Search results for "Can't Be No. 1"

Set 9 years later, it’s a story that throws the board into chaos as “Baek Gitae” (Hyun Bin), who stands at the pinnacle of power, prepares a counterattack; “Jang Geonyeong” (Jung Woo-sung), who’s been readying his move in return; and “Baek Gi-hyeon” (Woo Do-hwan), who is headed for the top of power different from his brother’s, unleash even greater ambitions without hesitation—leading to an irreversible crack.

Starting today (the 29th), the film opens in theaters worldwide for the very first time and meets Korean audiences. It unveils three must-see highlights to build even more anticipation.

〈Sherlock Jr.〉 wasn’t an awkward 44-minute runtime; otherwise, it would easily rank among the cinema’s greatest masterpieces.

Buster Keaton turned the ‘Great Unflinching Face’ (Great Stone Face), unaffected by whatever was happening around him, into his own unmistakable style and personality.

JYP Entertainment’s Next-Gen Boy Group NEXZ Releases Second Single “Mmchk”

Walking the 'Secret India Pilgrimage Path' for 34 Years with Noh Hong-cheol, Lee Sang-yoon, and Lee Joo-bin!

I get hooked on the music in the film. Music sometimes conveys intimate feelings a character can’t fully express through the visuals alone—or through the lines you hear. It can also serve as a window into the creator’s hidden intentions. For me, understanding film music was one way to connect with the movie. “Chua-Young’s Music Box” lets you listen more closely to the movie’s voice through music. (P.S. While listening to the music, I hope you’ll read the article.)

I'm curious about people. Even actors who are already getting attention today may be the least famous they'll ever be. 'Kim Ji-yeon's Jewel Box' introduces actors who are hitting new highs day after day. Think of them as breakout stocks and get in at the ground floor.

I get hooked on the objects in movies. I can’t help but get lost in questions about why the director, cinematographer, production designer, or even the actors put that thing right in front of the camera. “[Joo Seong-cheol’s Lockers]” is a record of those movie objects that land lightly—right onto my eyes.