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High-level car chases even before he got his Class 1 license. In Na Hong-jin’s new work “Hope,” the film showcases the performance of the beloved Hyundai Stella, resurrected as a police car in the memories.

It tops the previous hit “The Wailing” and sets the highest opening record of the year. Box office No. 2 is “Minions & Monsters,” followed by “Moana” and thriller “Eye-drops” starring Min-a Shin

Launched on TVING on the 11th next month. A look behind the album-making process of Jeon Yujin, Park Seojin, and Hong Jiyoon, alongside an intense battle for the center spot among standout performers including Maijin and Kim Dahyun

It depicts the Demon Slayer Corps’ showdown at the Demon Realm infinity and the first chapter of the final battle against the elite upper-rank demons.

A lavish lineup that transforms into a murder suspect every episode—excitement is building as Pani Bottle, Yangrak Choi, Seontae Kim, Max Changmin, and others join

I can’t help getting captivated by the objects in movies. I fall into deep thought over why, whether it’s the director, the cinematographer, the art director—or even the actor—someone felt compelled to place that particular item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the movie objects that came down on my eyes like stepping onto a soft stair.

Family and official social media announcements on the 13th (local time)… Neill fell asleep peacefully beside his family at a hospital in Sydney, Australia After a blood cancer (T-cell lymphoma) diagnosis in 2022, he recently received a clean bill of health, but an unexpected tragedy followed From Dr. Alan Grant in 'Jurassic Park' to 'The Piano' and 'Peaky Blinders,' he crisscrossed the screen in more than 150 productions over 50 years New Zealand and Australian prime ministers mourn in unison… “The greatest cultural icon that carried our film industry to the world”

So Ji-seob’s “Mr. Kim,” surpassing “Taxi Driver 2 (Model Taxi 2),” takes over the No. 2 spot in history with a 22.3% viewership rating. It dominates Netflix’s No. 1 and sparks a box-office-style surge