Search results for "Ultimate Cut"

'Tobot' Retrobot ultimately files for bankruptcy... the bitter exit of a 16-year animation powerhouse A slump in new releases in 2021 and the aftershocks of an investment dry spell; the IP legacy continues through a separate corporation After being founded in 2008 and opening up new ground for 3D...

Because they could not obtain the family’s consent, ethical questions about the film’s release inevitably follow. ​ You asked a really important question. There are ethical issues, of course. In fact, we released it without getting permission or even understanding from any member of the family.

“What Should We Have Done?” 25 years of seclusion… A painful choice by doctor parents A hot-ticket release in Japan with 55 consecutive sellouts, shining a light on psychiatric medical realities of the 1980s and the family’s dilemma Beyond one slice of tragedy: reflection on the other side of the...

The eyes of dance fans worldwide turn to Seoul… A no-holds-barred showdown between six masters from around the globe vying for supremacy A massive stage capable of sparking a major shift in the world of dance will be set up in the heart of Seoul. On Aug.

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.

A daring move that picks ‘YouTube’ over the screen… the bitter struggle of an indie film that challenged the logic of capital An unusual stir is sweeping through the Korean film industry. Director Shin Jae-hoon, who directed ‘Chiwabŏpkwŏn’ and ‘Mangnaein: Eolgul Eopsneun Salinjadeul’, has unveiled...

Few actors throw themselves at the impossible the way Jo In-sung does. He runs, hangs on, endures and throws his body into action. In director Na Hong-jin's new film 〈Hope〉, Jo In-sung delivers raw, unpolished action, exuding a wildness and animal instinct as he faces an extraterrestrial...

※ This interview with Jung Hoyeon of 〈HOPE〉 continues from Part 1. Director Na Hong-jin is reputed not to compromise on set. What was it like to experience his filming process firsthand. As a relatively new actor, I felt his unwillingness to compromise was a blessing.

The weight of a tongue that brings disaster, from “Oldboy” to “The Last Line Boy” The Netflix original series “The Last Line Boy”, starring actor Choi Min-sik, brings back the lingering impact of “Oldboy,” a landmark work in the history of Korean cinema.

I'm drawn to film music. Sometimes music communicates a character's intimate emotions that images and dialogue alone cannot convey. It can become a window onto a creator's hidden intent. For me, understanding film music has been one way into a movie.