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[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

Choi Hyun-wook, born in 2002, squares off with Choi Min-sik, born in 1962, in Netflix's 〈Notes from the Last Row〉 — and, furthermore, few expected he'd end up literally playing on top of the veteran; still, he never gives ground.
Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

※〈Notes from the Last Row〉 actor Choi Min-sik interview continues from Part 1. Among viewers' reactions to 〈Notes from the Last Row〉, many say, "It feels like my most embarrassing, hidden complex has been stripped bare and exposed — it's funny but very uncomfortable.
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
In 〈The Boy in the Last Row〉, a Meta-Drama Exposes the Underside of an Imagined ‘Makjang’ Tale

In 〈The Boy in the Last Row〉, a Meta-Drama Exposes the Underside of an Imagined ‘Makjang’ Tale

※Spoilers for 〈The Boy in the Last Row〉. ​ We live in the age of binge-watching. The days of waiting one or two episodes a week, predicting the next twist and musing about what comes next are gone. Netflix originals routinely end each episode with cliffhangers designed to make viewers hit the...
[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

A professor consumed by jealousy and resentment. Choi Hyun-wook, 40 years her junior, earns lavish praise as the master pursues authenticity over box-office results through his acting philosophy
The weight of a tongue that brings disaster, from “Oldboy” to “The Last Line Boy” The Netflix original series “The Last Line Boy”, starring actor Choi Min-sik, brings back the lingering impact of “Oldboy,” a landmark work in the history of Korean cinema.
Review: Kim Min-ha Leads ‘Hana Korea,’ as Cast and Filmmakers Discuss the Film at Seoul Press Event

Review: Kim Min-ha Leads ‘Hana Korea,’ as Cast and Filmmakers Discuss the Film at Seoul Press Event

〈Hana Korea〉 tells one of Korean cinema’s most familiar stories in one of its most unfamiliar forms: a film by a Danish director, set in Seoul, about a North Korean defector. At times it unfolds like a Scandinavian film, yet its setting and faces are unmistakably Seoul, with Kim Min‑ha at the...
‘Baseball Queen 2’ Confirmed for Disney+ Release on July 10 — Stronger and Faster Black Queens’ Second Story!

‘Baseball Queen 2’ Confirmed for Disney+ Release on July 10 — Stronger and Faster Black Queens’ Second Story!

The Season 1 launched last November showcased the Black Queens’ dazzling rise, bringing together legendary players from each sport and sparking a women’s baseball craze.
〈Baseball Queen〉 is a sports variety show in which players who have excelled across various athletic fields join the Black Queens, the 50th women’s baseball team in Korea, and grow with the goal of winning a national women’s baseball tournament.
Takes Up a Guitar Instead of a Piano: Kim Gun-mo Returns With a New Song in 10 Years, “I Wonder Where I’m Heading”

Takes Up a Guitar Instead of a Piano: Kim Gun-mo Returns With a New Song in 10 Years, “I Wonder Where I’m Heading”

Back with a remake of a classic 1977 hit, after 10 years away… “I’ll show you a new side of Kim Gun-mo,” sharing an autobiographical confession
The return of a maestro after 10 years of silence, facing an acoustic guitar A living legend of South Korea’s pop music world, singer Kim Gun-mo is coming back to the public after an unusually long stretch of silence lasting 10 years. His agency, Geon-eum Planning, said that at 6 p. m.
Villain Romance Hits the Mark… Lim Ji-yeon x Heo Nam-jun Unveils the Secrets Behind the Box-Office Success of “Wonderful World”

Villain Romance Hits the Mark… Lim Ji-yeon x Heo Nam-jun Unveils the Secrets Behind the Box-Office Success of “Wonderful World”

“Wonderful World,” which logged a spot in the Netflix global top 10 for seven straight weeks, shares behind-the-scenes stories of Lim Ji-yeon and Heo Nam-jun’s perfect on-screen chemistry produced by the series staff
A Meeting of a Joseon-Era Villainess and a Modern-Day Tycoon, Writing a New Paradigm for K-Romance The SBS drama Wonderful World swept No. 1 in the Netflix non-English TV category, fully taking over living rooms at home and abroad.
Choi Min-sik X Choi Hyun-woo’s “The Boy at the Back Row” Hits Global Box-Office Breakout After Release; Enters TOP 10 in 32 Countries Worldwide

Choi Min-sik X Choi Hyun-woo’s “The Boy at the Back Row” Hits Global Box-Office Breakout After Release; Enters TOP 10 in 32 Countries Worldwide

Netflix original series “The Boy at the Back Row” slams into the charts at the top, including in South Korea, Japan and Greece, on the FlixPatrol chart A gripping psychological suspense that targets viewers worldwide, as teacher Heomun-oh and genius engineering student Kang Lee’s attempt to chase creativity turns into an unrelenting standoff An undeniable performance synergy among trusted actors such as Jun Ho Heo, Yoon-jin Kim, Kyung Jin and Jeong-hee Moon, in starring roles by Choi Min-sik and Choi Hyun-woo
〈The Boy at the Back Row〉 has proven its global popularity and has emerged as a new breakout talking point. Within 3 days of release, it tops charts in 32 countries worldwide Netflix original series 〈The Boy at the Back Row〉 scored a quick win after its worldwide simultaneous release on June 26,...