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‘Life-or-Death’ Proposal From the Top of Empire State Building’s 443m Antenna… Russian Couple Caught After Surprise Stunt

‘Life-or-Death’ Proposal From the Top of Empire State Building’s 443m Antenna… Russian Couple Caught After Surprise Stunt

On July 1 (local time), a sudden stunt in the middle of Manhattan, New York… climbing the antenna spire without safety gear After unfurling a large banner carrying a message of world peace, they knelt and offered a ring, and the proposal succeeded Famed rooftop influencer couple Angela Nikolau♥ and Ivan Beerkus were arrested at the scene for unlawful entry and reckless endangerment
A famous influencer couple that pulled off a life-or-death surprise proposal stunt from the dizzying top of the antenna spire of the Empire State Building, a symbol of New York, has been swiftly arrested by local police.
Christopher Nolan’s Perfect Cinematic Blockbuster, ‘Odyssey’ Reveals Final Trailer!

Christopher Nolan’s Perfect Cinematic Blockbuster, ‘Odyssey’ Reveals Final Trailer!

Ahead of its Aug. 5 release in South Korea, 〈Odyssey〉 finally unveiled the final trailer, beginning with the voice of its protagonist, Odysseus (Matt Damon).
Ahead of its Aug. 5 release in South Korea, 〈Odyssey〉 finally unveiled its final trailer and revealed the overwhelming grandeur of a new mythology that director Christopher Nolan is set to bring to the screen.The released trailer opens in pitch-black darkness, with a voice that awakens ‘Odysseus’...
Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

I'm drawn to film music. Sometimes music communicates a character's intimate emotions that images and dialogue alone cannot convey. It can become a window onto a creator's hidden intent. For me, understanding film music has been one way into a movie.
WOWPOINT x Toho and Yeon Sang-ho team up on Netflix series “Gas Human,” released worldwide today

WOWPOINT x Toho and Yeon Sang-ho team up on Netflix series “Gas Human,” released worldwide today

Based on the universe of the original work, the show has been reborn as a completely original story in eight episodes.
Netflix unveiled its Netflix Original series 〈​Gas Human〉 worldwide on July 2. Taking its premise from Toho’s legendary tokusatsu film 《​Gas Human No. 1》 released in 1960, the new series has been reimagined from scratch as a fully original story spanning a total of eight episodes built on the...
Review: Kim Min-ha Leads ‘Hana Korea,’ as Cast and Filmmakers Discuss the Film at Seoul Press Event

Review: Kim Min-ha Leads ‘Hana Korea,’ as Cast and Filmmakers Discuss the Film at Seoul Press Event

〈Hana Korea〉 tells one of Korean cinema’s most familiar stories in one of its most unfamiliar forms: a film by a Danish director, set in Seoul, about a North Korean defector. At times it unfolds like a Scandinavian film, yet its setting and faces are unmistakably Seoul, with Kim Min‑ha at the...
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
Witness the fully formed action of Lee Dong-wook! ‘Killer Shopping Mall Season 2’ confirmed for release on July 22

Witness the fully formed action of Lee Dong-wook! ‘Killer Shopping Mall Season 2’ confirmed for release on July 22

Viewers are drawing intense attention to the fact that Jin-man (Lee Dong-wook)—the uncle they thought was dead—will have his hidden backstory unveiled in earnest.
Disney+’s original series 〈Killer Shopping Mall〉—which swept the world into a “Killer Shopping Mall” frenzy—has confirmed the release of its second season on July 22. Along with the announcement, the series let viewers know that Jin-man—an uncle they believed was dead (Lee Dong-wook)—will have his...
Lee Hwi-hyang Makes Her First Big-Screen Leading Role in 44 Years With ‘Family Trip,’ Set for Release in September—Main Poster Revealed!

Lee Hwi-hyang Makes Her First Big-Screen Leading Role in 44 Years With ‘Family Trip,’ Set for Release in September—Main Poster Revealed!

One destination, five hidden thoughts! It’s a “dongsang-imong” road movie chronicling a family’s no-plan trip that’s anything but smooth.
Actor Lee Hwi-hyang steps into her first big-screen leading role with the upcoming film 〈Family Trip〉, confirmed for release this September. 〈Family Trip〉 is a “dongsang-imong” road movie with one destination and five hidden feelings—telling the story of a family that sets off on a trip with no...
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.