Search results for "A Man on the Inside"

[Interview] Park Ji-hoon, From Danjong to Kitchen Duty: Becoming an Actor Between Emerging and Established ①

[Interview] Park Ji-hoon, From Danjong to Kitchen Duty: Becoming an Actor Between Emerging and Established ①

It’s the first time a drama has leaned so fully into what the show dubs “chwiral” (a newly coined blend of "kitchen soldier" and "crazy"). After a single spoonful of seaweed soup, a sudden "god of seaweed" stages a mock "creation of heaven and earth," and after tasting a multicolored rice ball an...
Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Surpassing 3 million viewers within 10 days of its release, Colony is indisputably the most popular film in theaters right now. Yet despite that box-office success, reactions to Colony are sharply divided — a split that was evident even among Cineplay reporters at a press screening.
Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

※This interview with Gu Gyo-hwan continues from Part 1. From films to TV dramas, every project Gu Gyo-hwan has appeared in is doing well. Can we call this the 'Gu Gyo-hwan era'. Calling it the 'Gu Gyo-hwan era' is a bit much. When I walk down the street, people sometimes call out, "Dong-man.
Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

It’s fair to call this "Gu Kyo-hwan’s year. " From 《If We》, which helped spark a melodrama boom, to the recently ended series 《Everyone Is Fighting Their Own Sense of Worthlessness》 (hereafter 《Mojamussa》), and the film 《Colony》, released on May 21 and which has surpassed about 2.
In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

Praised as a landmark of 21st-century Japanese cinema, Shinji Aoyama’s 〈EUREKA〉 will open in South Korea on May 27. Originally released in 2000, 〈EUREKA〉 screened in competition at the 53rd Cannes Film Festival and drew lavish praise from leading contemporary critics such as Shigehiko Hasumi, who...
'Haebyeongdae' Jeong Dong-won draws the line on fake fans and impersonators with a knife-edge warning… A sharper alert from Showplay Entertainment at evolved malicious commenters

'Haebyeongdae' Jeong Dong-won draws the line on fake fans and impersonators with a knife-edge warning… A sharper alert from Showplay Entertainment at evolved malicious commenters

Showplay Entertainment announces tough legal action with no mercy against forces spreading harmful rumors and impersonating insiders to inflame tensions within the fandom
A blade hidden in the guise of a fan: Jeong Dong-won’s side delivers a no-mercy strikeThe side of singer Jeong Dong-won, serving his mandatory national defense duties as an active-duty member of the Haebyeongdae in the Republic of Korea, has declared an all-out battle against malicious forces that...
Mun Sang-hoon of BDNS Reviews His Favorite Comedy Film of the Year, 〈Nirvana the Band〉

Mun Sang-hoon of BDNS Reviews His Favorite Comedy Film of the Year, 〈Nirvana the Band〉

After searching for more than a year through Cannes, Los Angeles and Hong Kong for the best comedy film, BDNS leader Mun Sang-hoon settled on a single title: 〈Nirvana the Band: Not related to the legendary band ‘Nirvana’ — the duo Matt and Jay.
On Their Fourth Team-Up, the Many Faces of Koo Kyo-hwan Through Yeon Sang-ho’s Lens

On Their Fourth Team-Up, the Many Faces of Koo Kyo-hwan Through Yeon Sang-ho’s Lens

It started with Yeon Sang-ho. Koo Kyo-hwan was already a star of the independent film scene, an idol of sorts for outsiders. But if you trace the origins of how he came to appear in so many commercial projects, you arrive at Yeon’s 〈Peninsula〉.
[Photo &] A Live Performance by Jazz Master Herbie Hancock, 86, Sets the Seoul Jazz Festival Stage Ablaze with “The End of Spring Days”

[Photo &] A Live Performance by Jazz Master Herbie Hancock, 86, Sets the Seoul Jazz Festival Stage Ablaze with “The End of Spring Days”

Jazz legend Herbie Hancock, making his first trip to Korea in 11 years, delivers explosive playing that leaves behind his age at 86 and caps the night with a tribute to the late Wayne Shorter
“The audience is part of my family.” Herbie Hancock’s heartfelt confession lit up the night sky over Seoul.“The return of a master,” ruling the keys at age 86On the 24th at the Olympic Park 88 Grass Square, as darkness deepened, he appeared to close out the 18th Seoul Jazz Festival, blasting out...
[Holiday Movie Lineup] Jun Ji-hyun and Yeon Sang-ho’s “Kundo” Tops 1 Million in 4 Days—Fastest Record This Year

[Holiday Movie Lineup] Jun Ji-hyun and Yeon Sang-ho’s “Kundo” Tops 1 Million in 4 Days—Fastest Record This Year

The electrical film “Michael” also clears the 1 million mark, creating a double-hit box-office surge
A new box-office paradigm for the Korean film industry, the overwhelming run of “Kundo”Director Yeon Sang-ho’s distinct dystopian universe and the inimitable grip of Jun Ji-hyun have given rise to a new chapter in K-zombies.