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WJSN's Eunseo-led TikTok short drama 'In The Name Of Beauty' hits 300 million views

WJSN's Eunseo-led TikTok short drama 'In The Name Of Beauty' hits 300 million views

Starring Son Ju-yeon, also known as WJSN's Eunseo, and Lee Jin-hyuk, the office rom-com carries K-drama sensibilities.
The TikTok-exclusive short drama 〈In The Name Of Beauty〉 (In The Name Of Beauty, directed by Myung Jae-ha, written by Kim Hee-won) has surpassed 300 million cumulative global views. Composed of 44 episodes (1–3 minutes each), 〈In The Name Of Beauty〉 released episodes 1–22 on July 30 and followed...
3 Apple TV Soccer Picks to Watch Before the World Cup Ends

3 Apple TV Soccer Picks to Watch Before the World Cup Ends

The world’s festival of football — and, for South Koreans, a somewhat bittersweet one — the 2026 FIFA World Cup in North America has reached its final stages. The global tournament, featuring national teams from 32 countries, opened in June 2026 and has delivered high-stakes showdowns among the...
Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.
‘AI Performer’ Takes the Lead Role… Controversial AI Tilly Norwood Makes World’s First Feature-Length Debut With ‘Misaligned’

‘AI Performer’ Takes the Lead Role… Controversial AI Tilly Norwood Makes World’s First Feature-Length Debut With ‘Misaligned’

A leading casting for the first feature film of a virtual performer AI media studio Particle 6 starts production with a hybrid production model “Taking human actors’ jobs” follows last year’s reports of Hollywood agency contract talks—and more backlash is expected
Amid fierce opposition from Hollywood performers’ union (SAG-AFTRA) and creators, the world’s first AI actor at the center of the controversy, Tilly Norwood , is finally cast as the solo lead in a feature film—signaling what could be the most unconventional screen debut in Hollywood history.
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

On the occasion of its 30th edition, the festival announced the start of its three-year project, “Asian Genre Films 99” (Asian Genre Films 99).
Above all, it’s a genre festival. For its 30th Bucheon International Fantastic Film Festival (Chairman Shin Chul, hereafter BIFAN), the festival screens 321 films from 50 countries (170 feature films, 85 short films, 38 AI titles, and 28 XR titles), and of these 93 are world premieres.
[New Film] Cannes Opener “Live One Day” Features Celine Dion’s Beloved Songs in a Musical

[New Film] Cannes Opener “Live One Day” Features Celine Dion’s Beloved Songs in a Musical

A love triangle tied to a star chef’s return to her hometown. The opener of the 78th Cannes Film Festival blends French classics with a playful narrative
French musical evolution that captures both taste and hearing The unexpected homecoming of a star chef has been reborn on screen as a captivating new variation. The French musical film ‘Live One Day’ breaks away from the rules of a typical romantic comedy, throwing an original aesthetic—where food...
Inaugural Korea Short Drama Awards Names Five-Member Jury

Inaugural Korea Short Drama Awards Names Five-Member Jury

Co-hosted by Cineplay and the Korean Film Archive, the inaugural Korea Short Drama Awards carry a total prize pool of 20 million won. The five-member jury is chaired by Min Kyu-dong and also includes Korean Film Archive Director Mo Eun-young; Han Jung-soo, director and CEO of Yeondu Company; Kim Won-jin, director of MCA AI Creative Studio's Creative Headquarters; and actor Lee Yeon. The Archive has pledged archiving support for winners, and organizers say the awards aim to discover new creators and help the short-drama industry take a step forward.
The inaugural Korea Short Drama Awards, which carry a total prize pool of 20 million won, have named a five-member jury. Cineplay (CEO Choi Tae-hyung) and the Korean Film Archive (Director Mo Eun-young) are co-hosting the first Korea Short Drama Awards.