LoginSign up
My PageLog out
Cineplay

Find your next favorite work.

Search results for "Production Press Event"

‘Hope’ by Na Hong-jin Enters Cannes Competition…Yeon Sang-ho’s ‘Colony’ and Jun Ji-hyun’s Return Film Invited to the Non-Competition Midnight Screening

‘Hope’ by Na Hong-jin Enters Cannes Competition…Yeon Sang-ho’s ‘Colony’ and Jun Ji-hyun’s Return Film Invited to the Non-Competition Midnight Screening

Korean Films Set Sights on the Palme d’Or for the First Time in Four Years…Park Chan-wook First to Serve as Jury Chair, and Jun Ji-hyun’s Return Project Added to the Good News
A Glorious Comeback for Korean Cinema, Taking Over the 79th ‘Cannes Film Festival’Korea’s film industry sent a triumphant signal at the 79th ‘Cannes Film Festival’, marking a spectacular return. It erased last year’s painful slump—when not a single invited title made it—in the ‘Competition...
| James choi
[Photo &] Emergency Martial Law film “Ran 12.3,” Lee Myung-se, “The strength of K-democracy— the world must see it” at a press preview event

[Photo &] Emergency Martial Law film “Ran 12.3,” Lee Myung-se, “The strength of K-democracy— the world must see it” at a press preview event

The urgency of December 3, recreated with citizen videos and AI. The cinematic documentary “Ran 12.3,” completed with 15,000 sponsors, releases on the 22nd
Director Lee Myung-se returns to the screen with the ‘Emergency Martial Law’ documentary ‘Ran 12. 3’A standout visualist in the Korean film industry, director Lee Myung-se, has returned with the documentary ‘Ran 12. 3’ about the emergency ‘Emergency Martial Law’ events on December 3, 2024.
| James choi
[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

Last weekend, the show reached episode 8 and is now past the midpoint of its 12-episode run.
▶ 〈How to Become a Landlord〉 The interview with Director Im Pil-seong continues from Part 1. After episode 7, it felt like the ending was shaped by the director’s point of view. But it’s pretty rare for both the writer and the director to be making a drama together for the first time.
| Cineplay
'BTS' Returns, Shaking Up the Global OTT Ecosystem…Intense Competition for Live Content

'BTS' Returns, Shaking Up the Global OTT Ecosystem…Intense Competition for Live Content

18.4 million viewers in just 24 hours from the first-ever live stream by a single artist. New app installs surge twofold as the world turns the page on global OTT live content!
'BTS' Returns, Upending the Global OTT EcosystemAn unprecedented record has been set. The 'BTS' comeback concert at Gwanghwamun completely flipped the landscape of the global OTT market. This live broadcast, planned by 'Netflix' as the first-ever initiative by a single artist, pulled in an...
| James choi
From Part 2 to the Oscars Stage: The Fun, Quip-Filled Back-and-Forth from the Stars of ‘K-Pop Demon Hunters’

From Part 2 to the Oscars Stage: The Fun, Quip-Filled Back-and-Forth from the Stars of ‘K-Pop Demon Hunters’

Like a film that revived the long-neglected narrative of “K-pop” and “K-culture”—lifting them back up to a global, top-tier standard—the stars of the animated feature 〈K-Pop Demon Hunters〉 faced reporters. 〈K-Pop Demon Hunters〉 is an animation about Lumi, Joy, and Mira from the K-pop group...
| Seongchan Eol
The Movie Studios That Had More Fun Than Anyone on April Fools’ Day

The Movie Studios That Had More Fun Than Anyone on April Fools’ Day

April arrived before the spring breeze even had a chance to blow in. If you look at it purely from the film industry’s point of view, April 1st is a pretty bleak day. But it’s also the day when “April Fools’ Day”—a festival of pranks and lies—makes it easy to find things to laugh about.
| Seongchan Eol
So, How Scary Is It? “Salmokji” — Seen in Advance at a Press Screening

So, How Scary Is It? “Salmokji” — Seen in Advance at a Press Screening

After a long while, a horror film that still has bite has arrived. If, while watching a horror movie, you find yourself thinking, “Ugh, come on,” then that’s basically the end of it. If the emptiness at the finish of something eerie arrives and the fear doesn’t quite live up to expectations, all...
| Kim Ji-yeon
A Review of Netflix’s “BTS: The Return,” Ending the Military Hiatus That Makes Subscription Fees Feel Worth It

A Review of Netflix’s “BTS: The Return,” Ending the Military Hiatus That Makes Subscription Fees Feel Worth It

On March 21, “BTS Comeback Live: Arirang” took place. The live broadcast, a collaboration between BTS (who helped open the door to the K-pop craze) and the global OTT platform Netflix, ranked #1 in 77 countries as of the March 23 tally, and also placed in the top three across every other country...
| Seongchan Eol
“An Album Rooted in BTS’s Origins” 'BTS Comeback Live: Arirang' — The Meaning of the New Album and Live Stage Ahead of the Event

“An Album Rooted in BTS’s Origins” 'BTS Comeback Live: Arirang' — The Meaning of the New Album and Live Stage Ahead of the Event

Ahead of 'BTS Comeback Live: Arirang,' Netflix and BTS shared the meaning behind the album and stage that BTS prepared. On March 20, Netflix held a press conference at Cine Cube Gwanghwamun in Jongno-gu, Seoul, for 'BTS: The Live.
| Seongchan Eol
The Fusion of Tradition and Modernity in BTS's Art: Netflix X BTS Epic Comeback Live 'Arirang' Comes

The Fusion of Tradition and Modernity in BTS's Art: Netflix X BTS Epic Comeback Live 'Arirang' Comes

On the 19th, the press conference for Netflix 'BTS Comeback Live: Arirang' was successfully held at CineCube Gwanghwamun. VP Brandon Riegg and Executive Producer Garrett English attended, showcasing an unprecedented event that integrates modernity and tradition, celebrating BTS's complete group return after four years with 100,000 on-site viewers and Netflix audiences worldwide on the 21st at Gyeongbokgung.
Netflix and BTS have unveiled details about 'BTS Comeback Live: Arirang,' which has generated excitement worldwide. On March 19th, Netflix held a press conference for 'BTS: The Live' at CineCube Gwanghwamun located in Jongno, Seoul.
| Seongchan Eol