seongbuk-gu home New Liberty Solidarity calls for him to appear in right-wing films to promote political balance and plans to deploy sound equipment The Korean Film Producers Association issues a statement expressing concern over excessive attacks on filmmakers as the movie surpasses 1.82 million admissions
New Liberty Solidarity, a conservative civic group, will hold a rally outside the home of Yoo Hae-jin, the lead actor in 〈Assassins〉, a film that has drawn allegations of historical distortion. New Liberty Solidarity said Tuesday that it had notified police of plans to hold a rally every day from...
Film ‘Assassin(s)’ faces historical distortion dispute; ratings split 8.4 vs. 2.4

Film ‘Assassin(s)’ faces historical distortion dispute; ratings split 8.4 vs. 2.4

After controversy erupts over a theory about who was behind the events following the film’s release on the 23rd, the Park Chung-hee Presidential Memorial Foundation calls for screenings to stop; producers dismiss the claims, calling it a fictional film shaped by imagination.
The film ‘Assassin ’, which brings the shooting of Yuk Young-soo to the screen, has become the focus of a fierce dispute over historical distortion. In the wake of its release, ratings from actual moviegoers and online users have sharply diverged at 8. 4 and 2.
Critic Kim Na-hee on ‘Assassin(s),’ “With a Pen, With the Body, and Through Music” ①

Critic Kim Na-hee on ‘Assassin(s),’ “With a Pen, With the Body, and Through Music” ①

※ This article includes plot developments from the latter part of the film and its epilogue. ​ Heo Jin-ho’s 〈Assassin 〉 rings out with six gunshots. But what the film tracks to the end is not the bullets, but the questions left behind where the shots passed. Who fired. How many rounds were fired.
Chuseok Theater Spread: What Works—and What Doesn’t—in 〈The Intern〉, 〈Assassin(s)〉 and 〈Tazza: Belzebub’s Song〉

Chuseok Theater Spread: What Works—and What Doesn’t—in 〈The Intern〉, 〈Assassin(s)〉 and 〈Tazza: Belzebub’s Song〉

Chuseok has arrived, and with it comes a wave of Korean releases vying for holiday audiences over the long break. A variety of movies are opening now, each hoping to capture viewers during the holiday. CinePLAY reporters previewed three titles that have drawn the most attention and anticipation.
Lee Min-ho on ‘〈Assassins〉’: ‘On Set, I’m Just Myself — People Can’t Imagine It Unless They’ve Seen It’

Lee Min-ho on ‘〈Assassins〉’: ‘On Set, I’m Just Myself — People Can’t Imagine It Unless They’ve Seen It’

In 〈Assassins〉, rookie reporter Yeong-il, played by Lee Min-ho, emerges as the film’s driving force. A rookie reporter on the social affairs desk, he goes to cover the August 15, 1974 Liberation Day event and witnesses the deaths — first the first lady, and then the female student he had been...