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So Ji-sub Leads ‘Manager Kim’ to 21.6% Viewership in Just 4 Episodes…SBS Friday-Saturday Drama Ranks No. 3 of All Time

So Ji-sub Leads ‘Manager Kim’ to 21.6% Viewership in Just 4 Episodes…SBS Friday-Saturday Drama Ranks No. 3 of All Time

So Ji-sub’s brutal revenge drama has taken over home viewing. Breaking past 21.6% in only four episodes, it ranks as the No. 3 biggest hit of all time
The return of the action king that swallowed up the home-viewing audience is relentless. The SBS Friday-Saturday drama 'Manager Kim,' led by actor 'So Ji-sub,' is charging full speed, breaking through the fabled mark of '20% viewership' in one go and writing a new chapter in Korean action thrillers.
[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

Choi Hyun-wook, born in 2002, squares off with Choi Min-sik, born in 1962, in Netflix's 〈Notes from the Last Row〉 — and, furthermore, few expected he'd end up literally playing on top of the veteran; still, he never gives ground.
Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

※〈Notes from the Last Row〉 actor Choi Min-sik interview continues from Part 1. Among viewers' reactions to 〈Notes from the Last Row〉, many say, "It feels like my most embarrassing, hidden complex has been stripped bare and exposed — it's funny but very uncomfortable.
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

A professor consumed by jealousy and resentment. Choi Hyun-wook, 40 years her junior, earns lavish praise as the master pursues authenticity over box-office results through his acting philosophy
The weight of a tongue that brings disaster, from “Oldboy” to “The Last Line Boy” The Netflix original series “The Last Line Boy”, starring actor Choi Min-sik, brings back the lingering impact of “Oldboy,” a landmark work in the history of Korean cinema.
[Photo &] Fan Bingbing and Isabelle Huppert Shine… BIFAN’s Glitzy Opening Marks Its 30th Anniversary

[Photo &] Fan Bingbing and Isabelle Huppert Shine… BIFAN’s Glitzy Opening Marks Its 30th Anniversary

'Humanoid Robots and the Coexistence of Humans' is the theme, with 321 genre films from 50 countries running through Dec. 12… From Jet Li’s new work to first-time reveals by major filmmakers, the lineup is packed
A genre-film hub that screens the future, completing 30 years of legacy The Bucheon International Fantastic Film Festival , which has led the cutting edge of the world’s genre film scene beyond Asia, opened on the 2nd with an overwhelming scale as it charted its 30th course.
Review: Kim Min-ha Leads ‘Hana Korea,’ as Cast and Filmmakers Discuss the Film at Seoul Press Event

Review: Kim Min-ha Leads ‘Hana Korea,’ as Cast and Filmmakers Discuss the Film at Seoul Press Event

〈Hana Korea〉 tells one of Korean cinema’s most familiar stories in one of its most unfamiliar forms: a film by a Danish director, set in Seoul, about a North Korean defector. At times it unfolds like a Scandinavian film, yet its setting and faces are unmistakably Seoul, with Kim Min‑ha at the...
Chae Jong-hyeop Pairs Up With Japan’s Top Star Kanna Hashimoto for a Romance in “Vacation Law”

Chae Jong-hyeop Pairs Up With Japan’s Top Star Kanna Hashimoto for a Romance in “Vacation Law”

“I Love You” syndrome’s leading figure Chae Jong-hyeop meets Japan’s top star Kanna Hashimoto. The new drama “Vacation Law” will be released on Netflix on the 31st.
A cross-border visual shock: A mystery romance to be completed by “Hyoksama” and “Thousand-Year Idol” Actor “Chae Jong-hyeop,” who sparked an unprecedented syndrome across the Japanese archipelago, is once again aiming directly at the hearts of fans throughout Asia.
Lee Hwi-hyang Makes Her First Big-Screen Leading Role in 44 Years With ‘Family Trip,’ Set for Release in September—Main Poster Revealed!

Lee Hwi-hyang Makes Her First Big-Screen Leading Role in 44 Years With ‘Family Trip,’ Set for Release in September—Main Poster Revealed!

One destination, five hidden thoughts! It’s a “dongsang-imong” road movie chronicling a family’s no-plan trip that’s anything but smooth.
Actor Lee Hwi-hyang steps into her first big-screen leading role with the upcoming film 〈Family Trip〉, confirmed for release this September. 〈Family Trip〉 is a “dongsang-imong” road movie with one destination and five hidden feelings—telling the story of a family that sets off on a trip with no...
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.