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‘Dead-End Job’ Tops Netflix’s Global Top 10 for Non-English Shows, Makes Top 10 in 76 Countries

‘Dead-End Job’ Tops Netflix’s Global Top 10 for Non-English Shows, Makes Top 10 in 76 Countries

The series topped the charts in 22 countries, including South Korea, Vietnam, Thailand, Singapore and Hong Kong, and made the Top 10 list in 76 countries overall.
According to Netflix’s Top 10 website (netflix.com/tudum/top10), this livelihood horror series follows young Hyuk-jun as he is sent to nightmarish workplaces after walking into a strange employment agency that only offers “sweet” part-time jobs paying 50 times the usual hourly wage 〈Dead-End Job​〉​...
| Joo Seong-cheol
[Interview] 'Possible Love' Director Lee Chang-dong, Part 3: “Each Person’s Moon and Everyone’s Moon—What We Think Before That Unchanging Moon Is Up to Each of Us”

[Interview] 'Possible Love' Director Lee Chang-dong, Part 3: “Each Person’s Moon and Everyone’s Moon—What We Think Before That Unchanging Moon Is Up to Each of Us”

※ This interview with Lee Chang-dong, director of 〈Possible Love〉, continues from Part 2. Despite her circumstances, Mi-ok is portrayed as someone brimming with life. Was there anything in particular you wanted to express through her character. Mi-ok isn't anyone extraordinary.
| Seongchan Eol
[Interview] 'Possible Love' Director Lee Chang-dong, Part 2: “There Is Always a Line Between When to Point the Camera and When to Turn It Away”

[Interview] 'Possible Love' Director Lee Chang-dong, Part 2: “There Is Always a Line Between When to Point the Camera and When to Turn It Away”

※ This interview with 〈Possible Love〉 director Lee Chang-dong continues from Part 1. I imagine considerable effort went into casting the four actors: Sul Kyung-gu, Jeon Do-yeon, Cho Yeo-jeong and Zo In-sung. Are there any behind-the-scenes casting stories.
| Seongchan Eol
Chae Si-ra to Perform ‘Buddha Dance’ for the First Time in 31 Years, Bringing Three Minutes of Resonance… A Connection to the 1995 MBC Drama ‘Choi Seung-hee’

Chae Si-ra to Perform ‘Buddha Dance’ for the First Time in 31 Years, Bringing Three Minutes of Resonance… A Connection to the 1995 MBC Drama ‘Choi Seung-hee’

Seoul Dance Festival’s ‘Masterpiece Dance Theater’ opens on the 18th… A tribute to 100 years of new dance
Actress Chae Si-ra will meet audiences with “Buddha Dance,” a signature work by the late legendary dancer Choi Seung-hee, for the first time in 31 years. She left a powerful impression in the 1995 MBC special drama “Choi Seung-hee,” in which she played the title role.
| James choi
BTS’ ‘ARIRANG’ to Bathe Singapore in Red for 31 Days in December

BTS’ ‘ARIRANG’ to Bathe Singapore in Red for 31 Days in December

The group’s longest-ever partnership with the Singapore Tourism Board features a 1,500-drone show and four stadium concerts
‘THE CITY SINGAPORE’: The whole city, from the airport waterfall to Sentosa Island, becomes a stage The group BTS will transform Singapore into one giant festival ground throughout December. In conjunction with its ARIRANG world tour, the group will roll out BTS THE CITY ARIRANG - SINGAPORE, a...
| James choi
[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 3: “As Adults, We Must Pass On a Society Where People Can Live as Themselves”

[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 3: “As Adults, We Must Pass On a Society Where People Can Live as Themselves”

※ This interview with human rights activist Shin Sugok of 〈Horoomon〉 continues from Part 2. You have said, “I hope the next generation gets a free ride in a world without discrimination,” but you have also told them, “I'm sorry.
| Seongchan Eol
[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 2: “Japan's Conscience Saved Me; Minorities Need the Majority's Strength to Fight”

[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 2: “Japan's Conscience Saved Me; Minorities Need the Majority's Strength to Fight”

※ This interview with human rights activist Shin Sugok of 〈Horoomon〉 continues from Part 1. In this age of algorithms, people's beliefs and opinions often become even more entrenched. As a human rights activist, how do you think we can break through that.
| Seongchan Eol
[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 1: “Discrimination Persists Because Japan Has Never Examined Its Own Actions and Reflected on Them”

[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 1: “Discrimination Persists Because Japan Has Never Examined Its Own Actions and Reflected on Them”

One individual won a legal battle against a corporation. But what followed was not a jubilant cheer, but a sigh of relief at finally being able to catch her breath. The documentary 〈Horoomon〉, opening November 11, retraces human rights activist Shin Sugok's defamation lawsuit against DHC Television.
| Seongchan Eol
‘The Lobster’ Returns to Theaters Nov. 11: The Bizarre Film World of Yorgos Lanthimos, Part 2

‘The Lobster’ Returns to Theaters Nov. 11: The Bizarre Film World of Yorgos Lanthimos, Part 2

A perfectly strange love story set in a world where people become animals if they can’t fall in love within 45 days—and find their destined partners in a place where love is forbidden.
〈The Lobster〉 ​※ This article continues from the first installment on the re-release of 〈The Lobster〉 and the film world of Yorgos Lanthimos. (4) 〈The Lobster〉 and the secret of its final scene The most controversial aspect of 〈The Lobster〉 was its final scene: Did David run away and leave behind...
| Joo Seong-cheol
‘The Lobster’ Returns to Theaters on Nov. 11: The Bizarre World of Yorgos Lanthimos, Part 1

‘The Lobster’ Returns to Theaters on Nov. 11: The Bizarre World of Yorgos Lanthimos, Part 1

A perfectly strange love story about a world where people turn into animals if they can’t find love within 45 days—and where two people meet their destined match in a place where love is forbidden.
​ (1) 〈The Lobster〉, the first Yorgos Lanthimos protagonist to finally have a name Before directing 〈The Killing of a Sacred Deer〉 (2017) and 〈The Favourite〉 (2018), Yorgos Lanthimos’s characters never had names.
| Joo Seong-cheol