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Search results for "time travel movie"

The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

It is the first time that a work by director Albert Serra has received an official theatrical release in South Korea; his “The Solitaire Afternoon” is set to open here.
This is the first time that a work by director Albert Serra has received an official theatrical release in South Korea. 〈The Solitaire Afternoon〉 is a film that closely captures the look of world-renowned bullfighter Andrés Roca Rey, one of the giants of modern bullfighting, created by director...
| Joo Seong-cheol
A Borderless Art Language: The Work of Albert Serra, Part 2

A Borderless Art Language: The Work of Albert Serra, Part 2

〈Pacifiction〉 and 〈The Afternoon of Solitude〉 pulled off back-to-back feats by topping “Cahiers du cinéma”’s Best 10 lists.
〈Waiting for Sancho〉’s production process and behind-the-scenes stories are included in a documentary he made himself: the film critic Mark Peranson, who serves as editor of the film magazine “Cinemascop,” appeared in the movie as the character Joseph.
| Joo Seong-cheol
How Jim O'Rourke's 'Eureka' Set Aoyama Shinji's 〈Eureka〉 in Motion

How Jim O'Rourke's 'Eureka' Set Aoyama Shinji's 〈Eureka〉 in Motion

I am drawn to music in film. At times, music reveals a character's private emotions in ways images and dialogue cannot. It can also open a window into a creator’s hidden intent. For me, understanding film music was one way into the film itself. "Chu A-young's Music Box" listens closely to a film’s voice through its music. (P.S. I hope you listen to the music while you read.)
Director Aoyama Shinji's film 〈Eureka〉 is a road movie about wounded people who travel an endless road in search of the possibility of healing and renewal. The characters, survivors of a terror that shattered ordinary life, set out on a trip to escape the trauma of the incident.
| Chua-young
Mun Sang-hoon of BDNS Reviews His Favorite Comedy Film of the Year, 〈Nirvana the Band〉

Mun Sang-hoon of BDNS Reviews His Favorite Comedy Film of the Year, 〈Nirvana the Band〉

After searching for more than a year through Cannes, Los Angeles and Hong Kong for the best comedy film, BDNS leader Mun Sang-hoon settled on a single title: 〈Nirvana the Band: Not related to the legendary band ‘Nirvana’ — the duo Matt and Jay.
| Chua-young
[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! A Meet-Up With the Five Muses of “Bite me Sweet” ① Im Seong-gyun

[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! A Meet-Up With the Five Muses of “Bite me Sweet” ① Im Seong-gyun

〈Bamis〉 is a K-dessert variety show where five famous female pastry chefs from across Southeast Asia and five rising Korean male celebrities form teams in pairs of two. They create creative desserts using K-style ingredients.
This time, it’s all about K-desserts. 〈Bite me Sweet〉(Bite Me Sweet, hereafter 〈Bamis〉) is a variety show where five famous female pastry chefs from across Southeast Asia and five rising Korean male celebrities team up in pairs of two to create creative desserts using K-style ingredients.
| Joo Seong-cheol
Angels, Witches, Vampires, a Re-Release of 'Orlando'—Two or Three Things to Know About Tilda Swinton ②

Angels, Witches, Vampires, a Re-Release of 'Orlando'—Two or Three Things to Know About Tilda Swinton ②

In〈〉Orlando〈〉, the queen becomes captivated by the handsome young nobleman Orlando (Tilda Swinton) and issues a command: “Never grow old, and never die.”
▶ The article about the re-release of〈〉Orlando〈〉 and Tilda Swinton continues from the first installment. Meeting Derek Jarman, the maverick of British film, is surprisingly meaningful. Ever since Derek Jarman debuted with〈〉Caravaggio〈〉, he appeared in eight consecutive films.
| Joo Seong-cheol
[Sungchan-eol’s Comic Book] The “Happy” Adventure of Circus Cutie Donuts, “Donuts and the Circus”

[Sungchan-eol’s Comic Book] The “Happy” Adventure of Circus Cutie Donuts, “Donuts and the Circus”

I’m totally obsessed with subculture. If it involves fresh stories or material—and characters—like not just movies, but webtoons, games, comics, anime, and more, I check it out first. I opened the world of “otaku fandom” with a comic book, and became an “a-adult” who reads comic books on an...
| Seongchan Eol
[Interview] “Plants Can Be Erotic, Too” ‘Friend of Silence’ Director Ildikó Enyedi

[Interview] “Plants Can Be Erotic, Too” ‘Friend of Silence’ Director Ildikó Enyedi

With her latest work, Hungarian-born director Ildikó Enyedi, 〈Friend of Silence〉, is drawing attention as the second film in which Tony Leung has appeared outside the Chinese-language sphere since 〈A City of Sadness and Flower of Shanghai〉 (2021).
| 문동명
Before “Wangsa-nam,” there was “Rebound”! The film “Rebound” by Director Jang Hang-jun, who bounced back the right way

Before “Wangsa-nam,” there was “Rebound”! The film “Rebound” by Director Jang Hang-jun, who bounced back the right way

Director Jang Hang-jun, who became the director with a blockbuster hit for the first time with “The Man Who Lives with a King,” has brought back the story he treasures most, “Rebound,” as it reopens in theaters on April 3, returning to this spring’s moviegoing scene.
| Chua-young
[Film Festival Issue] The Opening Film of the 79th Cannes Film Festival: Pierre Salvadori’s “La Venus Électrique” Selected

[Film Festival Issue] The Opening Film of the 79th Cannes Film Festival: Pierre Salvadori’s “La Venus Électrique” Selected

A romantic comedy set in Paris in 1928. One of the most talked-about titles for the 79th Cannes Film Festival, bringing together director Pierre Salvadori and France’s top stars.
“The 79th Cannes Film Festival” opens with “Pierre Salvadori”’s “La Venus Électrique”On May 12, 2026, French cinema master “Pierre Salvadori”’s latest work, “La Venus Électrique”, has been officially and sensationally selected as the opening film of the “79th Cannes Film Festival”, drawing intense...
| James choi